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Description
bugaboo butterfly dimensions folded Bugaboo Butterfly 2 StrollerButterfly 2 is most comfortable stroller for your growing baby, with a new fully upright seat, enhanced by larger wheels for superior drivability. Keeping the winning one second fold and IATA approved size features from Butterfly 1, its the perfect travel second stroller for on the go parents. One second compact fold and unfold (IATA) Spacious ergonomic seat that sits fully upright NEW! Bigger urban wheels for smooth city strolls NEW! Spacious under
Butterfly 2 is most comfortable stroller for your growing baby, with a new fully upright seat, enhanced by larger wheels for superior drivability. Keeping the winning one-second fold and IATA-approved size features from Butterfly 1, it’s the perfect travel/second stroller for on-the-go parents.
- One-second compact fold and unfold (IATA)
- Spacious ergonomic seat that sits fully upright - NEW!
- Bigger urban wheels for smooth city strolls - NEW!
- Spacious under seat basket and back pocket – NEW!
- Lowest CO2 footprint in our stroller lineup - NEW!
- Integrated footrest with one-hand operation - NEW!
- Detachable sun canopy with front peekaboo window - NEW!
- Softer color matching padded 5-points harness - NEW
Features
- Fully upright seat. Butterfly 2 has a spacious ergonomic seat that sits fully upright for a more comfortable ride
- Bigger urban wheels. Butterfly 2 wheels are bigger than Butterfly 1 for a better driving experience: Front 5.5", Rear 6"
- Integrated footrest with one-hand operation. With just one hand, you can adjust the integrated footrest too and create your optimal position
- Back seat pocket. Keep your essentials close by
- Detachable sun canopy. For easy replacements
- Redesigned chassis. Optimized design to reduce our footprint
-
Black functional buttons. For a more balanced and premium design.
- Matching harness color. For a sophisticated and cohesive look.
- Premium branding. New silicone branding labels on the seat fabric and on the pocket for a refined look.
Sustainability
The Bugaboo Butterfly 2 is our most sustainable Bugaboo stroller thanks to the smart design, the use of bio-based material and recycled aluminum.
- Recycled aluminum. The tube are made of 60% recycled aluminum that has the same quality as you can expect from Bugaboo products.
- Bio-based plastic. The engineering plastic parts are made from bio-based plastics which are plastics derived from renewable biological sources. This decreased the environmental impact associated with conventional plastics.
- Footprint. Compared to our previous model, the footprint of the Bugaboo Butterfly 2 reduces with -30% to deliver on our strategy Push to Zero. This commits Bugaboo to reduce its CO2 emissions to zero by 2035, ensuring we are building on a better future.
Specifications
- One-piece fold (LxWxH): 17.6 x 9.6 x 21.8 inch
- In use dimensions (LxWxH): 37.2 x 17.4 x 404.7 inch
- Stroller weight: 16 lbs
- Stroller max weight capacity: 50 lbs
- Underseat basket capacity: 17.6 lbs
- Front wheels / rear wheels size : 5.5 / 6 inch
- Seat width/depth: 11.8 x 9.4 inch
- Sitting space under canopy: 26.8 inch
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.9 ★★★★★
Based on 25 reviews
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Product Reviews
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Reviewed in the United States on September 8, 2024
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY
By Lisa Cron
Reviewed by C J Singh (Berkeley, California)
Excellent Primer on Novel-Writing
In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/
Here's my review of Lisa Cron's "Wired For Story"
"WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft.
Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow.
"Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information.
Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23).
.
"Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own.
Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65)
.
"Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious.
"Story Secret: There's no writing; there's only rewriting" (p 219).
Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow.
"Myth: Write What You Know.
"Reality: Write What You Know EMOTIONALLY" (p 62).
.
"Myth: Sensory Details Bring a Story to Life."
"Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118).
.
"Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying.
"Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152).
Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene.
At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti."
An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 )
WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020