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Description
anthurium scherzerianum christine Anthurium Scherzerianum Christine Pote 15cm – Universo PlantaeANTHURIUM SCHERZERIANUM CHRISTINE P15 Nombre cientfico: Anthurium scherzerianum 'Christine' Nombre comn: Anturio Familia: Araceae PLANTA DE INTERIOR: Exposicin indirecta de la luz del sol. ALTURA APROXIMADA: 25cm DIMETRO DE LA MACETA: 15cm INFORMACIN IMPORTANTE ANTES DE COMPRAR Precio y Unidades: El precio publicado corresponde a UNA (1) unidad, salvo que la descripcin indique lo contrario. Las imgenes son ilustrativas y pueden mostrar varias plantas
ANTHURIUM SCHERZERIANUM CHRISTINE P15Nombre científico: Anthurium scherzerianum 'Christine'
Nombre común: Anturio
Familia: Araceae
PLANTA DE INTERIOR: Exposición indirecta de la luz del sol.
ALTURA APROXIMADA: 25cm
DIÁMETRO DE LA MACETA: 15cm
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INFORMACIÓN IMPORTANTE ANTES DE COMPRAR
Precio y Unidades: El precio publicado corresponde a UNA (1) unidad, salvo que la descripción indique lo contrario. Las imágenes son ilustrativas y pueden mostrar varias plantas para apreciar sus variaciones.
Macetas: La planta se entrega en maceta de cultivo. Los maceteros decorativos que puedan aparecer en las fotos NO están incluidos en el precio.
Variaciones Naturales: Al ser seres vivos, el color, tamaño y forma de la planta pueden variar. El color de la maceta de cultivo también está sujeto a disponibilidad de stock.
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RETIROS EN PERSONA (ÚNICAMENTE CON COORDINACIÓN PREVIA)
IMPORTANTE: No contamos con local abierto al público. Es indispensable coordinar el retiro con antelación a través de la mensajería de la compra.
ZONA CERRITO DE LA VICTORIA
Horario: Domingos de 8:00 a 13:00 h.
Plazo de compra: Debe realizarse antes de las 12:00 h. del sábado previo.
ZONA CORDÓN
Horario: Lunes a viernes de 9:00 a 12:00 h. y de 13:00 a 18:00 h.
Plazo de compra: Debe realizarse antes de las 16:00 h. del día anterior al retiro.
ENVÍOS EN MONTEVIDEO
Realizamos repartos particulares organizados por zonas:
ZONA AZUL - Costo $260
Días de entrega: Lunes, Miércoles, Viernes y Sábados previa coordinación.
Importante: Los pedidos por este medio NO se envían el mismo día de realizada la compra.
Barrios: Cordón, Pocitos, Tres Cruces, Centro, Ciudad Vieja, Buceo, Prado, entre otros barrios. Puede revisar la lista completa al final de la descripción o consultar.
ZONA NARANJA - Costo $360
Días de entrega: ÚNICAMENTE los Sábados.
Barrios: Colón, La Tahona, Paso Carrasco, Ciudad de la Costa. Puede revisar la lista al final de la descripción o consultar.
Cobertura: Consulte si su zona está disponible para este servicio antes de ofertar.
¿CÓMO COMPRAR VARIOS ARTÍCULOS PAGANDO UN SOLO ENVÍO? Si desea recibir varias plantas o productos en un mismo envío dentro de Montevideo, siga estos pasos:
Realice la compra de UNA planta seleccionando el envío que corresponda a su zona (Azul o Naranja).
Realice las siguientes compras seleccionando la opción "Retiro en persona".
Nosotros unificaremos todos sus pedidos en una sola entrega sin costos adicionales de envío. Nota: Este beneficio de unificación no aplica para Envío Express ni para envíos al interior por razones de seguridad en el embalaje.
ENVÍOS AL INTERIOR DEL PAÍS (PLANTAS VIVAS)
Para proteger la salud de las plantas, gestionamos los envíos bajo las siguientes condiciones:
Despacho: Se realiza de lunes a miércoles para evitar que la planta quede retenida en la agencia durante el fin de semana.
