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Description

images of jade plant flowers Shop 'Crassula ovata Hummel's Sunset Jade' Care & Growing GuideThe Crassula ovata 'Hummel's Sunset' is a vibrant succulent admired for its striking golden yellow and green foliage edged with hints of red. It is also known as sunset jade, Hummel's sunset jade, or golden jade tree. A colorful cultivar of the classic jade plant, it brings warmth and brightness to succulent collections and indoor plant displays. Its thick, glossy leaves store water, making it a hardy and low maintenance choice for both beginner and

The Crassula ovata 'Hummel's Sunset' is a vibrant succulent admired for its striking golden-yellow and green foliage edged with hints of red. It is also known as sunset jade, Hummel's sunset jade, or golden jade tree.

A colorful cultivar of the classic jade plant, it brings warmth and brightness to succulent collections and indoor plant displays. Its thick, glossy leaves store water, making it a hardy and low-maintenance choice for both beginner and experienced plant enthusiasts. 

Like other popular jade varieties such as Crassula ovata 'Gollum' and Crassula ovata 'Botany Bay', this plant features thick, glossy leaves that store water, making it a hardy and low-maintenance choice for both beginner and experienced plant enthusiasts. 

Native to South Africa and Mozambique, this succulent, also known as Hummel's Sunset Jade, Golden Jade Plant, or Sunset Jade, is known for the way its leaves change color throughout the year.

When exposed to bright light and cooler temperatures, the foliage develops deeper golden tones with reddish margins, giving the plant its signature “sunset” appearance.

One of the most attractive features of Hummel’s Sunset is its compact, branching growth habit.

The plant forms a small shrub-like structure with thick woody stems and clusters of oval leaves that create a dense, sculptural appearance. Its colorful foliage makes it a standout in succulent arrangements, container gardens, or sunny windowsills. 

When growing indoors, your Crassula ovata ‘Hummel’s Sunset’ can grow up to 3 feet tall. Outdoors in warm climates, it may grow slightly larger over time. Its manageable size makes it perfect for patios, balconies, or bright indoor spaces. 

During late fall to winter, mature plants may produce clusters of small star-shaped white to pale pink flowers. These delicate blooms appear at the tips of the branches and create a beautiful contrast against the warm-toned foliage, adding seasonal interest to the plant. 

When it comes to care, this Crassula ovata ‘Hummel’s Sunset’ thrives in well-drained, specialized succulent soil that prevents excess moisture retention. Water sparingly, allowing the soil to dry out completely between waterings, as this succulent is highly drought-tolerant and sensitive to overwatering.  As an indoor houseplant, it prefers bright light with several hours of direct sun and grows best in temperatures between 65°F and 80°F.

Outdoors, it is suitable for USDA zones 9–11 and can tolerate temperatures down to about 30°F for short periods, though it should be protected from frost.

Feed lightly in the spring with a balanced, diluted NPK fertilizer once a year to support healthy growth and vibrant coloration. 

A unique aspect of this jade cultivar is its dramatic color transformation. The leaves can shift from soft green to glowing yellow and orange with red edges depending on light exposure and temperature. This dynamic coloration is what makes Hummel’s Sunset such a popular choice among succulent collectors. 

Final Thoughts

Overall, the Crassula ovata ‘Hummel’s Sunset’ is a resilient and visually striking succulent that combines easy care with vibrant color. Whether grown indoors as a decorative houseplant or outdoors in warm climates, it adds texture, brightness, and charm to any plant collection while requiring minimal maintenance. 

