SKU: 32337598676
holographic tarot cards rider waite

holographic tarot cards rider waite The Smith-Waite Tarot Cards Holographic Crystal Foil

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Description

holographic tarot cards rider waite The Smith-Waite Tarot Cards Holographic Crystal FoilDescription + The Classic 1909 Illustrations, Now with Holographic Crystal Foil The Smith Waite Tarot Cards Holographic Crystal Foil is a full 78 card deck featuring the original Pamela Colman Smith illustrations from 1909, finished with holographic crystal foil that shifts through the full rainbow spectrum as you tilt each card. These are not gold tinted or single color foil cards. The finish cycles through blues, pinks, greens, and purples depending

The Classic 1909 Illustrations, Now with Holographic Crystal Foil

The Smith-Waite Tarot Cards Holographic Crystal Foil is a full 78-card deck featuring the original Pamela Colman Smith illustrations from 1909, finished with holographic crystal foil that shifts through the full rainbow spectrum as you tilt each card. These are not gold-tinted or single-color foil cards. The finish cycles through blues, pinks, greens, and purples depending on the light angle, which is why customers keep saying the photos genuinely do not capture what they look like in person. The deck is printed on 300GSM art cardstock with anti-scratch lamination, giving it a smooth, glossy feel that shuffles cleanly and holds up to daily use.

Why Holographic, Not Just Shiny

The difference between a standard foil deck and a holographic one is visible the moment you hold it. A standard foil card reflects light in one direction. A holographic card scatters light across the full spectrum, so the same card looks completely different depending on the angle and the lighting in the room. For collectors, this is a significant visual upgrade. For readers who use tarot for reflection or journaling, the shifting surface adds a quality that makes each reading feel a little more alive. The 300GSM cardstock is thick enough to fan without fanning unevenly, and the anti-scratch lamination means the surface stays pristine even after months of handling.

Trusted by 68,000+ Buyers Worldwide

With 68,496+ sales and 20,219+ verified reviews on Etsy, this is one of the most reviewed independent tarot brands available today. Our overall shop rating sits at 4.9 stars, and this holographic deck is consistently one of the first products new customers come back to recommend to friends. Customers call it "stunning", "gorgeous", and "the pictures don't do it justice." Dark Forest Tarot Cards has been a top Etsy seller for over 5 years.

Choose Your Set

Every set includes the full 78-card holographic crystal foil deck, a printed guidebook, and a protective card box. Pick the bundle that fits your setup or your gift:

Set What You Get
Deck Only
Already have your setup 		78-card holographic crystal foil deck + printed guidebook + protective card box
Deck + Velvet Bag Everything above + velvet tarot bag (7.8" x 5.9")
Deck + Reading Cloth Everything above + gabardine reading cloth (18" x 18")
Deck + Wooden Box Deck + guidebook + wooden storage box (5" x 3.5" x 2")
Beginner Set
Start reading right away 		Deck + guidebook + card box + reading cloth + velvet bag
Gift Set
Best for gifting 		Deck + guidebook + wooden box + velvet bag
Reading Set Deck + guidebook + wooden box + reading cloth
Complete Set
Most popular + FREE SHIPPING 		Deck + guidebook + wooden box + velvet bag + reading cloth

Not sure which to pick? The Complete Set is the most popular choice and ships free. The Gift Set is ideal when presentation matters most. Deck Only works well if you already own a bag or cloth.

Deck Details

  • Cards: 78 (22 Major Arcana + 56 Minor Arcana)
  • System: Rider-Waite-Smith (original 1909 Pamela Colman Smith illustrations)
  • Card size: 2.75" x 4.75" (7 x 12 cm), standard tarot size
  • Material: 300GSM art cardstock
  • Finish: Holographic crystal foil + anti-scratch lamination
  • Foil type: Full-spectrum rainbow holographic (shifts through multiple colors as light angle changes)
  • Guidebook: Printed guidebook included, covers all 78 cards upright and reversed
  • Packaging: Protective card box
  • Suitable for: Beginners, daily readers, collectors, gift buyers

Accessories (included in bundle sets)

  • Velvet tarot bag: 7.8" x 5.9", fits standard tarot decks
  • Gabardine reading cloth: 18" x 18"
  • Wooden storage box: 5" x 3.5" x 2"

Start Reading Right Away

Every deck ships with a printed guidebook covering all 78 card meanings, upright and reversed. No prior tarot experience needed. The Smith-Waite deck is built on the Rider-Waite-Smith system, the most widely used and taught tarot tradition in the world. Every major tarot book, app, course, and YouTube channel references this exact system. If you are learning tarot for the first time, this is the system to start with.

