SKU: 75148927434
sego lily flower

sego lily flower Sego Lily Postage Stamps | American Wildflower Series | White Flower

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sego lily flower Sego Lily Postage Stamps | American Wildflower Series | White FlowerAdd floral style to your letters with these stunning vintage unused American Wildflower series "Sego Lily" postage stamps! This classic botanical design is perfect for adding timeless beauty to your save the dates, wedding invitations, thank you cards, shower invites, birth announcements, and other snail mail correspondence. In pristine mint condition and valid for current postage use, each stamp holds a face value of 29 cents. These authentic USPS

Add floral style to your letters with these stunning vintage unused American Wildflower series "Sego Lily" postage stamps! This classic botanical design is perfect for adding timeless beauty to your save-the-dates, wedding invitations, thank you cards, shower invites, birth announcements, and other snail mail correspondence. In pristine mint condition and valid for current postage use, each stamp holds a face value of 29-cents. These authentic USPS postage stamps are suitable for current mailing when used with the total required postage based on the weight of your mailing. Deliver floral elegance with this exquisite vintage postage stamp!

STAMP INFORMATION:

  • Name: Sego Lily
  • Series: American Wildflower
  • Year Issued: 1992
  • Face Value: 29-cents (USD) per stamp
  • Topic(s): Plants, Flowers, Wildflowers, Flora, Botanical, Mormon Pioneers, Utah State Flower
  • Color(s): White, Black, Green, Pink, Multicolored
  • Mailing Occasions: Wedding Invitations, Save the Date Announcements, Shower Invitations, Birth Announcements, Thank You Cards, Valentine’s Day, Snail Mail, and more…
  • Printing Method: Offset Press and Lithography
  • Scott Number: 2667
  • Adhesion Type: Gummed (see adhesion instructions below)
  • Condition: Genuine Unused USPS Postage Stamps, Ready to Use for USPS Mailings, Mint Condition

STAMP DESCRIPTION & HISTORY: The 1992 29¢ “Sego Lily” stamp was issued on July 24, 1992, in Columbus, Ohio, as part of the U.S. "Wildflowers" series. The stamp celebrates the Sego Lily, a native wildflower of the western United States, and is part of a pane of 50 different wildflower designs, each honoring a flower native to one or more states. 

The artwork for the Sego Lily stamp was painted in watercolor by artist Karen Mallary. The Sego Lily is the state flower of Utah, and has historical cultural importance: its bulbs were once used as an emergency food source by Indigenous peoples, and later Mormon pioneers were taught to use them when other food supplies were low — this contributed to the flower’s adoption as a symbol of sustenance and perseverance. The stamp pane in which it appears was printed by Ashton-Potter America, Inc., and was notable for a few firsts: it was the first 50-stamp commemorative pane printed by a private contractor, and the first U.S. stamp issue to be produced entirely by offset lithography. 

FLOWER DESCRIPTION: The white Sego Lily (Calochortus nuttallii) is a delicate, spring-blooming wildflower native to the arid and semi-arid regions of the American West. Recognized for its elegant simplicity, the flower typically grows on slender, grass-like stems rising from an underground bulb, often reaching 6 to 18 inches in height.

Its most distinctive feature is its three broad, triangular petals, which form a shallow, open cup. The petals are usually pure white to creamy ivory, sometimes faintly tinted with pale lavender. At the base of each petal lies a striking crescent-shaped band of deep purple or maroon, often accented by a patch of yellow and fine hairs. These bold markings serve both as a visual focal point and as nectar guides for pollinators.

The Sego Lily blooms in late spring to early summer, often appearing in dry meadows, sagebrush flats, and open desert foothills. Despite growing in harsh, rocky soils, the flower appears refined and luminous, its satiny petals catching the light against muted landscapes. The narrow, linear leaves grow low along the stem, allowing the bloom itself to remain the central visual element.

