joolz.aer Joolz Aer² Lightweight Stroller
SKU: 39632003397
joolz.aer

joolz.aer Joolz Aer² Lightweight Stroller

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Description

joolz.aer Joolz Aer² Lightweight Strollerby Joolz Red Dot Award Winner 2025 Babesta Pick Best Subway Friendly Stroller for NYC Families The Joolz Aer2 is an ultra compact travel stroller built for life between subway platforms and walkup apartments. At 14. 3 lbs with a one second, one hand fold thats compact enough for an airplane overhead bin, its the rare lightweight stroller that doesnt ask you to sacrifice ride quality to get the weight down suitable from birth all the way to 50 lbs. As

by Joolz · Red Dot Award Winner 2025 · Babesta Pick — Best Subway-Friendly Stroller for NYC Families

The Joolz Aer2 is an ultra-compact travel stroller built for life between subway platforms and walkup apartments. At 14.3 lbs with a one-second, one-hand fold that’s compact enough for an airplane overhead bin, it’s the rare lightweight stroller that doesn’t ask you to sacrifice ride quality to get the weight down — suitable from birth all the way to 50 lbs.

As NYC’s expert baby boutique, this is one of our top picks for city families: subway-friendly, easy for frequent travelers, ideal for smaller apartments and walkups, and perfect for pre-school drop-off. For parents-to-be building a registry, the Aer2 is a must-have.

Specifications

Specification

Detail

Stroller Weight

14.3 lbs (6.5 kg)

Folded Dimensions

17.3″ × 20.8″ × 9.2″

Fits Airplane Overhead Bin?

Yes — IATA compliant

Suitable From Birth?

Yes — seat fully reclined + included baby net

Lie-Flat / True Bassinet?

Yes, with optional Carry Cot, Nest-to-Seat, or car seat adapter (sold separately)

Max Child Weight

50 lbs (approx. age 4–5)

Fold Type

One-hand, one-second fold; self-standing

Handlebar Height

42 inches

Seat Recline Positions

3 — seated, relaxed, flat/sleep

Sun Protection

UPF 50+ extended canopy with ventilation

Suspension

Yes

Basket Capacity

17.6 lbs

Shoulder Strap Included?

Yes

Travel Pouch Included?

Yes

Warranty

10-year transferable

Made From

Recycled PET bottle fabric

Award

Red Dot Award Winner 2025

 

Best For/Not For

Best For

      NYC subway families who need to fold one-handed while holding a child or a coffee

      Frequent travelers — folded dimensions are IATA compliant for overhead bins

      Apartment dwellers, especially walkups, where weight and compactness matter most

      Taller parents, thanks to the 42″ handlebar

      Families wanting a one-and-done lightweight newborn pram

      A solo stroller for car-free city families, or a second stroller alongside a full-size

Not Ideal For

      Rough terrain, jogging, or heavy daily-use families where a full-size suspension stroller suits better

      Parents who load up the basket on every outing — at 17.6 lbs, it’s smaller than full-size strollers

Is It Suitable for My Baby’s Age?

Newborn (0–6 months)

Yes — with the seat fully reclined and the included baby net. For true lie-flat comfort, add the Joolz Aer2 Carry Cot (folds flat with the stroller attached) or the Nest-to-Seat for extended parent-facing use to 30 lbs.

Infant (6–12 months)

Yes — reclined or relaxed seat position with adjustable leg rest and a padded 5-point harness.

Toddler (1–4 years)

Yes — upright seat, kick space, and leg rest support comfortably up to 50 lbs.

Is It Good for NYC / City Use?

Yes — this is one of Babesta’s top recommendations for city parents. It folds in one second while holding a child or a coffee. The included shoulder strap means hands-free carrying on subway stairs, a feature that matters most at a crowded station during rush hour. At 14.3 lbs, it’s light enough to lift in and out of cabs and rideshares without breaking stride, and the suspension wheels handle cracked NYC sidewalks better than most ultra-compact strollers in this class.