Extended Digital Guidebook

After your order ships, you receive a link to our extended digital guidebook with deeper card interpretations, spread layouts, and practice exercises to build a consistent reading routine.

Free Resource

Our expanded digital guidebook is also available free on the site, covering all 78 cards in detail. Available in multiple languages and updated regularly. No purchase required.

Read the Free Guidebook

These accessories are available separately or included in the bundle options above.

Wooden Tarot Box
5" x 3.5" x 2"

Velvet Tarot Bag
7.8" x 5.9"

Reading Cloth
18" x 18"

Why This Deck Costs More Than a Standard Reprint

Feature This Deck Standard Mass-Market Deck
Artwork Original 1909 Pamela Colman Smith illustrations with holographic crystal foil overlay Standard reprint, no special finish
Foil Full-spectrum holographic crystal foil, shifts through rainbow spectrum at different angles None, or basic single-color metallic accent
Cardstock 300GSM art cardstock, noticeably thicker and more rigid in hand 200-250GSM standard cardstock
Finish Anti-scratch lamination, surface stays clean after repeated handling Basic gloss or no protective lamination
Guidebook Printed guidebook included + extended digital version after purchase Small paper insert or none
Gift readiness Premium packaging, optional wooden box and accessories, ready to give as-is Basic cardboard box
Durability Anti-scratch lamination holds up to daily shuffling without surface wear Corners scratch and bend with regular use

Is this deck good for beginners?

Yes. The Smith-Waite deck uses the Rider-Waite-Smith system, which is the foundation for the vast majority of tarot books, courses, and apps available today. The included printed guidebook covers all 78 cards with upright and reversed meanings. You do not need prior tarot experience to start reading with this deck.

Are the holographic cards hard to read, or is there too much glare?

The holographic finish looks most dramatic under soft, warm, or angled light, and that is also where readability is best. Under very bright overhead lighting or direct sunlight, some cards can show reflective glare that makes the imagery harder to see clearly. Most readers find that a warm lamp or natural window light gives the right balance between visual impact and clarity. This is worth knowing before you buy, especially if your main reading space is brightly lit.

What's the difference between this deck and the Smith-Waite Gold Rainbow Foil version?

The Holographic Crystal Foil version uses a full-spectrum holographic finish that shifts through blues, purples, pinks, and greens depending on the angle and light source. The Gold Rainbow Foil version has a warmer, gold-dominant reflective finish. Both use the same original 1909 Pamela Colman Smith illustrations, but the visual effect is noticeably different. If you want a cooler, more prismatic look, the holographic version is the one.

What exactly comes in my order?

All sets include the full 78-card holographic crystal foil deck, a printed guidebook, and a protective card box. Velvet bag, reading cloth, and wooden storage box are included depending on which bundle you select. See the "What's Included" section above for a full breakdown by set.

Is the guidebook physical or digital?

Both. A physical printed guidebook is included in the box with every order. After your order ships, you also receive a link to an extended digital guidebook with deeper interpretations, spread layouts, and practice exercises. There is also a free expanded guide available on the site at any time, with no purchase required.

How thick are the cards?

The cards are printed on 300GSM art cardstock, which is noticeably thicker than most mass-market tarot decks (typically 200-250GSM). They feel substantial in hand, fan cleanly, and resist bending during shuffles. New cards may feel slightly stiff at first and will loosen up after a few shuffles.

Is this a good gift?

It is one of our most gifted decks. The holographic crystal foil finish photographs beautifully and looks impressive when opened. The packaging is premium enough that most buyers do not add extra wrapping. The Smith-Waite tradition is recognized by tarot readers at every level, so it works as a gift for someone brand new to tarot and for someone who has been reading for years.

Where do you ship from, and how fast?

We ship from warehouses in the USA (Florida and Pennsylvania) and Europe (Bulgaria). Orders are processed within 1-2 business days. USA delivery is typically 2-5 business days, Europe 4-9 days. All taxes are included in the price listed.

