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yokai monsters one hundred monsters

yokai monsters one hundred monsters Yokai Monsters: One Hundred Monsters Trilogy 3 DVD Set – Captivated!

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yokai monsters one hundred monsters Yokai Monsters: One Hundred Monsters Trilogy 3 DVD Set – Captivated!YOKAI HYAKU MONOGATARI aka 100 MONSTER TALES aka ONE HUNDRED MONSTERS aka Yokai Monsters (1968) Daiei Studio's first episode in the One Hundred Monsters Trilogy followed by GREAT MONSTER WAR (1968) & TOKAIDO ROAD MONSTERS (1969). A crooked Shrine Magistrate and a greedy developer scheme to evict residents from an apartment building and demolish the adjoining shrine, forcing the townspeople into submission. When the apartment owner attempts to reclaim

YOKAI HYAKU-MONOGATARI aka 100 MONSTER TALES aka ONE HUNDRED MONSTERS aka Yokai Monsters (1968)  Daiei Studio's first episode in the One Hundred Monsters Trilogy followed by GREAT MONSTER WAR (1968) & TOKAIDO ROAD MONSTERS (1969). 

A crooked Shrine Magistrate and a greedy developer scheme to evict residents from an apartment building and demolish the adjoining shrine, forcing the townspeople into submission. When the apartment owner attempts to reclaim the property, he is murdered, and a masterless samurai with deep secrets steps into the fray. The situation in the human world is definitely awry, and as in the past, the Yokai (Spirit Monsters) must take action to correct the wrongs. Divine justice is coming! Yokai Monsters: many legends, but only one message: Heed the spirits, or face their wrath!

A Japanese Cult classic Horror Sci-Fi Fantasy Adventure!

  • All Region remastered edition an Japanese film w/ English subtitles 
  • DVD NTSC running time: 90 min.
  • aspect: widescreen (16:9) Condition:
  • Director: Kimiyoshi Yasuda
  • Standard Movie/TV Title: YOKAI HYAKU-MONOGATARI
  • Year: 1968
  • Leading Role: Jun Fujimaki
  • Actor: Akane Kawasaki · Osamu Okawa · Tomoo Uchida 

TOKAIDO ROAD MONSTERS (1969) third episode in the One Hundred Monsters Trilogy preceded by ONE HUNDRED MONSTERS (1968) and THE GREAT MONSTER WAR (1968) original Japanese title: TOKAIDOU OBAKE DOUCHU [Journey with Monsters on Tokaido Road] aka TOKAI ROAD GOBLIN JOURNEY 

Yokai Monsters: Spook Warfare
While storming the ruins of Babylonia, thieves unearth the ancient tomb of the wicked vampire demon Daimon. The demon flees to Japan, where he takes possession of Lord Isobe's soul and begins to feed on innocent townspeople. An astute villager suspects local patriarch Isobe has become a bloodthirsty demon and seeks help from friendly Yokai (Spirit Monsters) to uncover the truth. Will the army of Yokai be enough to help vanquish the dreaded Daimon, or will the villagers fall prey to an unspeakable fate? 

Yokai Monsters: 100 Monsters

ONE HUNDRED MONSTERS (1968) Daiei Studio's first episode in the One Hundred Monsters Trilogy followed by GREAT MONSTER WAR (1968) & TOKAIDO ROAD MONSTERS (1969) original Japanese title: YOKAI HYAKU-MONOGATARI aka HUNDRED MONSTER TALES (1968 / 90 minutes)

Yokai Monsters: Spook Warfare

GREAT MONSTER WAR (1968) second episode in the One Hundred Monsters Trilogy preceded by ONE HUNDRED MONSTERS (1968) and followed by TOKAIDO ROAD MONSTERS (1969) original Japanese title: YOKAI DAISENSOU aka SPOOK WARFARE and ONE HUNDRED MONSTERS PART 2 (1968 / 79 minutes)

in search of her long-lost father, a little girl travels notorious Tokaido Road (known as "Monster Alley" to the locals) with goblins' help, among bunch of thugs on the road.

Yokai Monsters: Along with Ghosts

GREAT MONSTER WAR (1968) second episode in the One Hundred Monsters Trilogy preceded by ONE HUNDRED MONSTERS (1968) and followed by TOKAIDO ROAD MONSTERS (1969) original Japanese title: YOKAI DAISENSOU aka SPOOK WARFARE and ONE HUNDRED MONSTERS PART 2

TOKAIDO ROAD MONSTERS (1969) third episode in the One Hundred Monsters Trilogy preceded by ONE HUNDRED MONSTERS (1968) and THE GREAT MONSTER WAR (1968) original Japanese title: TOKAIDOU OBAKE DOUCHU [Journey with Monsters on Tokaido Road] aka TOKAI ROAD GOBLIN JOURNEY (1969 / 78 minutes)

In search of her long-lost father, a little girl travels notorious Tokaido Road (known as "Monster Alley" to the locals) with goblins' help, among bunch of thugs on the road.

 

Aided by a young soldier, two 'good' lake ghosts, Kappa and Oil-Licker, recruit an army of monsters from all over the countryside to join in battle against the ruler of Izu, the Babylonian hell-god, Daimon.

