SKU: 96761373741
3466 areca palm ave

3466 areca palm ave Areca Palm

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Description

3466 areca palm ave Areca PalmAreca Palm The Areca palm trees are a favorite palm for privacy, screening and garden backdrops in many Cape Coral landscaping projects. We recommend using the Butterfly Palm Trees as a living fence to provide privacy from neighbors, or block the view from the street into your home. Once they reach a taller height, with a little trimming they can be thinned out to display their bamboo looking trunks. Either left completely full and lush, or a little

Areca Palm

The Areca palm trees are a favorite palm for privacy, screening and garden backdrops in many Cape Coral landscaping projects. We recommend using the Butterfly Palm Trees as a living fence to provide privacy from neighbors, or block the view from the street into your home. 

Once they reach a taller height, with a little trimming they can be thinned out to display their bamboo-looking trunks. Either left completely full and lush, or a little manicured, the Areca palm tree is a beautiful addition to a tropical landscape.

  • These palms are a great choice for natural privacy screening.
  • Not just another pretty face, the dramatic areca palm can double duty as a spectacular tropical privacy screen.
  • It is sometimes called the "Butterfly Palm"-because they are full and dense.
  • Areca palms are slow to moderate growers for sun and shade and can reach heights of 15 to 20 feet. 
  • Zone 10 is best, though winter in warmers areas or Zone 9B that border 10A, you can use an Areca in a protected spot. You may see leaf tip burn after most winters, even in Zone 10. Areca are clustering palms.
WE ONLY SHIP TO LOCAL FL COUNTIES (Hillsborough, Pinellas, Manatee and Pasco Counties ONLY)

    More Details

      

    Advantages:

    Easy To Grow

    Low Maintenance

    Good For Containers

      Grows Best:

        Landscape

        House Plant

        House Plant

      Ideal position:

      Full Sun

      6 + Hours best

      Growth Outlook:

      Height : 10-30

      Wide: 8 - 10'

      Growth Rate: Fast

      Plant Spacing: 12' - 18'

      Pet Friendly - yes

      Toxicity: Safe for pets

      Caring For:

      Position Water Temps Food

       

      Caring for an Areca Palm tree involves several important steps to ensure its health and vitality:

      1. Sunlight: Areca Palms thrive in bright, indirect sunlight. Place your palm near a window with filtered light or provide it with dappled shade outdoors. Avoid exposing it to direct sunlight, as it can scorch the leaves.

      2. Watering: Keep the soil consistently moist but not waterlogged. Water your Areca Palm thoroughly when the top inch of soil feels dry to the touch. Ensure proper drainage to prevent root rot. During winter, reduce watering frequency slightly as the plant's growth slows down.

      3. Humidity: Areca Palms prefer high humidity levels. Mist the leaves regularly with water or place a humidifier nearby to create a humid environment. This helps prevent the tips of the leaves from turning brown.

      4. Fertilization: Feed your Areca Palm with a balanced, water-soluble fertilizer specifically formulated for indoor plants. Apply the fertilizer every two to three months during the growing season (spring and summer). Follow the package instructions for proper dilution and application.

      5. Pruning: Remove any yellow or brown fronds as they age or become damaged. Trim off any dead or brown leaf tips to maintain the plant's appearance. Avoid excessive pruning, as it can stress the palm.

      6. Pests: Monitor your Areca Palm for common pests like spider mites and mealybugs. If you notice any infestations, treat them promptly with an appropriate insecticidal soap or neem oil spray.

      7. Repotting: As the Areca Palm grows, it may require repotting every two to three years. Choose a pot that is one size larger and use well-draining soil. Repotting in spring allows the palm to establish itself before the active growing season.

      By following these care guidelines, you can ensure that your Areca Palm remains healthy, vibrant, and a beautiful addition to your indoor or outdoor space. Regular attention to watering, light, and humidity will help your palm thrive for years to come.

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      SKU: 96761373741

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      4.5 ★★★★★
      Based on 10 reviews
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      Product Reviews
      J
      Verified Purchase
      jk Smiles
      Carnegie, US
      ★★★★★ 5
      A book on dialogue should be experienced first as a book on tape
      Format: Audio CD
      I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on August 30, 2018
      L
      Verified Purchase
      Lori T. Sly
      Draper, US
      ★★★★★ 4
      Helpful, but not as good as "Story" by same author, and it disses certain genres
      Format: Hardcover
      This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful. McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do. However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies! If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why. McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism. Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging. With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else. In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree. But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on December 12, 2019
      R
      Verified Purchase
      Ray Pryor
      Cuba, US
      ★★★★★ 5
      Amazing.
      Format: Kindle
      Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on April 18, 2017
      K
      Verified Purchase
      Kindle Customer
      Whiting, US
      ★★★★★ 5
      So to speak
      Format: Kindle
      Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on June 12, 2017
      C
      Verified Purchase
      cf otto
      Houston, US
      ★★★★★ 5
      ONE OF THE TWO BEST BOOKS ON SCREENWRITING
      Format: Hardcover
      Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on October 14, 2016

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