What is the return policy?

We offer a 14-day return policy. If the deck is not what you expected, contact us and we will make it right. Full details are on the Delivery and Returns page.

Shipping

We ship from warehouses in the USA (Florida and Pennsylvania) and Europe (Bulgaria), so your order takes the fastest available route.

All taxes are included in the price. No hidden fees at checkout.

Order the Complete Set and get FREE SHIPPING.

Estimated Delivery

  • USA: 2-5 business days
  • United Kingdom: 4-7 business days
  • Canada: 5-7 business days
  • Europe: 4-9 business days
  • Rest of World: 7-14 business days

Returns

Not what you expected? We offer a 14-day return policy. Contact us and we will make it right. Full details on the Delivery & Returns page.

Browse all holographic tarot cards in our collection.

Read our guide: Holographic Tarot Cards: What They Are and How to Choose

See all foil tarot cards in the collection.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 32337598676

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4.4 ★★★★★
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Product Reviews
L
Verified Purchase
Lana
Cuba, US
★★★★★ 5
Good
Good
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 22, 2026
D
Verified Purchase
dra
Phoenix, US
★★★★★ 5
Fractured pop art masterpiece
Walker (Lee Marvin) and Mal Reese (John Vernon) stage a robbery, stealing a bag of cash from some crooks conducting a delivery by helicopter in deserted Alcatraz. Reese double crosses Walker and leaves him for dead, taking off with the cash and Walker's wife. Walker survives, escapes from the island, and comes after Reese, and all the rest of his criminal organisation, with the mantra, "I want my $93,000." On this third or fourth viewing, I was struck less by what an exemplary action film this is (Marvin, the hardest man in the history of the movies, was at least as mean and relentless in The Killers), and more by how deeply artiness is infused into its structure and design. The recurrent flashing back and forward in time, especially at the start between the planning - not in the traditional meticulous heist film set up, just a series of fractured, barely linked brief meetings and conversations - and the robbery, but also Walker's thoughts returning to his betrayal, feed the predominant critical interpretation that Walker was fatally wounded on Alcatraz, and the whole film is his trying to process this and his fantasy of revenge. Boorman addresses this directly in the commentary, to the extent that he refuses to commit and says it's intended to be ambiguous. I'm now firmly in the dying-flashback camp, because of Walker's almost magical powers. (On reflection, it's like the question of whether Deckard is a replicant - you can enjoy debating it and looking for clues, but in the end the answer is yes.) He appears in new scenes and locations with no evidence of having travelled, and generally in a spiffy new outfit (more of this later) despite carrying nothing but his revolver, and, particularly in the central sequence, he evades being apprehended either by coincidence (the lift he's in opens and closes while the baddies waiting for the same lift are distracted by a commotion) or by the sheer application of cool (waiting immobile but scarcely invisible in an underground car park while his pursuer is gunned down by police). He also has an advisor/mentor, played by Keenan Wynn, who pops up in scenes like a cartoon character (he looks like a sort of dome shaped, bristle headed man in a suit who might appear in Ren and Stimpy) and gives Walker his next mission, while the two of them assiduously avoid eye contact as if one or both aren't really there. From Walker's re-emergence in the first of a series of natty suits, Point Blank is constructed as a series of set pieces. The first is the oddest, continuing the flashbacks and playing with chronology. Walker is seen striding intently down a corridor, and we hear the sound of his footsteps over a series of scenes of his meeting his wife, and the two of them sharing innocent good times with Reese. He confronts his wife, fires six shots into her bed before realising Reese isn't there. A scene later, she's dead after an apparent overdose. A scene after that, the body is gone, the apartment is bare, and Walker has boarded himself inside. Did Walker even see his wife? Had she died already? A messenger arrives from whom Walker extracts a name, and he's off chasing the next link. Walker meets care dealer Big John, whose yard has enormous signs in a jazzy '50s font. He asks for a test drive, buckles his seatbelt, and smashes the car between pillars (c.f. The Driver) until John spills the next name. The most self-consciously art-directed scene follows, in which Walker visits a nightclub which features both a bikini-clad go-go dancer and a trio playing something between jazz and James Brown. Tipped off by a flirtatious waitress that he's being