STAMP MEANING & SPIRITUAL SIGNIFICANCE: This stamp carries a serene and luminous spiritual significance, rooted in the symbolism of the flower itself — purity, survival, and divine provision. Depicting Utah’s state flower, the Sego Lily, the stamp honors more than a plant; it honors a living parable of faith, resilience, and grace that has deep roots in both the land and the spirit of the American West.

Spiritually, the Sego Lily is a symbol of hope that blooms in hardship. Native to the arid landscapes of the Rocky Mountain region, it flourishes in harsh soils and dry climates, teaching that beauty and sustenance can emerge even in the most barren places. For Indigenous peoples, the lily was seen as a gift from the Earth, a sacred food and medicine. Later, for early Mormon pioneers, the plant took on profound spiritual meaning when its bulbs sustained families through times of famine. Because of this, it became a symbol of divine providence — the quiet assurance that the Creator provides, even in desolation.

The stamp’s delicate watercolor rendering captures this essence with gentle humility. Its soft tones and graceful form convey purity, peace, and spiritual awakening — qualities that mirror the lily’s association with light and rebirth in many traditions. As a postage stamp, it becomes a vessel of spiritual communication: a small, sacred image traveling between hands, carrying not only messages but also a reminder of life’s enduring grace.

Ultimately, the spiritual significance of the Sego Lily stamp lies in its message of faith through adversity. It tells the story of the soul’s capacity to endure, to bloom amid difficulty, and to trust that nourishment — both physical and spiritual — will come when needed most. In its simple beauty, it invites us to remember that miracles often appear quietly, rising from the dry earth when hope seems faintest, offering a whisper of divine love and renewal.

STAMP SERIES HISTORY: The 1992 American Wildflower postage stamp series was a commemorative issue featuring a pane of 50 different 29-cent stamps, with each stamp displaying a unique watercolor illustration of a native U.S. wildflower. The series was released on July 24, 1992, in Columbus, Ohio, to coincide with the AmeriFlora '92 international exposition. Alaska-based watercolor artist Karen Mallary designed the artwork and selected the 50 distinct flowers featured in the collection, with at least one stamp/flower representing each of the 50 states. The U.S. Postal Service described the 1992 American Wildflower series as carrying a message of "natural grace and beauty". In dedicating the pane of 50 different stamps, Assistant Postmaster General Gordon Morison stated they would "blanket the postal landscape" and carry the message that "our nation's wildflowers add natural grace and beauty to our lives". 

GUMMED STAMPS: These postage stamps have a traditional moisture-activated gum on the back. These stamps require licking or wetting to adhere to envelopes or other surfaces. To ensure good adhesion, apply vintage gummed stamps to your mailings with a glue stick (we recommend using Elmer's "Re-Stick" glue sticks).

GENUINE USPS POSTAGE: These unused vintage postage stamps are perfectly valid for use as current postage for mailing with USPS as long as you use the adequate amount of postage to achieve standard postage rates according to the weight of your mailing. Check current postage rates at USPS.com.

QUESTIONS? We love hearing from our customers and replies to inquires are usually answered the same day. Need more of this stamp? Looking for a particular stamp not found on our website? Want a curated postage set for your special event? Contact us with questions about vintage postage stamps and our services…

TELL YOUR STORY IN STAMPS: We’ve worked with hundreds of couples and their stationers to custom design highly stylized personalized postage sets based on our customer’s life stories. We can help you curate personalized vintage postage sets to commemorate your save-the-date, wedding, shower, announcement, and other special occasions in a truly unique fashion. Drawing on our encyclopedic knowledge of every stamp ever issued by the USPS, and sourcing from our extensive inventory of collectable unused vintage stamps, we’ll help you tell your unique story in stamps!