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Lovechunk
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The Best Gift Ever!
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Easy Peasy! Who doesn't like to get an Amazon eGift Card!
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Reviewed in the United States on May 17, 2026
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Tim M.
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Reviewed in the United States on May 12, 2026
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Madison
Dallas, US
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Reviewed in the United States on June 6, 2026
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Daniel Myers
Charlottesville, US
★★★★★ 5
A Foundling's Felicity
This book or novel or whatever you may deem fit to call it has so many points in its favour that it's difficult to know where to begin. I think a rundown of a few of the myriad of characters that delight me personally might do for starters: Tom Jones - A young fellow with many "imperfections" if so they may be called, but a robust fellow with a "good heart." Prudence and what is commonly called virtue are not his strong suit - But may I remind the reader that virtue comes from the Latin word for "manliness"- Tom is certainly possessed of the word's etymological origins, if not of its modern usage (particularly in amorous matters)--And a good thing too, or we should have no story here to delight us! Squire Western- Another rambunctious character, who, for me, typifies all that is Eighteenth Century England. Every time he appeared in this book, whether it was to comment on wenching, wine, or riding to hounds a smirk would immediately cross my face followed invariably by chuckling by the end of the chapter. Henry Fielding - The author plays as much a part of the book as any of the characters with many prologues and prefaces and etc. For these, and for much of the rest of the book, I might add, the reader who has not had four years of Latin inculcated into him at an English boarding school would do well to buy the Oxford edition, which fully explains all the learned quotes - Also, as one who was thus inculcated but is inclined to laziness, the Oxford edition's notes prove extremely helpful also. Fielding also gives us a lively picture of the literary life of his time, which the Oxford footnotes do a deft job of explaining- In short, buy the Oxford edition. This review can not be comprehensive. There are simply too many characters to even make a go at encompassing them all. I'm merely describing some of the, to me, more delightful ones. The book as a whole is simply a joy to read, in its comic descriptions of all who will deign to admit that they are human, and of some priggish sorts who will not so deign. I can put it no better than Fielding Himself at the beginning of Book XV: "There are a set of religious, or rather moral writers, who teach that virtue is the certain road to happiness, and vice to misery, in this world. A very wholesome and comfortable doctrine, and to which we have but one objection, namely, that is not true." In short, this is a delightful ramble of a book which, while entertaining the reader not too attached to Sunday School, sheds light on how unvirtuous the virtuous can be, and how kind and good-natured the roguish can be as well as giving us as good a history lesson on the state of affairs in Eighteenth century England (with attention given to the Jacobite Rebellion etc.) as many a "proper" history does. Who, I ask myself, would not delight in this book? ---Well...for the priggish, there's always Jane Austen.
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Reviewed in the United States on January 24, 2007
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Alexander Kobulnicky
Alexandria, US
★★★★★ 4
The Sidekick in Early-Modern Literature.
Tom Jones is probably the most influential novel in English history, pioneering elements like complex characterization, social criticism and authorial interjection. But you already knew that. What you want to know is, is this a good book for us in the 21st century. And here, it's not so clear. The dialogue is pretty brisk, and some of the exchanges (the stereotypical Whig Mrs. Western arguing with her Jacobite brother is a particular treat) are actually funny. The latter part of the novel evolves into a farce, with a dozen characters engaged in scheming against one another, while Tom and Sophia helplessly go along. Farce works better in drama, where it has a faster pace, but it's always a welcome mode of comedy. You don't see enough farces. Some of the characters are evocative (why do I picture Blifil as looking like Ted Cruz?) but some are not: Dowling is just a lawyer, and Mrs. Miller is a good woman, like thousands who have come since, and that's all there is to it. It's not as if every character needs to, or can, be a fully realized person, but the parts of the novel spent with these human plot devices do feel mechanical. But Mr. Partridge, Tom's traveling companion, is in a different category altogether, and he just poisons the parts of the novel that he features in (chiefly the middle third). Eighteenth Century literature has a depressing reliance on goofy loose-lipped sidekicks: Mr. Partridge, Hugh Strap, Humphrey Clinker, Andrew Fairservice, Friday. Sometimes they're servants, but sometimes they're just stupid friends. Part of this must be practical: It's difficult to follow a wandering hero (and why are the heroes of these novels always wandering? But that's a different question altogether) without giving him a friend to talk to. Maybe early novelists had a hard time sketching characters who didn't have a way to discuss the ongoing action. But mostly, I think this is the bad influence of Don Quixote, which was becoming increasingly popular in England during this period. Sancho Panza is OK, and he's certainly the funniest element of that leaden tome. But Mr. Partridge *is* Sancho Panza, cowardice, superstition and all, and one Sancho Panza was more than enough. You know? There's a limited number of things that a silly, selfless, lazy pal can do, and it's hard to read about the same old doofus, yet again.
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Reviewed in the United States on April 28, 2016

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