followed, he ducks behind the stage, and fights two baddies while giant faces are projected on a huge screen behind him. In a moment that suggests Tarantino watched this while writing Inglourious Basterds, Walker pulls down a rack of celluloid canisters to trap one pursuer, and then returns things to some kind of action movie orthodoxy by subduing the other one with a haymaker to the groin. In the centrepiece, Walker meets his sister-in-law Chris (Angie Dickinson). Grief and his mission of revenge don't mean he misses the chance to share her bed, and emerge, manhood serenely unthreatened, in her borrowed yellow shortie robe. The colour scheme gets turned up to 11 at this stage, with Walker in a mustard shirt-sports jacket combo (his outfits get truly creative whenever he's bedded Angie - later, he sports a shirt somewhere between salmon and ruby grapefruit - which I guess is the wardrobe equivalent of Joseph Gordon Levitt's post-coital dance routine in (500) Days of Summer), Angie in a rockin' yellow shift dress and matching '60s mid-length coat (let down soon after by wearing something striped like a bee), and Reese in a light tan, crushed velour t-shirt that might be the least flattering male garment in cinema until Borat's mankini. Walker even finds a sightseeing telescope painted lemon yellow, which he casually dislocates from its moorings to scope out Reese's penthouse lair. Once Reese is dealt with, the movie shifts into an early example of crime-as-big-business. Reese's boss is Carter, whose sleek Mad Men-style office and threads are matched by his resemblance to that series' Ted. According to IMDb, Lloyd Bochner, who plays Carter, was doing voice-over work from age eleven, and between him, Vernon's baritone (you know how it sounds - like Dean Wormer: "Fat, drunk and stupid is no way to go through life, son."), and Marvin's basso profundo, there's a meeting of male voices unmatched until, say, Brideshead Revisited. Around this point the architecture of LA attracts more and more focus, both modernist glass towers and the concrete culvert of the LA River, where a sniper lurks who might have inspired the climactic shooter in Get Carter. The commentary is conducted as a dialogue between Boorman and Soderbergh, who, if you've seen this, early Nic Roeg (Performance and Don't Look Now), and were already acquainted with the colour yellow, seems less original than he otherwise might. He has the decency to open by talking about how many times he's stolen from Point Blank. He's not the only one though. Point Blank deconstructs and toys with the action film as knowingly as anything in the 45+ years since, up to and including Archer and the entire oeuvre of Shane Black. Just when it's in danger of becoming too clever to be satisfying as a genre piece, it gets your attention with a pistol whipping, a punch to the groin, or the rarely-shown actual end result of the villain-takes-a-long-fall thing. And of course there's Marvin, who, whether dressed like a dandy, wearing a robe, or looking baffled when the next corporate criminal explains that they just don't have $93,000 to hand over, can't be beat. Seriously, you're not obliged to love it, but you have to see it at least once.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 3, 2014
J
Verified Purchase
J. H. Haley
Waukegan, US
★★★★★ 4
Lee Marvin's best
Finally it's in dvd. Been looking for it for years. Point Blank is Lee Marvin's best movie, the best character for him, and has his best tag line. I'll leave that for you to find. (It has to with seat belts.) The movie is aptly named. The plot is steam-roller direct, but the director uses some arty time-lapse devices that either distract by conflicting with the directness of the character and the plot, or enhance by providing depth and interest, I can't decide. But they do jarr a little and seem dated. I suppose I do like the uniqueness they add. It's a really good Lee Marvin movie, and Angie Dickinson to boot. Who remembers her answer when Johnny Carson asked her whether she dressed to please herself or others? Memorable.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 25, 2007
M
Verified Purchase
mojo_navigator
Chelsea, US
★★★★★ 5
Excellent Blu-Ray Transfer - Big Improvement to the DVD
