SKU: 21112957062
maxi cosi brown car seat

maxi cosi brown car seat Oxford Cabin Travel System with Mico Pro Infant Car Seat in Sea Shadow

$22.93 $25.48
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Description

maxi cosi brown car seat Oxford Cabin Travel System with Mico Pro Infant Car Seat in Sea ShadowThis Maxi Cosi bundle comes with the Oxford Cabin Lightweight Travel Stroller and Mico Pro Infant Car Seat, both in the Sea Shadow (black) color, usually sold separately. Pairing the pieces together creates a travel system that can be used from birth. The Maxi Cosi Oxford Cabin Lightweight Travel Stroller is your ultimate companion for effortless travel with your little one. This stroller folds compactly with 1 hand and meets the IATA recommended

This Maxi-Cosi bundle comes with the Oxford Cabin Lightweight Travel Stroller and Mico® Pro Infant Car Seat, both in the Sea Shadow (black) color, usually sold separately. Pairing the pieces together creates a travel system that can be used from birth.

The Maxi-Cosi Oxford Cabin Lightweight Travel Stroller is your ultimate companion for effortless travel with your little one. This stroller folds compactly with 1 hand and meets the IATA-recommended folded air travel size, which means you can take it on the plane as carry-on luggage.* At 16 lbs., it’s sturdy, yet lightweight—perfect for maneuvering through busy airports and tight spaces like city streets or the farmer’s market. The included travel bag has backpack straps and a carry handle to make it comfortable and convenient to transport. Our cabin stroller will become your go-to, whether you’re just taking your little one on a spin around the block or on your way to a destination vacation. 

This lightweight stroller fits child up to 50 lbs. and 45” tall. Give your child a smooth, relaxing ride with the 1-hand adjustable recline, 3-position leg rest, and all-wheel suspension. For added protection and ventilation, extend the UPF 50 canopy with built-in mesh panel. Keep your beverage handy in the parent cup holder and stow essentials in the easy-access storage basket. 

Oxford Cabin’s fabrics are soft, comfortable, and breathable with EcoCare—our premium, future-friendly, 100%-recycled fabric made from plastic bottles. Plus, mesh on the seatback provides ample ventilation that helps keep your little one cooler in warmer climates. 

The Oxford Cabin Lightweight Travel Stroller combines functionality with style. The 360°-pivoting bumper bar is trimmed in vegan leather and swings aside for easy in and out. Plus, vegan leather on the handle bar for a more comfortable push. Designed to make family travel near and far as easy as can be, the Oxford Cabin stroller is adventure-ready.

*Cabin luggage standards may vary depending on the airline. We recommend checking with your carrier for their latest cabin luggage allowance.

The lightweight Maxi-Cosi Mico® Pro Infant Car Seat is designed for comfort and convenience and allows you to travel with ease. The 1-hand release makes it easy to move from car to car or to a compatible stroller without a struggle. Our infant car seat carrier is designed with a contoured, ergonomic handle, so parents will enjoy a more comfortable carrying experience.

The Mico Pro is simple and intuitive to install and achieve a secure fit in your car with its 5-point harness, 3-position adjustable base and 1-click LATCH system. Large, visible belt guides indicate how to position the belt without using the base (taxi-mode).

We factor your baby’s comfort as key. The infant car seat carrier shell is designed with ClimaFlow™ technology for added ventilation to help keep your baby cooler. Extra plush padding on the removable infant head and lumbar inserts provides a secure and cozy ride.

Key to the design of this infant car seat are the premium fabrics. PureCosi™ fabric is made without added fire retardant treatments, which is better for both your child and our planet. All infant car seat cushions are machine-washable and dryer-safe. Mico Pro is also designed with EcoCare, our new future-friendly, 100%-recycled fabric made from plastic bottles. The yarn produced is soft, comfortable, and breathable––perfect for your little one.

Fits babies 4–30 lbs. and up to 32".

Actual fit may vary. Not all children will comfortably fit in the seat for the full weight and height ranges listed.

Shipping Notes
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Exchange/Return Notes
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SKU: 21112957062

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Trendy Chic
Birmingham, US
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Reviewed in the United States on September 8, 2024
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Matthew
West Palm Beach, US
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
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T
Whiting, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
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AMD
Waukegan, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Los Angeles, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020

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