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Description
b flat clarinet altissimo finger chart Alder, Jason_Clarinet Quarter-Tone & Altissimo Fingering ChartThis edition is available in both physical book and digital PDF formats; carefully choose from the options above before adding to your cart. (PDF products will be delivered via email within one business day) Jason Alder also has fingering charts available for bass clarinet and contrabass clarinet. From the author: "Ten years have passed since releasing the 2nd Edition of my Bass Clarinet Quarter Tone Fingering Charts, which coincided with the first
This edition is available in both physical book and digital PDF formats; carefully choose from the options above before adding to your cart.
(PDF products will be delivered via email within one business day)
Jason Alder also has fingering charts available for bass clarinet and contrabass clarinet.
From the author:
"Ten years have passed since releasing the 2nd Edition of my Bass Clarinet Quarter-Tone Fingering Charts, which coincided with the first release of a chart for soprano clarinet. I’m now already on the 3rd Edition of both the clarinet and bass clarinet charts, which are being released simultaneously, following the recent release of a compilation of three separate charts for Leblanc, Selmer, and Eppelsheim contrabass clarinets.
The first obvious change in the 3rd Edition is to the title. I have added Altissimo to better reflect that these charts are not only useful for their quarter-tones, but also for their stratospheric range. The charts have also had a formatting revision and are now being published through AMA Editions, available in print as well as digital forms.
The next big change is the addition of 127 quarter-tone and altissimo fingerings, and some corrections and revisions to the existing ones. With these revisions come some new notations of the diagrams. One of these is the use of grey-colored keys, first used in the contrabass clarinet charts, to indicate keys which may be added to help tuning, response, and/or resonance. Rather than creating a new diagram for every possible combination, I thought it would be more effective to show the fundamental fingering in black, with the grey keys as possible additions dependent on what works best for a player and their instrument."
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