black flapper dress V-neck black flapper dress with drape and bow – LaVieDelight
SKU: 5041883906
black flapper dress

black flapper dress V-neck black flapper dress with drape and bow – LaVieDelight

Sale price$24.62 Regular price$27.36
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Size: 4

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Description

black flapper dress V-neck black flapper dress with drape and bow – LaVieDelightBecome a Flapper with this elegant V neck 1920s dress that is made of black chiffon fabric. It's handmade and has a drape and bow. This 20s party dress can be worn, for example, as a black Great Gatsby dress, a 1920s flapper dress or a Downton Abbey evening dress. Jazz up your next roaring twenties party with this dress! This style of dress comes in many colors, check out here. For more dresses in black color, check out here. This item is made to

Become a Flapper with this elegant V-neck 1920s dress that is made of black chiffon fabric. It's handmade and has a drape and bow. This 20s party dress can be worn, for example, as a black Great Gatsby dress, a 1920s flapper dress or a Downton Abbey evening dress. Jazz up your next roaring twenties party with this dress!

This style of dress comes in many colors, check out here.

For more dresses in black color, check out here.

  • This item is made to order and is not in stock
  • The current production time is stated on the announcement bar on the top of this page.
  • Since the product is yet to be made, there is an opportunity to customize it based on your body measurements and height. Check the Size Chart and if you are not sure which size to choose or need a custom size, please Contact Us before placing your order.

 DRESS DESIGN

The design is loose fitting, sleeveless with a drop-waist and a v-neckline. Two diagonal panels of the front of the skirt cross in the middle, making the sides slightly longer than the middle. One side of the panel continues to form beautiful drapes on the side, which is decorated with a cute bow. The back hem is a couple of inches longer than the shortest part of the front hem.

The dress is fully lined with soft breathable rayon fabric, has no zipper and can be slipped on through the head. Thanks to its loose-fitting design. Professionally and neatly hand-crafted with great attention to small details.

The dress length is a couple of inches below the knee or depending on your height. Check length details below for each size. Please note that because of its drop waist, the dress will look less flattering or less correct if you are a lot shorter or taller than the person’s height recommended for each size. In that case, we recommend ordering a custom size. There are no extra charges for the customization. Contact us for this.

NB: The accessories (necklace, gloves, hats) are not included in the listing.

SIZES

The dress is available in 4 regular sizes, S, M, L, XL, and custom sizes for up to person's bust of 48 inches. The measurements of bust, waist and hips below are of a person’s BODY, not the dress itself.

See Detailed Size Guide 

If you are not sure about sizing, kindly contact us with your body measurements and height. We are more than happy to help you choose the right size.

*The model wears a custom dress based on her body measurements and height.

CUSTOMIZATION

Make sure you know your 'exact' body measurements, which have been measured correctly as instructed in the Size Chart. If you are between sizes send us your measurements and height. We will help consider whether you need a custom size. Most of the time we encourage you have your clothes customized to your body measurements and height so that they fit well, correctly and are body flattering. And you will look great and feel confident in them. We offer custom orders of up to person's bust of 48”. There are no extra fees for size customization. However, a custom item cannot be returned for refund or exchange. Please contact us first if you would like a custom item before placing your order.

CARE

Hand wash, or machine wash in a washing bag in cool water (30C). Hang to dry and iron with medium heat.

CONTACT US IN CASE OF QUESTIONS

We are based in Thailand. Do not hesitate to contact us if you have questions about this dress or anything in our shop.

Happy shopping.
- Thongbai, on behalf of the La Vie Delight Team.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 5041883906

