SKU: 69115584792
is potting mix safe for indoor plants

is potting mix safe for indoor plants Buy Indoor Plant Soil Mix for All Houseplants

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Description

is potting mix safe for indoor plants Buy Indoor Plant Soil Mix for All HouseplantsOur Indoor Plant Soil Mix is Outstanding, Heres Why: Houseplants can bring a lot of joy and life to your indoor living space. Here at Perfect Plants, we want your plants to truly live their best life. To empower your indoor growing experience, we have thoughtfully crafted the perfect blend of soil to set your home aglow with verdant abundance. Our unique blend of soil facilitates greener and more vibrant foliage, helps prevent the formation of fungus,

Our Indoor Plant Soil Mix is Outstanding, Here’s Why:

Houseplants can bring a lot of joy and life to your indoor living space. Here at Perfect Plants, we want your plants to truly live their best life. To empower your indoor growing experience, we have thoughtfully crafted the perfect blend of soil to set your home aglow with verdant abundance. Our unique blend of soil facilitates greener and more vibrant foliage, helps prevent the formation of fungus, and supports expansive growth.  

Indoor plant potting soil is very different than other soils. For instance, outdoor garden soil tends to be denser, while indoor potting soil is specially designed to be loose, well-draining, and full of nutrition. These qualities are what house plants appreciate.  

Optimized Moisture Control

Sometimes we overwater or underwater our indoor plants. No problem, with our mindful indoor planting soil blend, we have taken this into consideration. Our houseplant soil drains well but also retains just the right amount of moisture to keep your indoor plants hydrated.  

Indoor Plant Soil Mixture Ingredients

Life begins in the dirt. Our premium houseplant potting soil is made from organic ingredients, which together, form a synergistic melody of optimized nutrition. In the right proportions, these pristine elements work together to naturally increase your plants’ overall health and ability to thrive. 

Perlite: A porous volcanic glass that manages moisture content within indoor potting soil. You will find that it allows excess water to drain away easily while also retaining the perfect amount needed for plant hydration. It also helps aerate the soil because it contains tiny air pockets. It is also lightweight and helps to give the houseplant soil mix a better texture. 

Ground Pine Bark: Adds a little acidity, nutrition, and facilitates excellent root growth. It also allows water to drain away easily and helps to create looser, more aerated soil. 

Sand: This ingredient helps reduce soil compaction. 

Garden Lime: Agricultural lime creates the ideal soil conditions for indoor plants by setting the perfect pH level. It also helps plants access more nutrients from the soil itself. 

Coconut Coir: This sustainable and fibrous material holds soil together without compacting it. Plus, it adds nutritive elements, helps retain moisture, and provides the right amount of lightweight organic material for a superior soil constitution.

Order Your Indoor Plant Soil for sale Today!

All indoor plants can benefit from our specially formulated houseplant soil. Its light and airy nature make it ideal for plants like Aloe Vera, Spider Plant, Monstera, African Violet, and many others. 

Our soil for houseplants is proudly made right here in the USA, on our small farm in Florida. We are involved in every step of its manufacture and know exactly what goes into making our product. Plus, every package of house plant soil comes in a sturdy resealable bag to increase its convenience of use.  

When you buy our specialized potting blend you are giving your indoor plants the nutritional foundation they need to thrive. It is our mission to make your gardening goals more achievable and sustainable, one bag of soil at a time.  

Happy Planting!

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SKU: 69115584792

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4.6 ★★★★★
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David R. Papke
Battle Creek, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Cuba, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Belleville, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Louisville, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Port Orchard, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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