SKU: 37672229054
burro's tail succulent plant

burro's tail succulent plant Sedum morganianum Burro's Tail 4" Pot

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Description

burro's tail succulent plant Sedum morganianum Burro's Tail 4" PotIntroducing the donkey tail plant, known as Sedum morganianum, which is a popular hanging plant that belongs to the Sedum genus. Native to Mexico, the donkey tail plant has several other common names such as Donkey's Tail, Lamb's Tail, and Horses' Tail. The donkey tail succulent doesn't just settle for being ordinary; it goes all out. Its bluish green foliage, which occasionally even has a whitish bloom. Initially, its stems grow upright like an

Introducing the donkey tail plant, known as Sedum morganianum, which is a popular hanging plant that belongs to the Sedum genus. Native to Mexico, the donkey tail plant has several other common names such as Donkey's Tail, Lamb's Tail, and Horses' Tail. 

The donkey tail succulent doesn't just settle for being ordinary; it goes all out. Its bluish-green foliage, which occasionally even has a whitish bloom.  


Initially, its stems grow upright like an ambitious little sprout. These magnificent donkey tail plants soon trail down and become pendulous wonders.

The growth pattern of donkey tail plant stems is indeed unique, as they grow downwards, cascading gracefully from hanging baskets.

It is easy to care for and can thrive in a variety of environments, making it a great choice for both beginner and experienced plant owners.

The donkey tail plants can grow up to about 4 feet long and 2 feet wide, with their trailing stems filled with chubby, succulent leaves. Its leaves store water, making it a drought-tolerant plant. Plus, it's known for its distinctive trailing growth habit, making it a popular choice for hanging baskets or as a trailing plant in arrangements.

Important Fact to Understand
The donkey tail plant is mistakenly used interchangeably with Burro's tail plants (as in Spanish, Burro's is known as a donkey) by other websites, but they are in fact completely different plant. These two succulent plants have distinctively shaped plump leaves; the burro's tail plant's leaves are more teardrop-shaped, whereas the donkey's tail plant's leaves are banana-shaped.

The donkey tail plant bloom in summer with vibrant star-shaped pinkish-red blooms. The flowers attract butterflies and hummingbirds with their sweet nectar, adding a pop of color to your garden during the warmer months.

The propagation of the donkey tail plant is typically done through stem cuttings, which should be allowed to be callous before being placed in well-draining soil. It is important to provide bright indirect light and avoid overwatering to promote healthy growth.

From its light requirements to water needs, this plant is relatively easy to care for and is a friendly plant both for humans and pets.

Watering Needs 

Like other succulents, they thrive on a little neglect; even if you forget to water them once or twice, they'll still survive just fine. It's important to let the soil dry out completely between waterings. Overwatering can cause the roots to rot, which can lead to the death of your Sedum morganianum. The best way to water the donkey's tail succulent is to give it a good soaking and then let the soil dry out completely before watering again. 

In the spring and summer, during the growing season, you can water your Donkey Tail plant more frequently, about once every 2-3 weeks, or when the top inch of soil feels dry. Be sure to water thoroughly but allow excess water to drain out of the pot to prevent water accumulation at the roots.

In the fall and winter, when the plant is in its dormant period, you'll want to reduce watering to about once a month or even less, as the plant requires less water during these cooler months.

Remember, ensure that the pot has good drainage to prevent water from sitting in the bottom of the pot. 

Light Requirements 

When growing indoors, the donkey tail succulent prefers a window that receives indirect bright light. It can also tolerate some direct sunlight, but it's important to avoid exposing the donkey's tail to too much direct sunlight, as this can cause the leaves to burn.

For outdoor cultivation, they prefer full sunlight to partial shade. Remember, it is important to provide at least 4-6 hours of bright light for the plump and healthy stem in the hanging basket. 

If you notice that the blue-green leaves are turning yellow or brown, it may be a sign that this Sedum donkey tail is getting too much direct sunlight. 

Optimal Soil & Fertilizer Needs 

The donkey's tail thrives in well-drained soil that's rich in nutrients. A good soil mix for this succulent is a combination of cactus soil, perlite, and sand. It's important to make sure that the soil is well-draining, as the donkey tail plant is susceptible to root rot.  We believe the best option is to use our specialty succulent potting mix that contains over 5 natural substrates and organic mycorrhizae to promote the development of a strong root system that helps your succulent to thrive. 

When it comes to fertilizing, the donkey tail succulent doesn't need a lot of fertilizer. You can fertilize the plant once a year in the spring with a balanced fertilizer NPK (5-10-5). It's important to avoid over-fertilizing the succulents as it can cause even death of the plant. 

Hardiness Zone & More 

When growing indoors, the donkey tail succulent plants thrive in average room temperatures ranging from 65-75°F. As for humidity, these plants are adaptable to typical indoor humidity levels, so no special adjustments are usually needed. Just ensure good air circulation around the plant to prevent any issues related to stagnant air.

For outdoor cultivation, they are best suited for USDA hardiness zones 10-11, where temperatures remain above 30°F. They enjoy full sun to partial shade outdoors and can handle higher temperatures if provided with adequate water and some protection from intense afternoon sun.

If you live in a colder climate, you should put them in a pot, and they can then be kept outdoors during the summer and brought in as the temperature drops. While household humidity is generally good enough, these donkey tail plants will do even better with some extra moisture in the air. Set up a humidifier nearby or grow them in naturally humid rooms like your bathroom or kitchen. 

Final Thoughts

Overall, the donkey's tail sedum makes a vibrant trailing houseplant that is a low-maintenance succulent plant that doesn't require a lot of attention. Be sure to add Sedum morganianum - a donkey tail plant to your home or garden and enjoy its low-maintenance care while admiring its impressive display year after year.

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4.1 ★★★★★
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***moviemaker***
Carnegie, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
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W.P.
New York, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
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Basket Case
Draper, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
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johnf
Lexington, US
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things. The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring. The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world. If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016
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Todd7
Waukegan, US
★★★★★ 5
My favorite movie musical
The Umbrellas of Cherbourg (1964, Jacques Demy, Director) is a very straightforward love story that’s fairly predictable, but that doesn’t take away from its absorbing allure. In fact, I love this film so much that I’m willing to overlook some of the minor flaws in the blu ray transfer from Criterion. This transfer is somewhat grainy/hazy in picture quality, and the sound isn’t exactly clear; in fact, it can be slightly muffled at times. However, I’m not going to dwell on these few minor imperfections. Now, for the heart of the review: The Umbrellas of Cherbourg is so unique in that all of the dialogue is sung. This is definitely an acquired taste, but about 15-20 minutes in, I was used to it and all-in. The next thing that becomes obvious is its rich color; it’s sort of pastel-like, with some backgrounds that are quite striking. Finally, the last thing that jumps out is the continuous upbeat music in the film, with the exception of the main theme, which is an emotionally-charged melancholy number by Michel Legrand that is the heartbeat of the film. This film is really a heartfelt love story where fate is the prevailing narrative and force. It’s a film about important decisions and their outcomes. Along the way, there are familial issues, death, rebuilding with emotional crutches, and some humor injected at just the right times. Some of the dialogue is cliched, but I guess that’s par for the course in a love story? Finally, while watching this film, I could definitely see where the 2016 film, La La Land took so much inspiration from, especially the ending sequence and the upbeat musical numbers. Overall, The Umbrellas of Cherbourg is a masterpiece of a film that’s essential to your blu ray collection. The Criterion Collection usually does a stellar job with resorting older films, but for some reason this isn’t their best work. I was expecting better quality. The blu ray also contains some nice special features.
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Reviewed in the United States on July 22, 2025

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