Compared to other ultra-compacts, the Aer2 is lighter than the UPPAbaby Minu V3 and Bugaboo Butterfly 2, and offers more newborn-readiness options than the Stokke Yoyo — without sacrificing ride quality.

Car Seat Compatibility

Adapter Required (sold separately)

Clek Liing, Bugaboo Turtle Air Shield, select Cybex, Nuna — ask the Babesta team for the correct adapter for your brand

No-Adapter Option

Use the Joolz Aer2 Carry Cot or Nest-to-Seat for a travel system without an infant car seat

 

What’s Included

      Joolz Aer2 stroller

      Baby net

      Shoulder strap

      Travel pouch

      10-year transferable warranty

Optional Add-Ons Available at Babesta

      Joolz Aer2 Carry Cot / Bassinet — for newborn lie-flat use; folds flat with stroller attached

      Nest-to-Seat — extended parent-facing use to 30 lbs; bridges newborn and infant phases

      Foldable bumper bar — for extra security

      Basket bag (underseat organizer) — for additional storage

      Car seat adapters for select Maxi-Cosi, Cybex, Clek, and Nuna car seats — for travel system use

      Footboard with seat — for older siblings

Why Babesta Carries It

As a curated store, we don’t carry everything — we only choose what really works for city life. Most ultra-compact strollers make trade-offs: light but flimsy, or compact but hard to fold one-handed. The Aer2 is the rare one that gets all three right. The one-hand fold is genuinely one-second; we’ve tested it on Warren Street outside our store. The basket is larger than competitors in this weight class, and the 10-year transferable warranty means it holds resale value better than almost anything else in this category.

The Red Dot Award 2025 also signals something practical: the engineering decisions behind the fold, the handlebar feel, and the fabric were made with real intentionality. If you want one stroller that works from the hospital to the airport to the subway, this is it.

Babesta Services on This Purchase

Stroller Test Driving

Test out the Aer2 on the floor with a weighted test baby, outside on the road, so you can feel curbs, uneven terrain, and get the real feel of it.

Hold It Til You Need It

You can purchase and we’ll hold it until you’re ready to take delivery. This way you can check things off the list, yet manage your timing.

Free Stroller Assembly (In Store)

We’ll build your stroller for you in-store. If the stroller needs a bassinet changed into the seat later on, you can wheel in and we’ll do that for you when you’re ready.

Free Stroller Training (In Store)

We’ll train you on your stroller including folding and opening, using accessories, and more — in-store.

Price Matching

Apples to apples, we do our best to match any official listed price on an authorized dealer’s website.

Post-Sale Support Including Warranty Support

We’re always here to help you navigate any questions about your purchase and any warranty claims. Although warranties run through the manufacturer, we can often get any issues fast-tracked.

Baby Registry

Make a baby registry with us and automatically get all of our services, as well as a registry close-out discount at the end. If you already have a registry, our links can also be added to Babylist — let us know you’ve added us and we’ll apply our services.

Frequently Asked Questions

Can I use this as my only stroller?

Yes for most city families, especially with the Carry Cot accessory for the newborn phase. If you live in a walkup, take the subway regularly, or travel frequently, the Aer2 is a strong solo stroller choice over a full-size. If you want more ride quality for long daily walks in a park-heavy neighborhood, consider pairing it with a full-size stroller.

Does it work with infant car seats?

Yes, with separately sold car seat adapters. Compatible brands available at Babesta include Clek Liing, Bugaboo Turtle Air Shield, and select Cybex. Other compatible brands include Nuna and Maxi-Cosi. Ask our team for the right adapter for your car seat, as compatibility varies by specific model.

Is it suitable for jogging?

No — this is a travel and urban stroller, not a jogging stroller. For jogging, ask the Babesta team about dedicated jogging stroller options.

Does it really fit in an airplane overhead bin?

Yes — the Aer2 is IATA compliant at its folded dimensions of 17.3″ × 20.8″ × 9.2″. It’s one of the few strollers you can gate-check and retrieve at the jet bridge, or in some cases carry on directly. Confirm with your specific airline before travel.