Costo de gestión: Se abonan $100 adicionales por concepto de despacho y traslado hasta la agencia elegida o Tres Cruces.
Envío final: El costo del flete de la agencia se abona directamente al recibir o retirar el pedido.
Recomendación: Para minimizar el estrés de la planta, sugerimos la opción de "Retiro en Agencia" para que pueda recogerla apenas arribe a destino.
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POLÍTICAS DE CAMBIO Y DEVOLUCIÓN
PLANTAS Y FLORES NATURALES: No aceptan cambios ni devoluciones. Al ser seres vivos, una vez entregados no podemos garantizar su estado de salud posterior ni el manejo recibido, por lo que la venta es final.
OTROS ARTÍCULOS (Macetas, accesorios, flores artificiales):
Plazo general: 30 días corridos desde la compra (15 días para flores artificiales).
Requisitos: Es obligatorio presentar boleta. El producto debe estar sin uso, en perfecto estado y con su embalaje original intacto.
Productos personalizados: Artículos fabricados a medida o grabados no tienen cambio ni devolución.
Los reembolsos se procesarán siempre a través del mismo medio de pago utilizado para la compra original.
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LISTA COMPLETA DE BARRIOS DE ENVÍO POR ZONA
ZONA AZUL $260 (LUNES, MIÉRCOLES, VIERNES Y SÁBADO)
Aguada
Aires Puros
Arroyo Seco
Atahualpa
Barrio Sur
Bella Vista
Belvedere
Bolívar
Brazo Oriental
Buceo
Capurro
Carrasco
Carrasco Norte
Casavalle
Castro (Pérez Castellanos)
Cementerio del Norte
Centro
Cerrito de la Victoria
Ciudad Vieja
Cordón
Curva de Maroñas
Flor de Maroñas
Goes
Jacinto Vera
Jardines Hipódromo
La Blanqueada
La Comercial
La Figurita
La Teja
Larrañaga
Las Acacias
Lavalleja
Malvín
Malvín Norte
Maroñas
Palermo
Parque Batlle
Parque Rodó
Paso de las Duranas
Paso Molino
Peñarol
Piedras Blancas
Playa Verde
Pocitos
Pocitos Nuevo
Prado
Puerto Buceo
Punta Carretas
Punta Gorda
Reducto
Sayago
Tres Cruces
Unión
Villa Biarritz
Villa Dolores
Villa Española
Villa Muñoz
ZONA NARANJA $360 (SÁBADOS)
Ciudad de la Costa
Colón
La Paz
La Tahona
Las Piedras
Paso Carrasco
Santiago Vázquez
entre otras zonas de Montevideo ** Publicado utilizando Astroselling **
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4.2 ★★★★★
Based on 20 reviews
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Product Reviews
★★★★★ 5
🫶🏻
Color: Caviar PDRN
I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
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Reviewed in the United States on May 18, 2026
★★★★★ 5
super hydrating
Color: Caviar PDRN
I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
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Reviewed in the United States on June 4, 2026
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect.
And did I mention that some guy named Stanley Kubrick directed the thing?
The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous.
Okay.
Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling.
There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief.
It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it.
I think I'll do just that. Why not? You only live once, right?
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Reviewed in the United States on July 17, 2014
★★★★★ 5
Worth viewing and studying.
First major Kubrick feature film noir. Nothing about Sterling Hayden's Communism here. Cool caper with a classic cast. The flick provides an impactful reminder to never skimp on low quality luggage, to use a double lock, and to take time whenever possible to bundle your cash with rubber bands.