 

 

 

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SKU: 49940839958

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Verified Purchase
L. Moyse
Dallas, US
★★★★★ 5
A fine performance
Format: Paperback
You see an old pocket knife on the cover, maybe a Case; it may have even belonged to Jesse Graves, but he has certainly used it in sculpting his poetry. "Tennessee Landscape" is pure plain speech, and all the more evocative for it. Graves uses language not to shock, not incite and not to transgress; he uses it to bring home simple and time worn truths that never go away. In the poem that is the book's title, Graves recounts his family history and ends telling us "The dead move through us at their will, their voices chime/just beyond our hearing...alone in the field, and never alone." He pays homage to a farming tool"(Elegy for a Hay Rake), not with a tone of jaundiced cynicism, speaking to it instead in a voice filled with thanks and appreciation, as if the hay rake, too,knew how worthwhile its job had been. The second part of the volume expands Graves' geography from East Tennessee to New Orleans, North Carolina, points beyond, and the cast of subjects becomes a little broader as well, but the language remains firm and precise. "The Night Cafe: North Rendon, New Orleans": diction so perfect I feel I was there that night too. "My Sister at Sea": likely my favorite here. It feels personal, a short glimpse into a private heart; the glimpse is snatched away in a hurry but not before Graves tells us "...wishing I could bring/ you to this shore...Make your illness a small boat we could burn/Sailing out in ashes on the current." Whether it is a landscape, a hay rake, a bar or a loved one, Jesse Graves is a poet of things that last, one who writes quiet confessions with confidence in a spare quiet and sure voice. Very highly recommend this book.
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Reviewed in the United States on February 24, 2013
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Thomas A. Holmes
Lowell, US
★★★★★ 5
Fine Contemporary Poetry--Just Happens to Be Appalachian
Format: Paperback
The poems in Jesse Graves' TENNESSEE LANDSCAPE WITH BLIGHTED PINE express an indebtedness to a way of life that we contemporary Appalachians have watched transform at an accelerated pace over the past few decades, as we see the beloved old ways of our culture adapt to the demands of a society marked with the pervasiveness of media, the incursion of corporate demands, and the poignant recognition that as much as family prepares us to face the world outside our community, the impact of that world can blur the impressions our homes have made on us. Graves' work approaches these themes from various directions, as a son looking to the legacy of his family, as a youth and young man balancing education--both formal and that gleaned from personal experience--and as a family man weighing what he shares and offers in embodying those values. In this consistently fine volume, it is difficult to select favorites, but there are "River Gods," where an inebriated student and his companion cross the high railway trestle over the Tennessee River in Knoxville, Tennessee, "Deep Corner," where the speaker contemplates how his life has turned out differently than his brother's, "Mother's Milk," where the speaker weighs how much his mother has contributed to his life (including, sweetly, "an ear for slightly off-pitch singing"), and "Digging the Pond," where the speaker and his father silently acknowledge that the son will not preserve all his father's values: . . . I stood off to the side too often to learn what he was born knowing. The doing and the undoing. I can find in his face what he reads about the future in the tea-colored water, his eyes and mine trying to avoid it. Graves' love for these gifts, those accepted and those only acknowledged, resonates throughout TENNESSEE LANDSCAPE WITH BLIGHTED PINE. Graves' appreciation for lyric poetry, his talent for finding the expressiveness of everyday language, and his offering scenes with great depth of meaning and feeling make this collection memorable, worthy of high recommendation.
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Reviewed in the United States on December 30, 2011
J
jwriter
Grantham, US
★★★★★ 5
Extraordinary Journey
Format: Paperback
Jesse Graves conducts the reader on an intimate journey from childhood to manhood. Rooted deep in the rich red clay of East Tennessee, the narrative provides fresh insights about the ties of land and family. "Johnson's Ground" describes an annual homecoming at the family cemetery: "they never let us go, even the ones/Laid under before our births continue to make their claims." The poems express both nostalgia for the past as well as forward-looking hopes for a fresh life in the future. Daughter, Chloe often becomes a bridge from present to past as in "Water Washing Away": "A fair price for the vision of a girl/ who has warped the ancient spell of time,/ who has turned back my eyes." Tennessee Landscape with Blighted Pine is an enchanting read for poet and non-poet alike.
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Reviewed in the United States on February 10, 2013
A
Verified Purchase
Austin Duck
Massapequa, US
★★★★★ 1
Go Read Art Smith or Charles Wright
Format: Paperback
This book is clearly the case of someone steeped in a lyric tradition, but, rather than engaging in the self-reflexive structure of the tradition, is interested in describing ad nauseum, his southern experience. While there are moments in the book that tend toward the sublime, it rests largely as self-indulgent in a way antithetical to the form it chooses.
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Reviewed in the United States on November 5, 2013
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Angels Among Us
Birmingham, US
★★★★★ 5
Dr. G.
Format: Paperback
Jesse Graves (a.k.a. "Dr. G.") is one of my professors at East Tennessee State University. Not only is he a great teacher, he is a very talented poet. I would recommend his work to anyone! Anyone that does not like his work probably just failed his class. :p
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Reviewed in the United States on August 25, 2014

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