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thule stroller blanket Thule Urban Glide 4-Wheel All-Terrain Stroller with NON-Magnetic Buckle + Bassinet BundleThule Urban Glide 4 wheel is a city friendly, all terrain stroller that's perfect for newborns and toddlers. As the ultimate full size urban stroller, it seamlessly blends comfort, functionality, generous storage capacity, and performance on any surface. Designed for everyday use, it allows for unparalleled maneuverability. Glide through tight corners and crowded spaces, whether you're strolling city streets or conquering rough terrain. Thule Urban
Thule Urban Glide 4-wheel is a city-friendly, all-terrain stroller that's perfect for newborns and toddlers. As the ultimate full-size urban stroller, it seamlessly blends comfort, functionality, generous storage capacity, and performance on any surface. Designed for everyday use, it allows for unparalleled maneuverability. Glide through tight corners and crowded spaces, whether you're strolling city streets or conquering rough terrain.
Thule Urban Glide 4-wheel is a city-friendly, all-terrain stroller that's perfect for newborns and toddlers. As the ultimate full-size urban stroller, it seamlessly blends comfort, functionality, generous storage capacity, and performance on any surface. Designed for everyday use, it allows for unparalleled maneuverability. Glide through tight corners and crowded spaces, whether you're strolling city streets or conquering rough terrain.
Experience the superior suspension provided by the air-filled tires, which provide a smooth ride even over high city curbs or woodsy paths. From paved city streets to the rugged outdoors, the Thule Urban Glide 4-wheel is designed to adapt and perform.
The twist hand brake gives you smooth speed control on any terrain, and the one-handed, compact fold makes storage and transportation easy for active parents. With an enhanced cargo capacity that can hold up to 10 kg. Thule Urban Glide 4-wheel provides ample space to stow away all your essentials and more. From diaper bags and groceries to shopping bags and personal items, you have the freedom to bring along everything you need for your adventures.
Features
- The swivel front wheels, which lock into place depending on terrain, combined with large rear wheels, makes the stroller lightweight and easy to maneuver.
- Built-in legrest and comfortable seat with adjustable recline gives full child comfort all day whether taking in the sights or a nap
- Easy, one-hand, compact fold with self-stand feature for easy storage and transportation
- The twist hand brake provides optimal speed control whether on pavements or hilly terrain
- Large cargo basket that holds up to 10 kg/22 lbs with zip-top cover, a rear mesh pocket, and two mesh compartments for snacks or toys provides ample space to bring everything you need
- Large canopy with full coverage and ventilation ensures your child is comfortable
- Quality suspension combined with air-filled tires makes for a smooth ride for both parent and child on any terrain
- Ergonomic, adjustable handlebar for maximum parent comfort
- Secure and comfortable seat with easily adjustable, padded 5-point harness
- Peak-a-boo window lets you check on your sleeping child without disturbing them
- Reflective feature on canopy and wheels ensures visibility and safety
Specifications
- Max child weight: 49 lb
- Max stroller weight capacity: 75 lb
- Folded dimensions: 34.6 x 22.8 x 11 in
- Weight: 28.7 lb
- Sitting height: 20 in
- Door pass through: 27.2 in
- Max Cargo basket capacity: 15 lb
- Children: 1
- Material: Aluminum frame, steel and nylon parts and polyester cover
Thule Bassinet
Thule bassinet transforms your stroller into a comfortable pram in no time. It's easy to attach to your stroller with an easy click-in installation.
The bassinet is ideal for infants aged 0-6 months and it and includes a bassinet apron and ventilated mattress to keep your baby comfortable. When you are done with your walk the bassinet will easily and quietly detach from the stroller.
Features
- Spacious and comfortable bassinet, with ventilated base and mattress
- Extendable and ventilated canopy gives your child a pleasant ride in any weather. The canopy provides full sun coverage and UPF 50+ UV protection
- Removable and perforated mattress with machine washable cover
- Soft and cozy mesh fabric on the inside for your baby's comfort, with durable water repellent rip stop fabric on the exterior
- Easy grip click-in/click-out to bassinet adapters specific for your stroller model
- Reflective details on both canopy rim and bassinet base for improved visibility in low light conditions
- Easy to carry ergonomic handle
Specifications
- Compatibility: Thule Urban Glide 3 single, Thule Urban Glide 3 double (with adapter), Thule Urban Glide 4-Wheel, Thule Spring
- Material: Aluminum frame, steel and nylon parts and polyester cover
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4.5 ★★★★★
Based on 26 reviews
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Product Reviews
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section.