"While playing chess in Washington Square, Kubrick met producer James B. Harris, who considered Kubrick to be "the most intelligent, most creative person I have ever come in contact with", and the two formed the Harris-Kubrick Pictures Corporation in 1955.[52] Harris purchased the rights to Lionel White's novel Clean Break for $10,000,[g] and upon Kubrick's suggestion, they hired film noir novelist Jim Thompson to write the script for the film—which later became The Killing (1956)—about a meticulously planned racetrack robbery gone wrong. The film starred Sterling Hayden, with whom Kubrick had been impressed in The Asphalt Jungle (1950).[54] Kubrick and Harris moved to Los Angeles from New York and signed with the Jaffe Agency to shoot the picture, which became Kubrick's first full-length feature film shot with a professional cast and crew. The Union in Hollywood stated that Kubrick would not be permitted to be both the director and the cinematographer of the movie, so veteran cinematographer Lucien Ballard was hired for the shooting. Kubrick agreed to waive his fee for the production, which was shot in just 24 days on a budget of $330,000.[55] He clashed with Ballard during the shooting, and on one occasion Kubrick threatened to fire Ballard following a camera dispute, despite being only 27 years old at the time and 20 years Ballard's junior.[54] Hayden recalled that Kubrick was "cold and detached. Very mechanical, always confident. I've worked with few directors who are that good".[56] The Killing failed to secure a proper release across the United States; the film made little money, and was promoted only at the last minute, as a second feature to the Western movie Bandido! (1956). Several contemporary critics lauded the film, however, with a reviewer for TIME comparing its camerawork to that of Orson Welles.[57] Today, critics generally consider The Killing to be among the best films of Kubrick's early career; its nonlinear narrative and clinical execution also had a major influence on later directors of crime films, including Quentin Tarantino. Dore Schary of Metro-Goldwyn-Mayer was highly impressed as well, and offered Kubrick and Harris $75,000 to write, direct, and produce a film, which ultimately became Paths of Glory (1957)." [Wikipedia]
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Reviewed in the United States on February 21, 2016
★★★★★ 5
Quintessential 50's Kubrick Noir!
Criterion continues to keep them coming. The Killing(1956), Stanley Kubrick's great noir adds to the recent influx of Criterion's recent titles in 2011, which closely follows Kiss Me Deadly(1955). What a feast for Noir addicts! Now we have another pristine upgrade of a print which greatly improves past releases in both quality as well as great special features. This time we get two jam filled discs of a very important Noir. This two-dvd special edition includes a bounty of goodies for lovers of Noir. There is a new digital restoration, which is excellent, as well as a new interview with producer James B Harris. Interviews with lead actor Sterling Haden, who is excellent in his role as the small-time criminal who plans a dangerous race-track heist with help from a corrupt cop, and an interview with author Robert Polito about writer Jim Thompson. That is just on the first disc, Disc two includes a richly restored high-def digital transfer of Kubrick's 1955 feature Killer's Kiss, new video appreciation of Killer's Kiss by film critic Geoffrey O'Brien, and a new trailer. Of course, you also get a 20 page booklet featuring an essay by film historian Haden Guest and an interview with actress Marie Windsor, which is a reprint but still quite good. Now on to the feature. The Killing was Kubrick's 3rd feature, and to most film historians, the one that put him on the map, although some people would favor Paths Of Glory which was released in the next year 1957 as his breakthrough as a major director. I beg to differ. The Killing is told in a non-linear style which many movie goers have difficulty following, even now in the 21st Century. But to lovers of Noir, by 1956 they had become quite used to it and had no problem with it. In fact, many noir lovers enjoyed putting the pieces together which to them, only added to the experience. The film displays what has become a very familiar Kubrick theme. That is the breakdown, malfunction or fallibility of man and his plans. Just as in Kubrick's subsequent films such as Dr. Strangelove and further on to 2001:A Space Odyssey which became major mainstream successes. His manipulation of time in bits and pieces differs most strikingly from 40's Noir, such as The Killers and Out Of The Past. As players inthis game are established, the film leaps backwards until all of the parts fit together like the pieces of a jigsaw puzzle. The well planned heist falls apart just like the suitcase full of money falls off a cart and scatters the bills in the wind. Just as they say, "The Best Laid Plans". In addition to Hayden, the other members of the heist, especially Vince Edwards, Elisha Cook Jr, and especially Timothy Carey, are all excellent. Most definitely, pay the extra money and get this edition. SMRZ!!!
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Reviewed in the United States on September 15, 2011