Can I try it in person?

Yes — the Joolz Aer2 is on the floor at Babesta Tribeca, 56 Warren Street. Our team can demonstrate the one-second fold, fit the harness, and roll it on the pavement outside so you can feel the suspension for yourself.

Can I put this on my baby registry?

Yes — the Joolz Aer2 is a registry favorite at Babesta. It makes getting around the city and around the world much easier. A Babesta registry comes with exclusive perks and services, and our team can advise on which Aer2 accessories to add based on your lifestyle.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 39632003397

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Vance
Phoenix, US
★★★★★ 5
Alan Moore Does it Right, and Bolland Art Revision is Amazing
Format: Hardcover
The Killing Joke was a comic spawned shortly after the work of Frank Miller, and is probably the comic that established The Joker as one of the most important fictional villains of the 20th century. Batman had become a well thought out, complex character in recent years, primarily due to the work of skilled writer Frank Miller. Batman had been brought into a gritty, modern world of comic books, but I always felt that Miller's The Dark Knight Returns failed to bring the antagonistic Joker into a new light...well it did, but not in the way the character was meant to be. Alan Moore, with the help of Brian Bolland's stunning artwork helped bring to life what is widely accepted as today's standard for the famous Harlequin of Hate. He's crazy, he kills people simply for his own twisted sense of humor, but always has a very zany, cartoonish attitude, which I felt was lacking in Miller's interpretation, where Joker seemed much too serious in appearance, dialogue, and action. The Joker presented in this graphic novel truly is a fiendish jester of fate, who for the most part is truly frightening, but never really acts like anything more than a loon. Bolland's art is very helpful in this aspect, not only bringing the Joker's exaggerated, skeletal body to life, but making it perhaps the most anatomically correct Joker ever seen, while still following the style of the 1970s Joker appearances. The story revolves around the long struggle between Batman and his foe, and their never ending conflict. Joker, having escaped from Arkham Asylum (again), has decided to prove that one bad day can transform any sane man into a monster, such as himself. Taking possession of an old carnival he's ready to do whatever it takes to prove his point, with the assistance of a circus freak show. Meanwhile The Dark Knight questions himself on how this fight will end; coming to the realization that sooner or later one of them would kill the other, unless they tried to reason it out. A hopeless plan by our hero, but he has to at least try a single time to reason with his arch-nemesis, just so he can say he tried. While Batman leads the hunt for the psychotic clown, Joker decides to prove his theory, kidnapping Commissioner Gordon, and shooting Barbara Gordon (Batgirl) through the spine (she never walks again). This is one of the most villainous acts in the history of comics; simply because of how pointless the shooting was, considering Barbara wasn't even in the character of Batgirl. She was just a bystander who Joker decided to use as a tool for his plot. Everyone is a puppet, or tool in his mind. He does this act all of this while wearing a stereotypical beach-going tourist's attire, complete with a large camera, the only exception being his wide-brimmed, purple hat, which conceal his eyes. These are the eyes of a madman, and in one of the comic's final pages his eyes are concealed in shadow once again, before they come out and you see him for the hopeless case he truly is. The story sets the stage for the most widely accepted Joker back-story through a series of flashbacks, showing him as a failed comedian with a pregnant wife, and soon winds up assisting criminals, and falling victim to tragedy. The character is shown to have had one bad day and that is how he ended up as the smiling super villain who has plagued Gotham City for decades. Of course this back-story isn't necessarily true, being that it comes from flashbacks spawned from Joker's mind, and as he famously states in his confrontation with Batman "If I'm going to have a past, I prefer it to be multiple choice!" Gordon's capture and torture leads to a fight between these two iconic characters, where Batman tries to see if it is possible to reason with Joker logically, but the villain doesn't even try to lie about what is obviously in store for them. He can never be reasoned with, and won't stop until he's dead, and Batman refuses to kill him so it's a sick cycle that goes round and round. In the end of The Killing Joke the roller coaster has only been reset and it will only be a matter of time before Joker is back on the streets, killing