When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes:
"another woman" "in uniform" "from above ground"
"entered" "the train" "She was fireproof" "she wore gloves, & she"
"took" "the baby" "took the baby" "away from the"
"mother" "Extracted" "the burning baby" "From the fire" "they
made together" "But the baby" "still burned"
("But not yours" "It didn't happen" "to you")
"We don't know yet" "if it will" "stop burning,"
"said the uniformed" "woman" "The burning woman" "was crying"
"she made a form" "in her mind" "an imaginary" "form" "to
settle" "in her arms where" "the baby" "had been" "We saw
her fiery arms" "cradle the air" "She cradled air" ("They take your
children" "away" "if you"re on fire")
"In the air that" "she cradled" "it seemed to us there" "floated"
"a flower-like" "a red flower" "its petals" "curling flames"
"She cradled" "seemed to cradle" "the burning flower of" "herself gone"
"her life" ("She saw" "whatever she saw, but what we saw" "was that flower")
After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns.
The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book.
The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole.
If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems.
The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses.
I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book.
I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020
★★★★★ 5
I tend to leave most books in this genre disappointed. I miss the classics
Format: Hardcover
I bought this book after hearing Stacey Lee speak about narrative tension at a lecture for YA writers - the talk was specifically entitled, "How to keep them up all night." The lecture (alongside Anna Shinoda) bit off a rather large amount of material. Neither woman mentioned vampires. The methods they discussed were smart, creative, and delivered with just enough humor to leave me wondering whether I'd be able to put their debut novels down.
I devoured GONE WITH THE WIND at least six times cover to cover between my sophomore and senior year. While I am more susceptible to the Historical Fiction page turner than the average girl, I tend to leave most books in this genre disappointed. I miss the classics. I opened this book determined to not judge it by its gorgeous pastel cover. I started slowly. I enjoyed the first four or five chapters - leaving each fully appreciative of Lee's craft. I particularly enjoyed her ability to pepper humor though tragedy. I often complain about writers who miss the mark here. Stacey Lee nailed that important believable balance for me. I liked her characters quickly. I left each chapter satisfied, but thoroughly able to get up and go on with my life. Like a jaded Thumper in Walt Disney's BAMBI, this book was more than nice, but I wasn't susceptible to any kind of teen-aged Twitterpation over it. After the sixth or seventh chapter - four or five days after I first picked it up, I quietly closed my copy, placed it on my nightstand, switched off my lamp, fluffed my pillow and turned over. I turned over again. I flipped on the light - OK, just one more chapter... I zombie sleepwalked to work the next day. That night I retired early, making some completely convincing excuse about being exhausted. I was certainly too tired to read. Flash forward to 6AM when I woke up with this novel on my face. I turned it's last page this afternoon, fully satisfied. I am truly sad it's over. This book transported me. It's one I'll want to have in my collection forever, alongside the beautiful books that mattered to me as a teen; JANE EYRE, TO KILL A MOCKINGBIRD, UNDER A PAINTED SKY. Classic in feel, subject matter, and voice - but modern in approach, I'd be as comfortable recommending it to my book club as I would handing it to any teen. Readers of all ages and walks of life will surely find something that resonates with their own stories too. As for me, I am sure I'll be back on the trail with these girls-- I mean boys, before long.
Now I'm off to try my hand at Anna Shinoda's LEARNING NOT TO DROWN. Well, maybe tomorrow. I need a good night's sleep and it's clear these authors know how to keep those pages turning.
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Reviewed in the United States on August 24, 2015
★★★★★ 4
Good, Fun, Important Topics
Format: Paperback
Good, solid, read for ages 12+. Somewhat unrealistic and yet believable story of two strong young female characters traveling west disguised as boys. Couldn't stop reading it until I was finished with the book, and now my granddaughter is doing the same. This book has many relevant themes about race, gender, class, religion, and other stereotypes and is an excellent choice for a classroom or family read aloud. Get it.
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Reviewed in the United States on February 26, 2017