I've been a big fan of this movie for many years, long before the advent of DVD let alone Blu-Ray. I used to go and see it at the repertory cinema often - the first time, I was stunned by the quasi-hallucinatory cinematography of it. A totally unique film that's never been replicated before or since (although The Limey was a good attempt) Frankly the story is incidental and not worth summarising or even paying much attention to. The cinematic style of it is what makes it so riveting both then and now - an excellent psychedelic time-capsule of late `60s LA punctuated by stunning performances from the likes of Marvin, Dickinson and others. The DVD was a huge let-down when released. Despite the accolades that it had at the time, it had a "watery" non-filmic quality which made it dull and tiresome to watch even once. Without capturing the garish color and mind-bending trippiness of the film, you were reduced to following the plot which, like I said, is the least interesting aspect of it. The Blu-Ray is MILES superior to the DVD. The integrity of every component in this movie that I've discussed above is perfectly captured; the emotional power of it is all there in bucketloads. The colors are strong and vivid and in true Blu-ray style you notice subtleties that you hadn't noticed before (e.g. the green chairs in the corporate offices, Angie Dickinson's expression after the "what's my last name" exchange). The overall quality is very filmic (no DNR etc) and good grain where appropriate. It looks like a strong 35 mm print that has been run a few times but has plenty of life left. So no Criterion day-it-was-released look but more than satisfactory. Ideally, I would like Criterion to get hold of this as I think they would clearly be able to make an improvement but this is a minor quibble. For fans of `60s cinema and experimental film-making, this Blu-Ray edition will thoroughly satisfy. I no longer feel the need to see this in a movie house anymore unless there's a full restoration of the original 35mm print (which does happen from time to time)
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 26, 2014
K
Verified Purchase
KEITH
Natrona Heights, US
★★★★★ 5
Displeasure And Distance
The movie 'Point Blank' is like staring at a visual of Alcatraz prison from the opposite shore. Meaning accumulates over landmarks when we are suspicious about the details. On such a sound the channel of moving water has a stationary dock. A metal walkway connector bridge glows in unnatural radiances; the sun seems set on it, at dusk. These sea shore implements, at Alcatraz or at another bay denote civility and schedules of operation. When money and it's acquisition exist in our brains as enticements the places become spectrums with loose enthusiasms and burnished red-glows. Walker(Lee Marvin) the anti-hero of the movie 'Point Blank' is a tall, laconic, dark-suited figure. Walker's parted white hair gets swept up in the wind, unstraightened, but his bushy eyebrows are solid supports of displeasure and distance. 'Point Blank' directed by John Boorman is a 1967 classic crime film and is the story of a solo struggle-Walker's-to reconnect and recover the money that was stolen from him by his ex-partner Mal Reese(John Vernon). Walker importunes abandoned places, like an Alcatraz prison cell with questions: "How did it happen?" He is ruminating over incidents that are seen in flashback entries, but these brief remonstrance are also plot points on a scheme of surreal adventuring. Lynne(Sharon Acker), Walker's wife, has reproachments about herself, her 'past', but the enviable story is told. Lynne's monotonous sentiments recall a walk on the pier in the rain, with herself and Walker in mild drunkeness. Lynne's voice is synthesized to a soft, dreamy intercession; another vision from Walker's life, also an evocative impression of a stoic wanderer's accentuated provocateur encounters. In his film direction Boorman takes the novel "The Hunter" written by Donald Westlake and gives weight to a story about the cavorting of a slick, popular, caper anti-hero named Parker (From "The Hunter" , also other serial books written by Hunter under pseudonyms like Richard Stark). This story is recreated by Boorman for Parker of the novel and his hyperbolic lurid situations. 'Point Blank' invests visuals with sensual revelations of mystery. The breaths of relaxed reflection give toxicity to moods and the imagination has righteous experience of titillation. The viewer is invited to understand the whisperings of breezes brushing against one another at random convexes-these are soft exposing indescrepancies. At a reunion, another recounting of Walker being hailed over by Mal Reese is one twist. At another rally, in a room in San Francisco, that is similar, Walker warns his target bluntly: "If you don't, I'll kill you." There is an abrupt appearance, also in a semi-populated venue, of assistance made towards Walker. This inviting frenemy says: "If you're looking for Carter, I may be able to help you." This is Yost played by Keenan Wyn. The themes of thrifty fantasy contrive to bounce off Walker. In sunlit rooms and concrete runs ambush attacks set by Walker realize glib confrontations. One such scene involves Brewster(Carroll O'Connor) in an amorous exchange with Walker that suggests that the veritable energies of excitement between Walker and Brewster were procured and transcribed for 'Point Blank' from other products of fictitious dealings. 'Point Blank' co-stars Angie Dickinson as Chris and Lloyd Bochner as Frederick Carter.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 17, 2025

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