christian lacroix dress Fall 1992 Christian Lacroix Elaborate Gold & Silk Corset Top & Skirt –  Shrimpton Couture
SKU: 63447166753
christian lacroix dress

christian lacroix dress Fall 1992 Christian Lacroix Elaborate Gold & Silk Corset Top & Skirt – Shrimpton Couture

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Description

christian lacroix dress Fall 1992 Christian Lacroix Elaborate Gold & Silk Corset Top & Skirt – Shrimpton CoutureThis Christian Lacroix set perfectly showcases his mastery in combining fabric and textures. Every element used has a depth and texture to it separate from the others and yet it all works perfectly together. The best example we could find form the runway displays the same colorway and silks used on this set from the Fall 1992 runway giving us the collection date for this piece. Everything starts with the fabric choices for Lacroix and what fabric

This Christian Lacroix set perfectly showcases his mastery in combining fabric and textures. Every element used has a depth and texture to it separate from the others and yet it all works perfectly together. The best example we could find form the runway displays the same colorway and silks used on this set from the Fall 1992 runway giving us the collection date for this piece.

Everything starts with the fabric choices for Lacroix and what fabric choices he made! The corset and the long skirt are both made of a rich copper gold metallic fabric that has black silk medallions scattered over its surface. Each of these medallions is held in place by over stitching in what looks to be a velvet chenille type thread. This gives it a antiqued feel as well as dimension and texture. Mixed in with that and used as a way to highlight the curves other piece are silk chiffon panels. The colors flow into each other in a beautiful mix. The corset bodice is made of two layers with the inner layer being the more fitted and boned inner structure. Iver this is a second bodice that curves and flares as you see. The skirt flows to the ground, hugging the hips and then flaring outwards  as it nears the hem. The front is scooped and gathered and is longer at the back. Excellent condition.

Both pieces and each layer of the corset are fully lined black with a gold silk satin lining. The bodice is boned and structured. The top closes with a side set zipper on the interior part of it and hook and eye on the outer layer. The skirt closes with back zipper. Both pieces are tagged a 42

Top
Inner bust: 17.5" flat across from side seam to side seam
Inner waist: 15" flat across from side seam to side seam
Outer Length: 21" from shoulder to hem

Skirt
Waist: 15" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: approx 35" from waist to shortest point of hem at the front, 45" to longest point at the back hem

Modern Sizing Equivalent: MED-LRG

Item# DD3135

Reference Photo: F/W 1992 Haute Couture Christian Lacroix Runway Collection.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

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SKU: 63447166753

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Julie Lowe
Omaha, US
★★★★★ 5
Their is one God and he loves you!
Format: Hardcover, Format: Hardcover
This is a great translation of the Septuagint translated from Greek to English. A great buy for anyone wanting to read , study or gain more understanding of the Bible.
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Reviewed in the United States on October 11, 2025
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Paul Stevenson
Los Angeles, US
★★★★★ 5
A careful, scholarly work
Format: Hardcover
The introduction to this book does a great job of laying out the challenges of translating an ancient translation. It is not, however, aimed at people without a significant background in Hebrew, Greek and translation theory. I give credit to the authors of the introduction, Albert Pietersma and Benjamin G. Wright, for specifying the nature of the translation and its audience. Taken from Nida and Taber, _The Theory and Practice of Translation_ (Leiden: Brill, 1982), p. 31: "a translation in the present-day literary language, so as to communicate to the well-educated constituency." The translators chose this group "on the assumption that it is most probably this audience that has a more than passing interest in traditions of biblical literature other than their own" (p. xiv). I think they are right about this. "Translating an ancient text can only be described as a profoundly difficult undertaking.... "The difficulties of the undertaking are certainly not decreased when one attempts to translate an ancient translation into a modern language. If translating is an act of interpreting, as linguists suggest it is, rather than a simple transfer of meaning, a Greek interpretation of a Hebrew original can be expected to reflect what the translator understood the Hebrew text to mean. The end result is therefore inevitably to some degree a commentary written at a specific historical time and place by an individual person, whose understanding of the Hebrew will often have been at variance with our own, though at times perhaps equally viable." (p. xvi) Indeed, back when I was a linguist- and translator-in-training at the Summer Institute of Linguistics (early 1980s), I was taught the rather simplistic model of translation as a mere transfer of meaning. Experience, though, has taught me that this is virtually impossible. A text of any level of sophistication above that of a stop sign is full of cultural assumptions, lexical polysemy, syntactic ambiguity, and so forth. Any translation is perforce an interpretation. The only way to even begin to compensate for this, if the readers of the translations are not scholars trained in the relevant fields, is to include a massive set of footnotes. The average reader is just not going to take the time to read such a set of notes, even if they are included. The majority of traditional religious readers of a Bible translation are not prepared to deal with the challenges that such footnotes would present to their existing understanding of the text. The New English Translation of the Septuagint is aimed at those who already have at least some of the relevant scholarly background and are not averse to acquiring more.
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Reviewed in the United States on February 8, 2019
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Kim
Bozeman, US
★★★★★ 5
Best Bible Ever!
Format: Leather Bound
This Bible is my new favorite. The leather is so soft. Best purchase , best Bible
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Reviewed in the United States on April 24, 2026
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Todd Heminger
Pawtucket, US
★★★★★ 5
Great size.
Format: Leather Bound
We bought this for our son in college. He loves the size. He brings it to church and studies from it at school. Great Bible. He enjoys taking notes in it.
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Reviewed in the United States on December 1, 2024
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Amanda Jackson
West Palm Beach, US
★★★★★ 4
Pages are a little thin but nice Bible.
Format: Leather Bound
This Bible is a great option for someone with good eyesight, as the print is on the smaller side. I personally prefer larger print, but the smaller text does make it more compact and convenient to carry. I got this for my daughter in college, and it’s perfect for her since she likes to take notes during sermons. The leather cover is very nice and adds a quality feel. I do wish the pages were a bit thicker, as there is some show-through from writing on the other side—something to keep in mind for a journaling Bible. Overall, it’s a nice, basic option for jotting down notes and reflections.
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Reviewed in the United States on March 31, 2026

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