SKU: 75909995024
midnight marvel deep purple elephant ear plant

midnight marvel deep purple elephant ear plant Colocasia escuenta Midnight Elephant Ear

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Description

midnight marvel deep purple elephant ear plant Colocasia escuenta Midnight Elephant Ear*Please read description and shipping info carefully. Elephant Ears Midnight, one of the darkest elephant ear variety yet developed. Leaves are smoky black and velvety in appearance and stems are also dark. Similar to Black Magic, its leaves start out dark purple green and morph into a deep dark purple black as the plant matures. Plant and leaves are also larger than Black Magic and stems are darker too, having a burgundy wine coloration. see leaves

*Please read description and shipping info carefully.

Elephant Ears Midnight, one of the darkest elephant ear variety yet developed. Leaves are smoky black and velvety in appearance and stems are also dark. Similar to Black Magic, its leaves start out dark purple / green and morph into a deep dark purple black as the plant matures. Plant and leaves are also larger than Black Magic and stems are darker too, having a burgundy wine coloration.
see leaves and deep red stems in first 5 pics.  The 6th photo shows plant with yard stick similar to plant you will receive.

More differences of Midnight, see 7th pic is it readily produces runners on which new plants will develop not just new plants along side of mature plant. Aka Black Runner in some areas, so if put in ground give plenty of space. The 8th pic shows deep red stems of Midnight, Black Magic stem is green covered in red spots and reddish at end. The 9th pics shows underside of leaf, Midnight has deep red stem and veins through the leaf, Black Magic has lesser. Last two show young small leaf is darker where Black Magic will be green and underside red veins even as new leaf.  See pics in Black Magic listing.

Midnight is a so called runner type and there are green forms too. So yes I have seen Midnight called Black Runner and Black Marble called Midnight and Black Magic called Midnight and more. It gets confusing. This happens a lot when people in different areas use different names for same plant. Sometimes same name is used for different plants of same type or even of complete different genus. I believe there are photos out there of what is C. Marble or C. Black Marble being labeled as Midnight. The photos show a part dark and part green leaf, a marble effect. Similar to Mojito but less spots. Midnight by definition refers to total darkness, totally black. Not dark spots on grey green leaf. You do not name your Pet Midnight if it is spotted, stripped, not all black haired.

In research I found follow articles I used to support my wholesale purchase of type of plant. See; 

( http://elephantearsplants.com/elephantearsmidnight.htm )        ( https://www.agristarts.com/index.cfm/fuseaction/plants.plantDetail/plant_ID/23/index.htm ) and regarding Black marble

( https://www.plantdelights.com/products/colocasia-esculenta-black-marble ) (  https://www.floridaaquatic.com/pond-plant-blank-h9emk )

Photos that look like Black Marble labeled as ( Midnight ) I believe are in error. Black Marble may also be known as Midnight Luxury variegated ori. But should not be labeled just as Midnight. 


Midnight is also a dwarf elephant ear plant that reaches up to around 3 feet tall not the 6 - 10 foot type. Great for ponds or marshy bogs and prefers bright filtered light, sun with some shade.

You will receive a single rooted plant similar to the one pictured with yard stick, not actual plant. 
Listing is for single rooted plant around 20" to 2 feet height. Plant you will receive will be trimmed for shipping. Plant will be sent in wrapped root ball and largest top leaves will be cut for shipping purposes so plant height when sent will be between 15 - 20" and ready to pot or place in ground. 
I am a Fl. Dept. of Agriculture Certified grower.
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Thank you for looking, Jerry
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SKU: 75909995024

