SKU: 80688574636
xl money tree

xl money tree Large Money Tree XL/XXL (1.4m - 1.6m)

$26.21 $29.12
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For Your Every Summer RSVP, with Code: SUMMER15

Description

xl money tree Large Money Tree XL/XXL (1.4m - 1.6m)PLANT AT A GLANCE Originated in Central and South America Best under medium to bright indirect light About once a week, allow top 2 4 inches of soil to dry out between waterings Easy to Care, air purifying, low light tolerant Non toxic, safe for kids and pets PLANT SIZE Plant height length: From 1m Grow Pot size: 30cm DESCRIPTION Money Tree (Braided Trunk) Botanical Name: Pachira aquaticaCommon Name: Money Tree, Fortune Tree Plant Highlights Height

PLANT AT A GLANCE

Originated in Central and South America
Best under medium to bright indirect light
About once a week, allow top 2-4 inches of soil to dry out between waterings
Easy to Care, air purifying, low-light tolerant
Non-toxic, safe for kids and pets 

PLANT SIZE

Plant height/length: From 1m

Grow Pot size: 30cm

DESCRIPTION

💰 Money Tree (Braided Trunk)

Botanical Name: Pachira aquatica
Common Name: Money Tree, Fortune Tree

🌿 Plant Highlights

  • Height Options:

    • ~1.0m

    • ~1.3m (taller, more statement-making)

  • Grow Pot Size: ~30cm (standard plastic grower pot)

  • Form: Carefully braided trunk with a full, leafy crown

  • Growth Habit: Upright, structured, and long-living with proper care

  • Each Plant is Unique:
    Natural variations in braid thickness, trunk character, and leaf spread are expected. While selection cannot be guaranteed, we always choose the best available piece by overall balance and health.

🪴 Pot & Repotting Notes

  • Supplied in a functional grower pot, ideal for plant health but not final display

  • Highly recommended to repot, especially for:

    • Improved nutrient availability

    • Better root expansion

    • A more elevated, interior-ready look

  • Recommended Pot Pairing:

    • 1.0m plant: XL planter

    • 1.3m plant: XL or XXL planter strongly advised

  • Please select your preferred pot size carefully.
    👉 Repotting services are non-reversible (cannot be returned or exchanged once completed). If unsure, check with us before confirming.

💧 Care Tips

  • Light: Bright, indirect light preferred; tolerates medium light

  • Water: Water when top 3–5cm of soil feels dry; avoid waterlogging

  • Humidity: Average indoor humidity is sufficient

  • Fertiliser: Light feeding once every 4–6 weeks during active growth

  • Tip: Rotate the plant occasionally for even canopy development

🧧 Feng Shui Significance (Money Tree)

In Feng Shui, the Money Tree is associated with:

  • 招财进宝 — attracting wealth and opportunities

  • Stable financial growth rather than short-term luck

  • Positive energy flow when placed near entrances or bright spaces

Common placements include:

  • Living room corners

  • Near main doors or windows

  • Office reception areas or workspaces

This XL / XXL Money Tree is one of our most in-demand staples, brought in specifically for the festive period due to its strong symbolism, visual presence, and ease of care.

With its braided trunk and full canopy, this size instantly anchors living rooms, offices, reception areas, and shopfronts — making it a go-to plant for both self-purchase and gifting.

🌿 Why this size is a must-buy

  • Strong visual impact without requiring styling

  • Universally recognised symbol of wealth, growth, and steady fortune

  • Low maintenance — suitable even for first-time plant owners

  • Ideal for homes, offices, and business openings

Tip: Pair with an XL or XXL planter for an immediate, elevated presentation — perfect for festive hosting or gifting.

⚠️ Toxicity Information

  • Mildly toxic if ingested

  • Keep out of reach of pets and small children

📦 Important Notes

  • Height measurements are taken from ground level and may vary slightly

  • Leaf density can vary naturally between batches

  • Live plants are non-identical by nature — each piece is one of a kind

Important to know: As plants are natural products, form, pattern and colour will vary. 
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 80688574636

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4.4 ★★★★★
Based on 11 reviews
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Product Reviews
J
Verified Purchase
jk Smiles
Fort Morgan, US
★★★★★ 5
A book on dialogue should be experienced first as a book on tape
Format: Audio CD
I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 30, 2018
L
Verified Purchase
Lori T. Sly
Carnegie, US
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful. McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do. However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies! If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why. McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism. Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging. With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else. In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree. But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
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Reviewed in the United States on December 12, 2019
R
Verified Purchase
Ray Pryor
Draper, US
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 18, 2017
K
Verified Purchase
Kindle Customer
Waukegan, US
★★★★★ 5
So to speak
Format: Kindle
Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
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Reviewed in the United States on June 12, 2017
C
Verified Purchase
cf otto
Lake Worth, US
★★★★★ 5
ONE OF THE TWO BEST BOOKS ON SCREENWRITING
Format: Hardcover
Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 14, 2016

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