SKU: 29840244627
new cybex car seat

new cybex car seat CYBEX CLOUD T I-Size Car Seat

Sale price$24.37 Regular price$27.08
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Ships within 48 hours · Estimated delivery Jul 22 - Jul 27

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Description

new cybex car seat CYBEX CLOUD T I-Size Car SeatPlease note: this item is not stocked in store and will be delivered in 3 5 working days. The Cloud T i Size infant car seat lasts from birth to 87cm approx. 24 months, it is the ultimate all rounder for comfortable and exible journeys with your child, both inside and outside the car. It oers an in car recline position when used with the ISOFIX Base T (sold separately), providing a comfortable and safe ride. When used as part of a travel system the

Please note: this item is not stocked in store and will be delivered in 3-5 working days.

The Cloud T i-Size infant car seat lasts from birth to 87cm approx. 24 months, it is the ultimate all-rounder for comfortable and flexible journeys with your child, both inside and outside the car. It offers an in-car recline position when used with the ISOFIX Base T (sold separately), providing a comfortable and safe ride. When used as part of a travel system the Cloud T i-Size gives you full flexibility by offering an outstanding, ergonomic lie-flat position, meaning your baby has unrestricted breathing and is at a safer reclined angle whilst their lungs are still developing.

The Cloud T i-Size features Stretch & Lie-Flat Technology outside of the car, the recline hinges at the hip area to create a longer and more spacious seating position, as well as offering additional leg support. This makes the Cloud T i-Size one of the longest infant carriers on the market.

With its all-round air ventilation, the infant car seat maintains a consistently pleasant seating temperature throughout the seasons. When used on the Base T, the 180° rotation allows you to turn the infant car seat towards the car door to effortlessly on and off-board your child. The Cloud T i-Size is the perfect companion for every step of the way.

Features:

Stretch & Lie-flat Technology

When used outside of the car, the Cloud T i-Size features an innovative Stretch & Lie-Flat Technology, that has set new standards for ergonomic comfort. Its recline hinge, situated in the hip area, allows for a simultaneously flattened back and leg rest extension, creating an optimal lying position for your baby.

Use on your pushchair and the Cloud T i-Size can be fully reclined to a lie-flat position that provides ergonomic comfort on the go , the Stretch & Lie-Flat Technology, prevents your baby's head from falling forward, allowing for unrestricted breathing and vital lung development.

In-car Recline

With the Cloud series CYBEX developed an ergonomic lie-flat position for outside of the car. Building on this innovation the newest Cloud T i-Size can also be placed in a reclined position while in the car. This feature allows greater comfort for the child without compromising on safety while on the road.

New All-round Air Ventilation System - For Optimal Breathability

The Plus fabric also features mesh inserts for even better air circulation and comfort, proper circulation of air not only reduces humidity, but also prevents any excess moisture. Its specially designed 3D mesh structure improves breathability by up to six times*, ensuring that your child stays cool and comfortable no matter the weather.

180° Rotation For Easy On- And Off-boarding

CYBEX has been manufacturing rotating infant car seats since 2018 - the Cloud T i-Size is next generation in technology.

When used with the ISOFIX Base T, the Cloud T i-Size infant car seat is easily rotatable towards the car door, for effortless on and off-boarding. Smaller babies can sleep soundly in the Cloud T i-Size while getting smoothly clicked directly onto the base. Thanks to the 180° rotation, you can make sure your baby sits properly in the seat and is securely strapped in before setting off, say goodbye to any awkward reaching or twisting.

The smooth 180° rotation allows parents to turn the seat towards the door, and in a single movement by simply using the one hand release mechanism and carry handle, lift their little one out of the car without any additional bending or strain on their backs.

Full Sun Protection

The XXL Sun Canopy is made from UPF50+ fabric**, offering excellent sun protection as well as shielding your child from wind and the busy surroundings like a cosy cocoon. When not in use, it can be easily stowed away. For hot days, the sun canopy now features a new mesh window that not only improves air ventilation but also makes it easier to check on your child without moving the Sun Canopy.

25% More Side Impact Protection

The Cloud T i-Size is equipped with the proven Linear Side-impact Protection (L.S.P.) System which enhances safety in the event of an accident. Together with the energy-absorbing shell of the seat the extended side protection reduces the initial impact forces by up to 25%. If needed, the L.S.P. System can be easily stored away in case of limited space in the car.

Travel System Ready

The Cloud T i-Size's travel system compatibility allows for easy attachment to a variety of strollers and pushchairs from CYBEX with the intuitive use of adapters. While being a versatile infant car seat, it also offers an incomparably flat recline position, nearly as flat as a carrycot, setting it apart from other reclining car seats.

Grows With The Child

The Cloud T i-Size's Height-adjustable Headrest provides 12 different positions, allowing for a personalised and secure fit for your growing child. With the integrated harness guide, adjustments can be made effortlessly and within seconds while ensuring that the safety features of the seat are properly positioned. The Cloud T i-Size grows with your child from birth to approximately 24 months old (45-87cm) and harness automatically adjust as you move the headrest or recline the seat.

Safe Travel For Smaller Babies

The Cloud T i-Size comes with a removable Newborn Inlay that provides a near-flat lying position for newborns or smaller premature babies. The inlay minimises the risk of the baby's head tipping forward while sleeping, which encourages a safer sleeping position and reduces any breathing difficulties. As your baby grows, the Newborn Inlay can be removed once your little one is taller than 60 cm.

One Base - Two Seats

The ISOFIX Base T serves as a secure base for the CYBEX T Line Modular System, offering maximum protection and versatility, allowing the Cloud T i-Size to rotate 180° to either side of the car door. Additionally, it's a long-lasting solution that can continue to be used with a CYBEX Sirona T i-Size as your child grows.

Intuitive Isofix Tech

The Base T comes equipped with optimised and user-friendly ISOFIX-Release buttons, making the installation of the base in the car even more intuitive and easy. The handy green and red indicators featured on the ISOFIX Tech Release buttons and the base load leg reassure parents that they have correctly installed their seat.

Specifications:

  • Dimensions: 64.5 cm / 44 cm / 38 - 60 cm
  • Weight: 4.5 kg
  • Age - From birth to approx. 24 months
  • Child weight - 13kg
  • Box Size: Depth/ Length: 75cm
  • Box Size: Width: 46cm
  • Box Size: Height: 37.8cm
  • Box Size: Gross Weight: 8.2kg
  • Net Weight: 4.9kg
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
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SKU: 29840244627

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4.1 ★★★★★
Based on 11 reviews
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Product Reviews
D
Verified Purchase
Diana D
San Leandro, US
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader. This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story. I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2016
J
Verified Purchase
JR
Alexandria, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Natrona Heights, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Charlottesville, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Carnegie, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017

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