SKU: 5294781213
terrarium plants uk

terrarium plants uk Table Top Barrel Roof Terrarium by H Potter

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Description

terrarium plants uk Table Top Barrel Roof Terrarium by H PotterHandcrafted Curved Glass Wardian Case Terrarium Bring the calm of an indoor garden into your home with a compact H Potter terrarium designed to be displayednot tucked away. This handcrafted curved glass Wardian Case sits atop a gray powder coated metal tray with elegant ball feet for a timeless, elevated look. Its considered a closed, humidity friendly terrarium, making it ideal for small tropical plants that enjoy a stable microclimate. Why Youll

Handcrafted Curved Glass Wardian Case Terrarium

Bring the calm of an indoor garden into your home with a compact H Potter terrarium designed to be displayed—not tucked away. This handcrafted curved glass Wardian Case sits atop a gray powder-coated metal tray with elegant ball feet for a timeless, elevated look. It’s considered a closed, humidity-friendly terrarium, making it ideal for small tropical plants that enjoy a stable microclimate.

Why You’ll Love This Terrarium

  • Curved real-glass house for a distinctive, architectural display
  • Humidity-friendly “closed” style that supports many tropical terrarium plants
  • Gray powder-coated metal tray with ball feet for an heirloom finish
  • 3mm glass + lead-free solder for durability and peace of mind
  • Includes a custom plastic liner + planting instructions to simplify setup

Note: Plants, moss, stones, and décor props are not included—this listing is for the terrarium only.

Item Specs

Specification Details
Length 9.5 in
Width 5.75 in
Height 11.5 in
Tray Depth 2 in
Glass Thickness 3 mm
Base Gray powder-coated metal tray with ball feet

What’s Included

Component Included
Handcrafted glass terrarium house ✅ Yes
Powder-coated metal tray + ball feet ✅ Yes
Custom, functional plastic liner ✅ Yes
Planting instructions ✅ Yes
Plants / moss / décor props ❌ No

Closed Terrarium: What That Means

This terrarium is designed to support a higher-humidity environment—a great fit for many tropical terrarium plants. In a closed-style setup, moisture naturally cycles: water evaporates, condenses on the glass, and returns to the soil. If you’re new to planting under glass, our complete terrarium setup and planting guide walks through the process step by step.

Plant Suggestions for This Size Terrarium

  • Strawberry begonia for trailing texture and color
  • Friendship plant for lush, compact foliage
  • Small tropical foliage with similar moisture needs
  • Moss as a finished top layer (optional)

For plant pairing and troubleshooting, explore: best plants for terrariums and Wardian cases and tropical terrarium plant ideas for humid environments .

Avoid harsh direct sunlight. Glass can magnify heat quickly and stress plants.

Materials & Care

Simple Layering Method

  1. Add a thin layer of pea gravel for drainage.
  2. Mix in a small handful of activated charcoal to help keep the terrarium fresh.
  3. Add soil to nearly fill the tray (leave room for moss or top dressing).
  4. Plant gently, tamping soil to remove air pockets.
  5. Water very lightly—closed terrariums need less water than most people expect.

How to Know If You Watered Correctly

  • Light, temporary condensation after planting is normal.
  • If the glass stays heavily fogged for days, vent briefly to release excess moisture.
  • If there’s no condensation and soil looks dry, add small sips of water.

For deeper care and troubleshooting, read: how to care for your terrarium and common terrarium concerns .

Seasonal Styling & Display Ideas

  • Dining table moment: display as a single centerpiece or line up multiples for events
  • Everyday calm: place on a desk, shelf, or console for a “garden under glass” feel
  • Refresh anytime: replant or restyle as seasons change—no need to replace the terrarium

For décor inspiration, see our guide to terrarium décor and centerpiece styling ideas and our feature on gardening under glass and Wardian case styling .

H Potter Quality You Can Trust

H Potter has been designing and manufacturing premium garden and home décor for over 25 years. We don’t pretend to be the cheapest—because you truly do get what you pay for: careful packaging, lasting craftsmanship, and customer service that stands behind every piece.

FAQ

Is this a sealed terrarium?

This style is considered a closed, humidity-friendly terrarium. It’s designed to support a higher-humidity environment for many tropical terrarium plants.

