SKU: 23676178433
popcorn plant seeds for sale

popcorn plant seeds for sale Strawberry Popcorn Seeds – Red Heirloom for Small Spaces – Jerra's Garden

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Description

popcorn plant seeds for sale Strawberry Popcorn Seeds – Red Heirloom for Small Spaces – Jerra's GardenStrawberry Popcorn Heirloom Garden Corn Vegetable Seeds Zea mays Listing is for 1 packet of minimum 30 seeds Strawberry Popcorn is a unique heirloom variety that produces 2 3 inch, deep red ears of corn that resemble strawberries in shape and color, making them a striking addition to any garden. Perfect for popping into delicious, fluffy popcorn or using as rustic decor, this dual purpose variety is as fun as it is functional. Strawberry Popcorn corn

Strawberry Popcorn Heirloom Garden Corn Vegetable Seeds
Zea mays
Listing is for 1 packet of minimum 30 seeds

Strawberry Popcorn is a unique heirloom variety that produces 2-3 inch, deep-red ears of corn that resemble strawberries in shape and color, making them a striking addition to any garden. Perfect for popping into delicious, fluffy popcorn or using as rustic decor, this dual-purpose variety is as fun as it is functional. Strawberry Popcorn corn plants are compact maturing at around 4FT tall so it can easily be grown in large clusters in containers or grow bags. It is easy to grow and ready for harvest in about 100 days. 

My top 5 tips for successfully growing corn - or go visit my YouTube channel Jerra's Garden to watch my How to Grow Corn video: https://youtu.be/XhrJQ09dajQ

1. Corn must be grown in a decent size block in order to properly pollinate and produce full ears of corn. Corn is wind pollinated. The tassels that form at the top release pollen in the air that floats down and lands on the silks. Every silk is attached to a single kernel on the cob of corn. If the silk doesn't get pollinated, the kernel will not grow resulting in cobs of corn with gaps in it. Do not grow just a few plants. Ideally you would want a 8ft x 4ft growing area, with at least 4 rows. I sow/plant the corn 8-10 inches apart. 

2. The corn ear worms will come so be ready. These are small brown worms that bore into the stalk and ultimately into the forming cobs of corn. They will ruin the entire cob. What makes it so difficult, is that once they bore into the stalk/cob, its hard to treat for the worms. I highly recommend the use of spinosad. BT will also work ok, but its not as effective as spinosad against this particular type of worm. Spinosad is slightly stronger and has the added benefit of killing the worm on contact (BT does not). I spray at the first signs of worm chewing damage on the leaves to reduce the population before they work their way into the stalks/cobs. 

3. Corn is a grass relative. They need high amounts of nitrogen fertilizer to grow strong, lush, green stalks which in turn produce bigger and fuller cobs of corn. Look for fertilizers that are high in nitrogen, at least 10% by weight or more. Apply small amounts of fertilizer every 3 weeks to keep a consistent supply of nitrogen for the plants.

4. Corn loves water. The plants will dry and brown up if the soil is too dry just like grass. Make sure moisture levels stay consistent. 

5. If you plan to save your own seed, please note that corn very easily cross pollinates with other corn varieties. Plant each variety at minimum 150FT apart to avoid cross pollination. 

Follow me on social media for more gardening info and tips. IG, YT, and TikTok: jerrasgarden. 

PLANTING
Germination: 7-14 days

Seed Sowing Depth: 1-2 inches deep 

Sowing: Everyone recommends to direct sow corn as soon as soil temperatures reach over 85F. For some reason I have terrible germination when I direct sow corn. I believe my soil is just too moist since I am in Florida, which rots out the seeds. Because of this, I sow the seeds in 72-cell seed trays, 1 seed per cell, and transplant at the 3 week mark. It works perfectly every time. It is important to transplant no later than the 3 week mark or they get root bound which stunts their growth. 

Days to maturity: 100

Terms and conditions READ THIS PLEASE:
- Seeds will be shipped with no planting instructions to keep seed costs low to the buyer. Germination and plant care information is included in the description. I encourage each gardener to research specifics on how to be successful growing them. I also have lots of information on my TikTok, Instagram and YouTube channel all under the account name jerrasgarden. I started this shop to share my love of certain seed varieties and spread the knowledge of gardening. Please contact me if you cant find information or have additional questions.


- No returns or refunds once shipped. I am not responsible for lost or damaged packages caused by USPS. Since there are so many factors that affect germination and growing success, no refunds or exchanges are allowed once seeds have shipped. These are the same seeds I use in my personal garden so I can attest to their viability. Seeds are fresh season to season.


- Availability of seed in this shop varies depending on what I have decided to grow that season. With that said, please be advised that seeds are available in limited quantities. Once sold out they may or may not be available again.

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4.1 ★★★★★
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Product Reviews
D
Verified Purchase
Diana D
Waukegan, US
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader. This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story. I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2016
J
Verified Purchase
JR
Port Orchard, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Draper, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Whiting, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Pawtucket, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017

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