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4.6 ★★★★★
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R
Verified Purchase
Rocco Dormarunno
Birmingham, US
★★★★★ 5
Search for Scapegoats
Format: Hardcover
Jill Lepore's "New York Burning: Liberty, Slavery, and Conspiracy in Eighteenth-Century Manhattan" is a valuable and admirable examination of one of the darkest episodes in New York's history: the so-called slave rebellion of 1741 and the brutal vengeance that was extracted. Professor Lepore's painstaking research confronts the reader with a terrible conclusion: even the most respectable of people in society will consent to the deaths of human beings, based on even the tiniest shreds of evidence. Focusing primarily on the actions of Daniel Horsmanden, the City's Recorder, Lepore provides the reader with a background on the attitudes of New York's whites toward their slaves. She makes clear that Gotham was neither the first nor only city to have witnessed slave uprisings. (It had suffered a similar uprising a couple of decades earlier.) But the events of 1741 were unique for several reasons: --the shifting finger-pointing at various groups; --the inconsistency of Mary Burton's testimony, which essentially was the case against several slaves;and --Horsmanden's bizarre behavior toward Mary Burton. Admittedly, I've only superficially studied this dark time in New York's history, so I was shocked to learn that there were actually several "conspiracies": the Negro Plot, Hughson's Plot, the Spanish Plot, the Roman Plot, etc. Each plot was hatched depending on who confessed to what. Worst of all, the white population of New York--fueled by racism, xenophobia, paranoia, and, not the least of all, bloodlust--went right along with it. And, with the exception of an intriguing anonymous letter from Massachussetts, it seems the rest of the colonies went along with it, too. While Horsmanden is just short of villified in this book, he is not alone in his culpability. Professor Lapore's "New York Burning" will disturb many readers. The accounts of the slaves and the few whites burning, hanging, begging, and praying are graphic and heartbreaking. Still, this in an incredibly important book for anyone interested in the history of our nation and/or the all-too-tragic fragility of race relations in America. For this, Professor Lapore deserves our appreciation
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Reviewed in the United States on June 8, 2006
R
Verified Purchase
Reckless Reader
Draper, US
★★★★★ 5
Spectacular Albeit Unknown History of Race Relations
Format: Hardcover
This is a great piece of historiography about something few know about at all --- slavery in New York City in the 18th century. How about a slave "rebellion" in New York City, how about more people burned at the stake than in the Salem witchcraft trials, how about dark byways and highways of old New York, barely transformed from its days as New Amsterdam, dark plots in dank places, shrill frightened tyrants overreacting with bloody retribution, burned ruins of an early African American village in Central Park? One cannot make up this stuff, it is too real so it must be history at its best. And written by one of our premier authors of history, a woman who makes our history live in The New Yorker to the acclaim of many, and yet whose best book, this one, is still too little known. If you appreciate Harry Truman's remark that the only new thing under the Sun is the history you haven't read, then this is one to curl up with and marvel at; a great way to spend a rainy day or a dark night.
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Reviewed in the United States on January 22, 2010
M
Verified Purchase
Michael Pointer
Massapequa, US
★★★★★ 4
Good, but not great.
Format: Paperback
Kudos to Lepore for delving into an important, little known subject, which she does better than most historians. At times, however, I think she felt the need to put every little piece of information she got into the book. It was way too long. Some good research, but she has done better. Still, worth checking out. I like to think I know American history, but I know nothing about this awful chapter.
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Reviewed in the United States on April 1, 2019
J
Verified Purchase
John Warren
Fort Morgan, US
★★★★★ 5
DAMN, this is a great book!
Format: Hardcover
All history books should be this detailed, this readable, this humane. Lepore knows how to write about a horrible, nearly forgotten episode in NYC history. Unlike many historians, she steps away from overt politics or raw emotion. She knows that this subject is too serious to be shouted. It is the rare history book that is packed with facts as well as knowledge. I felt like Lepore was taking my hand and leading me through the smelly streets of lower Manhattan in 1741, like I could almost see the faces of...what were they, anyway? The victims of a horrible hoax? The demented planners of a plot to burn the city? Or something in between, where thieves can also be the keepers of ancient rites from a distant homeland, where the world is turned upside down? I could go on and on, but just buy the book!
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Reviewed in the United States on May 20, 2008
K
Verified Purchase
Kim Burdick
Lexington, US
★★★★★ 3
New York Burning
Format: Paperback
. This is an important book that explores in depth what is usually only found in textbooks as a one-sentence summation: "In 1741 there was a slave uprising in New York City." Scholars will probably be happier starting with the Appendix and bibliography and then reading the book. The text is disorganized and uneven, and although this is non-fiction, the characters could have been more finely drawn. Peter Zenger's trail keeps popping up in unexpected places, often disconnected from the action the author is working on. Some sections are heavy on primary documents and period writings, others are more poetic. Yes, I do understand the parallels with the Salem Witch Trials. The Salem Witch Trials get more press today because of Arthur Miller's "Crucible." Color and religion of the participants aside, both events are stories of group think and mass hysteria, fear and anger. There is plenty of room here for a first-class film or play to be written. Read this book, learn from it. Expect to complain about it. Kim Burdick Stanton, DE
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Reviewed in the United States on November 7, 2014

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