ABOUT HERITAGE POST HOUSE: Jennifer Kramer is the founder of Heritage Post House, a boutique vintage postage house located in Northern California. Jennifer sources the most beautiful unused vintage postage stamps ever issued by USPS and artfully arranges them into curated postage sets that are sure to add a special touch to your invitations, announcements, and special mailings. In addition to creating pre-arranged postage sets, Jennifer also works with couples (and their stationers) to create one-of-a-kind custom postage arrangements for wedding invitations, save the dates, and other special occasions.

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Donna Menchinger
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Five Stars
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Reviewed in the United States on January 9, 2017
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MJ
Pawtucket, US
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When the book came the cover was crumpled and bent so it was really hard to read
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N. Durham
Port Orchard, US
★★★★★ 5
Quite possibly the best Punisher stories ever told
Format: Hardcover
It's no secret that Garth Ennis' long run on the Punisher (particularly the MAX titles) has been nothing short of superb if not visionary, and this handsome hardcover collection, featuring three seperate one-shots, further proves that point. From First to Last begins with the Tyger, a story in which a young Frank Castle embarks on his first night of vengeance as the Punisher. As he has some mob men in his sights, he recollects to a summer in Brooklyn when he was a young man, and a shocking event that only further shaped Frank's inevitable path to becoming the Punisher. This story is good, but it's not anything really great, though John Severin's art is quite good. Thankfully, everything gets better from this point on. The Cell finds Frank turning himself in and convicted of his many murders and taken to the bowels of Riker's Island. However, Frank has a reason he's here, and it involves five men who all share a secret and a link to Frank that you'll never see coming. This story alone makes this collection worth picking up, and the art by Lewis Larosa (who also worked on the first Punisher MAX TPB, In the Beginning) is gritty, bloody, and brilliant. The third and final story is the spectacular Punisher: The End, featuring art by the legendary Richard Corben, which more than makes it worth checking out alone. As part of Marvel's "The End" line, this one-shot is just that, as an elderly Frank Castle finds himself as one of the last men on Earth after a nuclear holocaust has turned the world to ash and dust. Of course, there are still those that are guilty, and need to be punished. The last two stories alone are some of the best Punisher stories ever written, period. If you missed out on the one-shots when they were first released, now is your chance to read some of the best mainstream comic gold to come along in a long time, and this collection only furthers the notion that is discussed on the book's inside flap: Ennis was born to write the Punisher.
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Reviewed in the United States on December 30, 2006
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A.G.
Omaha, US
★★★★★ 5
Three really solid stories here.
Art is top notch. We get three really nice stories of pre-Punisher Frank, mid-Punisher Frank and the end of Punisher Frank. I look at this book a couple times a year and Garth Ennis really did a great job on the character. The art by Severin, LaRosa and Corben were all great and fitting for their stories. Good collection if you can find it. Highly recommend.
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Reviewed in the United States on January 22, 2026
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The Critic
San Leandro, US
★★★★★ 4
Vintage Castle
Garth Ennis renders one of his hectic stories with Frank Castle coming back to his origins. The first story deploys Frank's childhood and the unexpected consequences of it later on. I humbly believe the second part(The cell), is the best of this issue. It narrates the ultimate vengeance of Castle against those who took the lifes of his family, several years ago in the middle of a shooting at day light in Central Park. A mention must be done of the art in The Cell. The pencils of Lewis Larosa, the Inks & Finishes of Scott Koblish and Raúl Treviño's colors, leave nothing to desire and accomplish to portrait that classic look of Castle as a somewhat mature/old man still capable of hell when it comes to seek revenge for his family. The End, however, which puts Castle in a dystopian future of a post-nuclear bombing, fails to blend smoothly Garth Ennis' script with the caricaturesque art from Richard Corben and Lee Loughridge. There is a dissonance between this very old Frank Castle in an apocalyptic environment and the drawings that for some reason maintain a gap with previous artists. As a whole, From First to Last is totally worthy. Garth Ennis is back to team with Castle and that's all what counts. Cristián Gómez O.
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Reviewed in the United States on February 20, 2011

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