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uppababy vista logo UPPAbaby Vista V3 StrollerThe UppaBaby Vista V3 Double Stroller includes the following items to give you the perfect UppaBaby Double Stroller for your growing family. The Vista V3 Double Stroller includes the Vista V3 Single to Double Stroller in addition to the Vista V3 Rumbleseat & Upper Adapters. Our Vista stroller is intuitively designed to grow with your family! It starts as a single stroller but can easily transform to accommodate up to three children with added
The UppaBaby Vista V3 Double Stroller includes the following items to give you the perfect UppaBaby Double Stroller for your growing family. The Vista V3 Double Stroller includes the Vista V3 Single to Double Stroller in addition to the Vista V3 Rumbleseat & Upper Adapters.
Our Vista stroller is intuitively designed to “grow” with your family! It starts as a single stroller but can easily transform to accommodate up to three children with added accessories and adapters — becoming the ultimate in portability and convenience!
The UppaBaby Vista V3 Single-to-Double Stroller is a full-size single-to-double stroller system uniquely designed to fit every growing family With its intuitive design and over 30 ways to customize your ride, the reimagined Vista V3 Stroller was designed to effortlessly fit every growing family, from first child to last.
Starting as a single stroller, it easily transforms to accommodate up to three children, offering the epitome of portability and convenience. The Vista V3 provides the most premium ride through every season.
UppaBaby Vista V3 Features & Benefits
- Offering 30+ configurations to grow with your family starting from birth up to 3 children in tow
- Enhanced FlexRide Suspension delivers a smooth ride whether strolling with 1, 2, or 3
- All-Weather Comfort Seat with Seasonal Seat Liner for cooler days that converts to mesh for warmer days
- Quick-to-secure harness system with magnetic buckle and easy-to-adjust, no-rethread harness
- Parent-facing and forward-facing full size, toddler seat grows with child up to 50 lbs Max Weight: 50 lbs from birth with infant insert accessory
- Effortlessly folds in one simple step & stands when folded for compact storage
- Extendable, water-repellent UPF 50+ canopy and easy-to-peek window for added air flow
- Extra-large, easy-access basket with 30 lb. weight limit to easily store all your essentials while strolling
- Premium fabrics and full-grain REACH certified leather details
- The Bassinet, Mesa, and Aria Infant Car Seats attach directly to stroller without adapters to create a from-birth solution Toddler Seat / Frame
- Never flat tires for durability and smooth strolling through various terrain
- Reflective trims on wheels and basket to enhance visibility while strolling
- Ability to transport up to three children with RumbleSeat and PiggyBack accessories
- One-handed multi-position recline for those resting strolls
- Extendable water-repellant canopy with UPF 50+ protection, zip-out fabric, and mesh panels with covering for added protection for any weather
- One-hand, adjustable handlebar to better accommodate different heights
- Front wheel locks with visual indicators for parents peace of mind
- Adjustable footrest positions feet and legs comfortably as they grow
- GREENGAURD Gold certified to suppose healthier air quality & low chemical emissions
The UppaBaby RumbleSeat V3 directly attaches to your Vista V3 to easily accommodate two in tow through all seasons and stages. Comfort meets convenience with the RumbleSeat V3. Easily attach this second seat to your Vista with the large hubs and adapters, offering a simple and intuitive experience for parents. Children can grow with the RumbleSeat V3 thanks to the 40 lb/18.1 kg weight limit, multi-position footrest, and forward- and parent-facing capabilities. With an All-Weather Comfort Seat, large frame, and height-adjustable canopy, the RumbleSeat V3 is the perfect, multitasking stroller seat solution for growing families in any season and stage.
Suitable for children from 3 months to 40 lbs or 36 in/ 18.1 kg or 91.4 cm, whichever comes first
UppaBaby RumbleSeat V3 for Vista V3/V2
- All-Weather Comfort Seat with Seasonal Seat Liner for cooler days converts to mesh for warmer days
- Quick-to-secure harness system with magnetic buckle and no-rethread harness
- Adjustable footrest to aid in child comfort as child grows
- One handed, multi-position recline can be positioned both forward- and parent-facing
- Grow-with-me canopy height adjustment to provide extra headspace
- Extendable, water-repellent UPF 50+ canopy and vented peekaboo window for added air flow
- Large hubs and adapters ensure quick, easy, and intuitive attachment to Vista
- Premium fabrics and full-grain REACH certified leather details
- GREENGUARD Gold Certified: Supporting healthier air quality & low chemical emissions
- Removable and washable fabric
- Snack Tray accessory fits bumper bar attachment
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4.8 ★★★★★
Based on 5 reviews
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Product Reviews
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader.
This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story.
I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
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Reviewed in the United States on November 22, 2016
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation.
I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation.
For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following:
ABA webinar available with an internet search for "Storytelling for Lawyers"
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Reviewed in the United States on July 25, 2018
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017