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Reviewed in the United States on May 12, 2026
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Madison
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Reviewed in the United States on June 6, 2026
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Daniel Myers
Pawtucket, US
★★★★★ 5
A Foundling's Felicity
This book or novel or whatever you may deem fit to call it has so many points in its favour that it's difficult to know where to begin. I think a rundown of a few of the myriad of characters that delight me personally might do for starters: Tom Jones - A young fellow with many "imperfections" if so they may be called, but a robust fellow with a "good heart." Prudence and what is commonly called virtue are not his strong suit - But may I remind the reader that virtue comes from the Latin word for "manliness"- Tom is certainly possessed of the word's etymological origins, if not of its modern usage (particularly in amorous matters)--And a good thing too, or we should have no story here to delight us! Squire Western- Another rambunctious character, who, for me, typifies all that is Eighteenth Century England. Every time he appeared in this book, whether it was to comment on wenching, wine, or riding to hounds a smirk would immediately cross my face followed invariably by chuckling by the end of the chapter. Henry Fielding - The author plays as much a part of the book as any of the characters with many prologues and prefaces and etc. For these, and for much of the rest of the book, I might add, the reader who has not had four years of Latin inculcated into him at an English boarding school would do well to buy the Oxford edition, which fully explains all the learned quotes - Also, as one who was thus inculcated but is inclined to laziness, the Oxford edition's notes prove extremely helpful also. Fielding also gives us a lively picture of the literary life of his time, which the Oxford footnotes do a deft job of explaining- In short, buy the Oxford edition. This review can not be comprehensive. There are simply too many characters to even make a go at encompassing them all. I'm merely describing some of the, to me, more delightful ones. The book as a whole is simply a joy to read, in its comic descriptions of all who will deign to admit that they are human, and of some priggish sorts who will not so deign. I can put it no better than Fielding Himself at the beginning of Book XV: "There are a set of religious, or rather moral writers, who teach that virtue is the certain road to happiness, and vice to misery, in this world. A very wholesome and comfortable doctrine, and to which we have but one objection, namely, that is not true." In short, this is a delightful ramble of a book which, while entertaining the reader not too attached to Sunday School, sheds light on how unvirtuous the virtuous can be, and how kind and good-natured the roguish can be as well as giving us as good a history lesson on the state of affairs in Eighteenth century England (with attention given to the Jacobite Rebellion etc.) as many a "proper" history does. Who, I ask myself, would not delight in this book? ---Well...for the priggish, there's always Jane Austen.
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Reviewed in the United States on January 24, 2007
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Alexander Kobulnicky
Alexandria, US
★★★★★ 4
The Sidekick in Early-Modern Literature.
Tom Jones is probably the most influential novel in English history, pioneering elements like complex characterization, social criticism and authorial interjection. But you already knew that. What you want to know is, is this a good book for us in the 21st century. And here, it's not so clear. The dialogue is pretty brisk, and some of the exchanges (the stereotypical Whig Mrs. Western arguing with her Jacobite brother is a particular treat) are actually funny. The latter part of the novel evolves into a farce, with a dozen characters engaged in scheming against one another, while Tom and Sophia helplessly go along. Farce works better in drama, where it has a faster pace, but it's always a welcome mode of comedy. You don't see enough farces. Some of the characters are evocative (why do I picture Blifil as looking like Ted Cruz?) but some are not: Dowling is just a lawyer, and Mrs. Miller is a good woman, like thousands who have come since, and that's all there is to it. It's not as if every character needs to, or can, be a fully realized person, but the parts of the novel spent with these human plot devices do feel mechanical. But Mr. Partridge, Tom's traveling companion, is in a different category altogether, and he just poisons the parts of the novel that he features in (chiefly the middle third). Eighteenth Century literature has a depressing reliance on goofy loose-lipped sidekicks: Mr. Partridge, Hugh Strap, Humphrey Clinker, Andrew Fairservice, Friday. Sometimes they're servants, but sometimes they're just stupid friends. Part of this must be practical: It's difficult to follow a wandering hero (and why are the heroes of these novels always wandering? But that's a different question altogether) without giving him a friend to talk to. Maybe early novelists had a hard time sketching characters who didn't have a way to discuss the ongoing action. But mostly, I think this is the bad influence of Don Quixote, which was becoming increasingly popular in England during this period. Sancho Panza is OK, and he's certainly the funniest element of that leaden tome. But Mr. Partridge *is* Sancho Panza, cowardice, superstition and all, and one Sancho Panza was more than enough. You know? There's a limited number of things that a silly, selfless, lazy pal can do, and it's hard to read about the same old doofus, yet again.
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Reviewed in the United States on April 28, 2016

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