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Description
britax b-safe infant insert replacement Britax B-Safe Gen2 FlexFit Infant Car SeatB Safe Gen2 FlexFit pairs trusted Britax safety with the best fit for baby. As the next generation of Britax infant car seats, it has a spacious seating area and tagless smooth touch knit fabric. A steel reinforced base & SafeCell crumple zone give you peace of mind. Two layers of side impact protection surround the head, neck & torso. No rethread harness moves with the headrest for easy height adjustment as baby grows. Easy to install with or without
B-Safe Gen2 FlexFit pairs trusted Britax safety with the best fit for baby. As the next generation of Britax infant car seats, it has a spacious seating area and tagless smooth-touch knit fabric. A steel reinforced base & SafeCell crumple zone give you peace of mind. Two layers of side impact protection surround the head, neck & torso. No-rethread harness moves with the headrest for easy height adjustment as baby grows. Easy to install with or without the base.
Specifications
- Looking for B-Safe Ultra? B-Safe® Gen2™ FlexFitTM is the next generation of Britax infant car seats, made with a spacious seating area and smooth-touch fabric.
- Tagless fabric helps prevent irritation behind your baby’s head; covered harness release button.
- 6-Position, Quick-Adjust Harness & Headrest move together to create the perfect fit as your baby grows—no rethreading, ever!
- Sturdy Build gives you peace of mind while you’re on the go with your baby.
- 2 Layers of Side Impact Protection: Energy-absorbing shell & foam-lined headrest surround the head, neck, and torso.
- High Strength Steel reinforces the car seat base to help keep it stabilized.
- Patented SafeCell Technology acts as a crumple zone, absorbing crash energy to help keep it away from your little one.
- European Belt Guide provides increased stability when installed without the base.
- Exclusive SafeCenter LATCH for secure installation in 3 easy steps: connect lower anchors, pull straps to tighten, click carrier into the base.
- Quick-Push LATCH Connectors lock into place with a click and are easily released with the push of a button.
- 1-Hand Buckle Release to quickly and easily unbuckle baby and keep moving.
- Soft Comfort Pads help keep your child’s neck from rubbing against the harness.
- Built-In Lock-Offs help to ensure a snug vehicle seat belt installation with minimal effort.
- Spring-Assisted Recline helps you find the best installation angle for your vehicle.
- Easy-Read Level Indicators are visible from all angles, clearly displaying the proper installation position for your vehicle.
- Removable Infant Pillow gives your newborn baby support when they are under 11 lbs.
- The ergonomic handle is comfortable to carry with your hand or forearm.
- SPF 50+ Extra-Large Canopy protects your little one from sun and rain.
- Click & Go Stroller Compatibility allows you to pair the car seat with any Britax stroller.
Dimensions & Weight
- 17.9" W x 25.85" H x 26.6" L
- Product Weight - Car Seat Only - 11.6 lbs.
- Product Weight - Base Only - 9 lbs.
- For children 4 - 35 lbs., 32" or less.
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4.9 ★★★★★
Based on 949 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017