again with some new, random scheme which will only make sense to him alone, depending on the mood he's in at the time, or which version of his past he remembers. Alan Moore's story is sick, it's disturbing, and doesn't fail to leave the reader in a state of awe. The only problem is that by the end you crave for more! The story practically brings you to the point of begging for a sequel, or expansion which will probably never come. This is a one-shot story, and should remain that way, or else the original's impact may be lost. I don't have a single friend who doesn't think The Killing Joke is one of the most twisted, sick, most perfect stories of the comic medium. It's short, but it delivers a powerful punch! Brian Bolland's art makes this short graphic novel a masterpiece, providing some of the best art ever seen in the characters' long history, only rivaled (in my opinion) by the art of Alex Ross. Joker really is frightening to look at here, because he doesn't look like a real person in most aspects, but Bolland manages to make this character incredibly believable in appearance, without taking any liberties of changing the body type into something more universal. The tall, skeletal body of the 1970s comics is preserved for the most part, except for the narrowing of the chin, which improves the look even further (hence why it's universally used in today's comics). Recently I got the hardcover anniversary edition of The Killing Joke, with the artwork being edited by Brian Bolland, and re-colored by Bolland personally the way he intended it to be seen. I must say that I love the changes to the colors, more so than the cheery, bright colors of the original, which I felt distracted from Bolland's line-art, because the colors were way too traditional comic book, not fitting the intensity of the art. These colors are dark, gritty, and really captures to mood of the story more effectively than the bright colors of the original release. I especially love the flashbacks being in black and white, except for concentrating on objects that reflect the color red, which leads up to him taking on the garb of The Red Hood, before his first confrontation, leading to his ultimate disfigurement and insanity. This is a seriously talented artist and I only wish he was presented with more opportunities to draw these characters. Batman and Joker look their very best in these images, and I'd be hard pressed to find a comic with better consistency of art quality. The Killing Joke is one, if not THE best story in the history of Batman comics, and rightfully earns my rating of 10/10 stars.
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Reviewed in the United States on November 11, 2008
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trashcanman
West Palm Beach, US
★★★★★ 5
One REALLY bad day.
Format: Hardcover
"The Killing Joke" is widely considered to be the be-all-end-all of Joker stories, so what better way to pay homage to the greatest comic book villain of all time near the eve of his re-unveiling in than by reviewing his definitive story? This is the comic that (sort of) revealed the origin of The Clown Prince of Crime, humanizing him to an extent never before, and truly examined -with pictures rather than words- the antagonistic symbiosis that exists between Joker and his arch nemesis, The Batman. A beloved Gotham regular will never be the same and another will be put through hell before this story is done. Oh, and there are creepy little henchmidgets as well. Gotta love the henchmidgets. The art is outstanding, the storytelling superb, and the character examinations are vital to understanding both combatants. The "one bad day" premise highlights the "two sides of the same coin" argument that Batman and Joker are in fact more alike than dissimilar. As if Bruce Wayne took a right when his arch-nemesis took a left. The controversial ending leaves little doubt as to Alan Moore's take on the debate, and I like it like that. While many critics have strongly resisted both the comparison and the somewhat sympathetic look at The Joker's past, the truth is that every great character -villain or hero- needs that sort of intricacy to their story to remain relevant in the world of modern fiction. Comics are no longer for children and adults realize that the world is seldom black and white, that all monsters were once men, and that unspeakable darkness and insanity resides deep inside each human mind. It can take years of suffering to bring them out or it can take one bad day. One bad day could ruin your very existence and everything you were; it's a frightening reality that cannot be overlooked while reading this comic. The more the reader is willing to ponder the ideas put forth by this story, the more you are likely to appreciate "The Killing Joke". An outstanding achievement in storytelling any way you look at it. I was tempted to