How often should I water a closed terrarium?

Start with very light watering after planting. After that, watering is typically infrequent—monitor condensation and soil moisture. If the glass stays heavily fogged for days, vent briefly. If there’s no condensation and soil looks dry, add small sips of water.

What plants work best in this terrarium?

Small tropical plants that enjoy humidity are a great fit—many customers love strawberry begonias and friendship plants. Choose plants with similar moisture needs for easiest care.

What comes with the terrarium?

You’ll receive the handcrafted glass terrarium house, the gray powder-coated metal tray with ball feet, a custom functional plastic liner, and planting instructions. Plants, moss, stones, and décor props are not included.

What light is best for this terrarium?

Bright, indirect light is ideal. Avoid harsh direct sunlight—glass can magnify heat quickly and stress plants.

What are the measurements?

Approximately 9.5"L x 5.75"W x 11.5"H. The metal planting tray itself is about 2" deep.

Explore More: Terrarium Guides & Related Collections

 

 

 

 

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SKU: 5294781213

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J
JeFF Stumpo
Los Angeles, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 11, 2010
K
Kent Shaw
Boise, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 25, 2011
R
Verified Purchase
Raquel Wilbon
Natrona Heights, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 11, 2020
A
Verified Purchase
amber a
Battle Creek, US
★★★★★ 5
I tend to leave most books in this genre disappointed. I miss the classics
Format: Hardcover
I bought this book after hearing Stacey Lee speak about narrative tension at a lecture for YA writers - the talk was specifically entitled, "How to keep them up all night." The lecture (alongside Anna Shinoda) bit off a rather large amount of material. Neither woman mentioned vampires. The methods they discussed were smart, creative, and delivered with just enough humor to leave me wondering whether I'd be able to put their debut novels down. I devoured GONE WITH THE WIND at least six times cover to cover between my sophomore and senior year. While I am more susceptible to the Historical Fiction page turner than the average girl, I tend to leave most books in this genre disappointed. I miss the classics. I opened this book determined to not judge it by its gorgeous pastel cover. I started slowly. I enjoyed the first four or five chapters - leaving each fully appreciative of Lee's craft. I particularly enjoyed her ability to pepper humor though tragedy. I often complain about writers who miss the mark here. Stacey Lee nailed that important believable balance for me. I liked her characters quickly. I left each chapter satisfied, but thoroughly able to get up and go on with my life. Like a jaded Thumper in Walt Disney's BAMBI, this book was more than nice, but I wasn't susceptible to any kind of teen-aged Twitterpation over it. After the sixth or seventh chapter - four or five days after I first picked it up, I quietly closed my copy, placed it on my nightstand, switched off my lamp, fluffed my pillow and turned over. I turned over again. I flipped on the light - OK, just one more chapter... I zombie sleepwalked to work the next day. That night I retired early, making some completely convincing excuse about being exhausted. I was certainly too tired to read. Flash forward to 6AM when I woke up with this novel on my face. I turned it's last page this afternoon, fully satisfied. I am truly sad it's over. This book transported me. It's one I'll want to have in my collection forever, alongside the beautiful books that mattered to me as a teen; JANE EYRE, TO KILL A MOCKINGBIRD, UNDER A PAINTED SKY. Classic in feel, subject matter, and voice - but modern in approach, I'd be as comfortable recommending it to my book club as I would handing it to any teen. Readers of all ages and walks of life will surely find something that resonates with their own stories too. As for me, I am sure I'll be back on the trail with these girls-- I mean boys, before long. Now I'm off to try my hand at Anna Shinoda's LEARNING NOT TO DROWN. Well, maybe tomorrow. I need a good night's sleep and it's clear these authors know how to keep those pages turning.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 24, 2015
R
Verified Purchase
Ruth Franklin
Lake Worth, US
★★★★★ 4
Good, Fun, Important Topics
Format: Paperback
Good, solid, read for ages 12+. Somewhat unrealistic and yet believable story of two strong young female characters traveling west disguised as boys. Couldn't stop reading it until I was finished with the book, and now my granddaughter is doing the same. This book has many relevant themes about race, gender, class, religion, and other stereotypes and is an excellent choice for a classroom or family read aloud. Get it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 26, 2017

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