SKU: 30086784812
maxi cosi auf einkaufswagen

maxi cosi auf einkaufswagen Maxi Cosi FamilyFix Pro 360 Isofix Base online bestellen – Kinderwagenshop Cindy

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maxi cosi auf einkaufswagen Maxi Cosi FamilyFix Pro 360 Isofix Base online bestellen – Kinderwagenshop CindySICHER UNTERWEGS MIT DER MAXI COSI FAMILYFIX PRO 360 ISOFIX BASE Einfach die Babyschale Maxi Cosi Pebble 360 Pro i Size oder den Kindersitz Pearl 360 Pro i Size in die Basis einklicken, sliden, drehen und Du kannst sofort starten. Das visuelle Installationsfeedback zeigt Dir an, ob der Kindersitz korrekt montiert ist. Produktdetails: i Size Basisstation fr Babyschalen & Autokindersitze von Maxi Cosi geeignet fr Pebble 360 Pro i Size und Pearl 360 Pro

SICHER UNTERWEGS MIT DER MAXI COSI FAMILYFIX PRO 360 ISOFIX BASE

Einfach die Babyschale Maxi Cosi Pebble 360 Pro i-Size oder den Kindersitz Pearl 360 Pro i-Size in die Basis einklicken, sliden, drehen und Du kannst sofort starten. Das visuelle Installationsfeedback zeigt Dir an, ob der Kindersitz korrekt montiert ist.

Produktdetails:

  • i-Size Basisstation für Babyschalen & Autokindersitze von Maxi-Cosi
  • geeignet für Pebble 360 Pro i-Size und Pearl 360 Pro i-Size
  • 360°-Drehung und Slide-Out-Funktion für höchsten Bedienungskomfort

Eine revolutionäre Weiterentwicklung der 360-Family-Serie von Maxi-Cosi, dem Autokindersitz-Spezialisten, der schon seit vier Jahrzehnten immer wieder neue Maßstäbe in puncto Sicherheit, Komfort und Funktionalität setzt: Genau wie die 360-Basisstation ist die FamilyFix 360 Pro Base – wie der Name bereits vermuten lässt – um 360 Grad drehbar. Was das Hineinlegen und Herausnehmen deines Babys ebenso vereinfacht wie später das Ein- und Aussteigen deines größer werdenden Kindes.

Die neue 360 Pro-Variante allerdings bietet noch wesentlich mehr Komfort, da sich der Sitz aufgrund seiner patentierten SlideTech™-Funktion – im wahrsten Sinne des Wortes – sehr entgegenkommend zeigt: Wenn du dein Kind hineinsetzen oder herausnehmen möchtest, gleitet der Sitz dir einfach entgegen. Das heißt für dich: kein umständliches Bücken mehr, kein Kopfeinziehen, kein schmerzendes Kopfstoßen am Fahrzeugrahmen, keine Rückenverrenkungen bei gleichzeitiger Belastung der Wirbelsäule. So wurde die innovative Weltneuheit von der Aktion Gesunder Rücken als rückenfreundliches Produkt mit dem AGR-Siegel ausgezeichnet.

Ganz gleich, ob mit der Babyschale Pebble 360 Pro (ab Geburt bis ca. 15 Monate) oder dem Reboarder Pearl 360 Pro, der für Kinder ab 3 Monate bis 4 Jahre geeignet ist und mit einer speziellen Neugeborenen-Einlage sogar schon ab der Geburt genutzt werden kann: Dank 360 Pro Basisstation mit 360-Grad-Drehung und Slide-Out-Funktion kannst du einfach neben dem Fahrzeug stehenbleiben, den Autokindersitz in deine Richtung drehen und zu dir herausgleiten lassen. Anschließend lässt sich dein kleiner Schatz ganz bequem herausnehmen bzw. wieder hineinsetzen.

Genauso komfortabel ist die Einstellung der gewünschten Sitz- oder Liegeposition: Das FlexiSpin 360°-Rotationssystem ermöglicht einen Positionswechsel mit nur einer Hand, sodass du dein eingeschlafenes Kind auch während der Fahrt vom Beifahrersitz aus in eine bequemere Liegeposition bringen kannst. Auch ein Richtungswechsel des Pearl 360 Pro Reboarders, der dank 360-Grad-Drehfunktion selbstverständlich auch in Vorwärtsrichtung nutzbar ist, ist in wenigen Sekunden erledigt. Apropos Fahrtrichtung: Damit dein Baby – wie vom Gesetzgeber vorgeschrieben – ausschließlich rückwärtsgerichtet mitfährt, verfügt die 360 Pro Basisstation über eine entsprechende Rotationssperre.

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    SKU: 30086784812

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    4.9 ★★★★★
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    Trendy Chic
    Houston, US
    ★★★★★ 5
    Not what I was expecting, but I liked it.
    Format: Paperback
    My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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    Reviewed in the United States on September 8, 2024
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    Matthew
    Alexandria, US
    ★★★★★ 1
    Poor read
    Format: Paperback
    Not worth the hype. Was poorly written and had to put it down and not finish it.
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    Reviewed in the United States on May 20, 2025
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    Carnegie, US
    ★★★★★ 4
    Great story
    Format: Paperback
    I’m not an avid reader, but this was finished in a few days. Such a good book!
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    Reviewed in the United States on June 14, 2025
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    AMD
    Charlottesville, US
    ★★★★★ 3
    Won’t be buying book two.
    Format: Paperback
    Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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    Reviewed in the United States on July 8, 2025
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    Dr.C.J.Singh.Wallia
    Draper, US
    ★★★★★ 5
    An Excellent Primer on Novel-Writing
    Format: Paperback
    WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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    Reviewed in the United States on March 7, 2020

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