knock this down to four stars because with this book you are buying a single issue of a comic for what you could easily pay for a full trade paperback or graphic novel of equal quality like, say, Frank Miller's , which is so good it may very well cure cancer (can you prove it doesn't?). But the fact is no Batman fan should be without "The Killing Joke" and I would rather stick to reviewing based on quality rather than haggling over price. The bonus story at the end (written and illustrated by TKJ artist Brian Bolland) is a killer little mini-comic that serves as a perfect companion piece to the main story and definitely sweetens the pot for those wondering if they should get this hardcover edition. "The Killing Joke" is an absolute mindless must-have for fans of the comic book medium and even more so if you claim to be a follower of The Caped Crusader or his twisted nemesis. End of story.
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Reviewed in the United States on July 14, 2008
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Z. Shinder
Cuba, US
★★★★★ 5
Alan Moore does it again
Format: Hardcover
Batman: The Killing Joke is by far one of the greatest one-shot graphic novels ever written, Moore is fortunate that it was of such caliber as to deserve inclusion in the mainstream Batman canon. The Joker is the single most evil non-superpowered being in the DC universe, and almost nothing is known about who he was before becoming the arch-nemesis of Batman. While curiosity abounds for fans, even more prefer that he maintain this aura of mystery since it is believed that his pre-villain life was not one that would have been considered anything worth writing about; it is because of he IS the Joker that he means anything in the DCU at all. All that aside, Alan Moore - the creative genius behind such works as , , , , and many others - took a chance and in 1988 presented the comic community with what DC has accepted as the official Joker origin story. WARNING: SPOILERS AHEAD The Killing Joke is about madness. The Joker has escaped from Arkham Asylum and is setting about a new and truly evil scheme; unrivaled since he murdered Jason Todd/Robin #2 in . While Batman is frantically trying to track him down, the Joker has purchased a dilapidated carnival (like something you'd expect to find in a 21st century teen slasher flick, but in his hands is decidedly worse) and is now off to secure his "main attraction". Later at the home of Commissioner Gordon, Barbara answers the door to find a sick fixed smile shooting her through her spine, crippling her; after several off-color disabled jokes, Gordon is kidnapped and spirited away to the the Joker's carnival of horrors. (Moore and DC received a hailstorm of praise and criticism for rendering Batgirl a parapellegic, but the decision stuck and arguably many good, if not great, stories came from it.) Gordon regains consciousness to find himself being stripped down by a host of sideshow freaks and lead at the Joker's behest to a House of Horrors ride filled with the Joker's own snap-shots of Barbara fully undressed and in pain and filled with the Joker and his cronies singing a sardonic song about lunacy (GOD I WISH I KNEW THE TUNE!!!); all of this intended to drive Gordon insane. Batman uncovers the Joker's plot and rushes to the carnival to stop him; a chase ensues through a booby-trap-laden house of mirrors in which the Joker states that he's proven his point with Gordon's unquestionable descent into madness: "All it takes is one bad day to reduce the sanest man alive to lunacy!" The joker goes on in his analysis with Batman, stating that he too is crazy, but won't admit it and tries to get him to accept it. The final confrontation between them is left a mystery, but it is clear that the Joker - after decades of campy portrayals - has most definitely re-earned the title of most evil comic book villain. Throughout the story, the Joker offers flashbacks to his life before becoming the monster he is today. He was once a technician at the ACE Chemical Plant who quit his job to become a stand-up comedian. Unfortunately he fails miserably and worries about how he's going to support his very pregnant-in-the-late-trimester wife and soon-to-arrive baby. He decides to make fast, easy money by throwing in his lot with criminals looking to rip off a playing card company next door to the chemical plant and he offers his services to get through unnoticed. So as to protect his own identity, the gangsters present him with his disguise: The Red Hood. While in discussion for the crime, a couple of cops show up to tell him that his wife has died while operating a defunct bottle heater. In his shock, he tries to back out of the crime since he no longer has a reason to go through with it; but the gangsters hold him to it. Later on, they break into the plant, but everything goes wrong as the cops show