SKU: 38764072261
4 pot planter

4 pot planter Ojai Planter Set of 4

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Description

4 pot planter Ojai Planter Set of 4Ojai Planter Set of 4 Glazed Collection Specifications: Sold as Set of 4 Extra Large: Product Dimensions: 19"W x 25. 5"H Base: 13"W Weight: 76 lbs. Inside Dimensions: Top: 16. 5"W Bottom: 11"W Height: 24" Planting Dimensions: 16. 5"D x 24"H Large: Product Dimensions: 15. 75"W x 21. 75"H Base: 11"W Weight: 41 lbs. Inside Dimensions: Top: 13. 25"W Bottom: 8. 5"W Height: 20. 5" Planting Dimensions: 13. 25"D x 20. 5"H Medium: Product Dimensions: 12. 75"W

Ojai Planter Set of 4 | Glazed Collection Specifications:

  • Sold as Set of 4
    • Extra Large:
      • Product Dimensions: 19"W x 25.5"H | Base: 13"W | Weight: 76 lbs.
      • Inside Dimensions: Top: 16.5"W | Bottom: 11"W | Height: 24"
      • Planting Dimensions: 16.5"D x 24"H
    • Large:
      • Product Dimensions: 15.75"W x 21.75"H | Base: 11"W | Weight: 41 lbs.
      • Inside Dimensions: Top: 13.25"W | Bottom: 8.5"W | Height: 20.5"
      • Planting Dimensions: 13.25"D x 20.5"H
    • Medium:
      • Product Dimensions: 12.75"W x 17.5"H | Base: 9"W | Weight: 29 lbs.
      • Inside Dimensions: Top: 10.5"W | Bottom: 6.5"W | Height: 17"
      • Planting Dimensions: 10.5"D x 17"H
    • Small:
      • Product Dimensions: 10.5"W x 13.5"H | Base: 7"W | Weight: 17 lbs.
      • Inside Dimensions: Top: 8"W | Bottom: 5"W | Height: 13"
      • Planting Dimensions: 8"D x 13"H
  • Set Weight: 163 lbs.
  • Available in Pearl, Barolo, and Falling Green Sierra finishes
  • Hand-made artisan quality pottery
  • Crafted from high-temperature fired terra cotta
  • Frost resistant
  • One drainage hole, centered, approximately 3/4"
  • Hand made artisan quality pottery
  • High fired at 990 (terra cotta) to 1000 (glazed) degrees centigrade to maximize frost resistance and durability
  • Less vulnerable to winter damage
  • Appropriate for indoor and outdoor use
  • Due to the nature of materials used, natural variations can occur in size weight and color

Care & Maintenance/Outdoor Planting Instructions: There is no such thing as a 100% frost-proof planter. The freeze-thaw cycles that occur in winter will cause any water in the container to freeze and expand which may cause the container to crack. It is best to store the item in a dry place out of the elements.

    Ojai Planter Set of 4 | Glazed Collection Description:

    The glazes used on our glazed planters generally consist of natural, non-chemical components and thus the final color of the product will vary, making each piece unique. Due to the processes used in the manufacturing of our hand-made and hand-glazed planters, any deviations with respect to firing, color, size, and crackling are not deemed to be defects but are natural occurrences in the manufacturing process.

    PLEASE NOTE: Due to the hand-application process and photography, actual colors may
    vary from those depicted here.

    Our Glazed and Terra Cotta planters are equipped with pre-installed drainage holes to allow for drainage. The drain holes must be kept clear to maintain the longevity of your planter, especially in climates that undergo freeze thaw cycles in the winter. If you are unable to bring a planter out of the elements:

    We recommend covering the drain holes with a mesh screen or equivalent to keep debris from clogging the openings; Filling the bottom of the planter with non-porous drainage material; Filling the remainder of the planter with a well-draining soil mix that will not retain water; and lastly, covering the soil with decorative mulch or pine bark to the top rim of the planter to discourage water from pooling on the surface. For indoor use, Campania can source saucers for special orders and plugs are available upon request.

    Cleaning Instructions: Campania Glazed and Terra Cotta planters can be cleaned with either mild soapy water or Windex® with Ammonia-D. Spray down the surface of the planter where it is dirty and use a lint-free cloth or sponge to wipe the surface. Note that it may take several cycles of wiping and drying before the planter is completely clean. Do not pressure wash, use alcohol based cleaners, apply corrosive cleaners or clean with anything abrasive.

    Shipping Notes
    • Free Standard Shipping on $100+ Orders to the USA.
    • Except Preorder products are shipped in 48 hours.
    • Delivery to the USA:
    1. Standard Shipping : 3-10 business days
    • If time is of the essence, please consider selecting expedited delivery for faster service.
    Exchange/Return Notes
    • We offer a 30-day return/exchange service after receiving.
    • Final sale items are not eligible for returns or exchanges.
    • To process your return/exchange, please contact us at [email protected]
    • Please click here for more details>>> Return & Exchange Policy
    SKU: 38764072261

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    4.3 ★★★★★
    Based on 13 reviews
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    Product Reviews
    J
    Verified Purchase
    jk Smiles
    Waukegan, US
    ★★★★★ 5
    A book on dialogue should be experienced first as a book on tape
    Format: Audio CD
    I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on August 30, 2018
    L
    Verified Purchase
    Lori T. Sly
    Los Angeles, US
    ★★★★★ 4
    Helpful, but not as good as "Story" by same author, and it disses certain genres
    Format: Hardcover
    This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful. McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do. However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies! If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why. McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism. Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging. With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else. In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree. But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on December 12, 2019
    R
    Verified Purchase
    Ray Pryor
    Fort Morgan, US
    ★★★★★ 5
    Amazing.
    Format: Kindle
    Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on April 18, 2017
    K
    Verified Purchase
    Kindle Customer
    Natrona Heights, US
    ★★★★★ 5
    So to speak
    Format: Kindle
    Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on June 12, 2017
    C
    Verified Purchase
    cf otto
    Draper, US
    ★★★★★ 5
    ONE OF THE TWO BEST BOOKS ON SCREENWRITING
    Format: Hardcover
    Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on October 14, 2016

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