up and take down the gangsters and that Batman appears to apprehend who he believes to be the Red Hood. Whether he jumped, fell or was pushed is unclear, but the man landed in a vat of chemicals that washed him out of the factory. When he reaches shore and removes his disguise and sees his reflection in a puddle of rainwater, he begins to laugh, turns and reveals himself as the Joker. At the end of this story follows another one from the mini-series called here "An Innocent Guy" about a man - clearly disturbed, making the judgment that if anyone is to truly live a life devoted to good, then they must commit an act of evil to know that that is what they really want. After laying out his basic concept, he arrives at the conclusion that he must kill Batman. He lays out his plan in disturbing detail and closes with the a that after this one act of evil, he can go on to live a thoroughly good life and go to heaven when he dies. Masterfully written by Alan Moore and beautifully illustrated by Brian Bolland, Batman: The Killing Joke is a must have for all comic collectors.
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Reviewed in the United States on November 5, 2009
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Verified Purchase
Donald Bullard
Cuba, US
★★★★★ 4
Care and crime
Format: Kindle
I dislike the hype, for a good story. It didn't sweep me away but it made me think. I'll never be certain if I would like it not knowing the source. Still it has soul
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Reviewed in the United States on May 26, 2026
R
Verified Purchase
Ren Andronico
Waukegan, US
★★★★★ 5
"There were these two guys in a lunatic asylum..."
Format: Hardcover
...and there names were Tim Burton and Christopher Nolan. These two directors used this classic comic as part of the inspiration for there respective representations of Batman on the silver screen. I fell Nolan's film is not only a over-all better movie but also the one which better captures what is so remarkable about "The Killing Joke"! Let me make one thing perfectly clear: I am by no means an avid fan of comics. I respect the art form but it's very rarely appealed to me. Of the few comics that I've read the only ones I truly enjoyed were all written by Alan Moore: "The Killing Joke", "Watchmen", and "Miracleman #15: Nemesis" (thanks to someone posting all the pages for this rare and AMAZING issue on-line). I have read a bit of Frank Miller's "The Dark Knight Returns" and Moore's "V for Vendetta". Despite some awesome moments I still think about ("A reflection" from TDKR and "This Vicious Cabaret" from VFV), I couldn't keep up with either of them. I own Art Spiegelman's "Maus" but I haven't had a chance to read it yet, though it sounds right up my alley. The reason for this background is that as a guy who's not a huge comic book fan, THIS COMIC RULES!!! With less than 100 pages, Alan Moore does so many things: create a "definitive" (well, as much as can be done for a character who's past is "multiple choice") backstory for the Joker, suggest that Batman and Joker have far more in common than either character realizes, and create a mood of moral decay and uncertainly while not fully giving into that mood (though not enough to cancel it out). But the icing on the cake is how Moore is able to portray the Joker as an unredeemable monster, tormented philosopher, and a tragic human being all at the same time! A lot of Health Ledger's Joker is foreshadowed by Moore's Joker. Of countless standout moments, there are two which deserve praise. The first is the Joker explain his world view to Batman, how life is a "monstrous demented gag". The words are so well-written and powerful, both because of there fundamental bleakness and the fact that the Joker is truly trying to explain his worldview to Batman. Perhaps hoping for some understanding or at least for proof that he's not alone in the madness. If you want to hear the brilliance of these words and the emotion, I recommend going to Youtube and listening to "Mark Hamill- The Killing Joke" by the Youtube user "Pgirts". A nearly spot-on mimicking of Mark Hamill's voice (the voice of the Joker from "Batman: the Animated Series"), music from the movie "Batman Returns" (a second movie made by the first of the "two guys in a lunatic asylum"), and the text combine to create something shocking weight. The second is as fitting as it is shocking. In keeping with the title, this tale of insanity and despair ends on a joke. I won't dare spoil it because it is awesome on so many levels! But what I will do is end this review with the words of Moore's Rorschach from "Watchmen" about his Pagliacci joke: "Good joke. Everybody laugh. Roll on snare drum. Curtains."
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Reviewed in the United States on March 17, 2012

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