SKU: 17128595760
how much does uppababy vista weigh

how much does uppababy vista weigh UPPAbaby VISTA V2 Double Stroller Bundle

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Description

how much does uppababy vista weigh UPPAbaby VISTA V2 Double Stroller BundleFeatures of UPPAbaby Vista V2 Double Stroller The UPPAbaby Vista V2 Double Stroller is a favorite for a reason. Quick glance features: UPPAbabys bestselling stroller grows with your family! The UPPAbaby Vista V2 double stroller is the perfect choice for growing families and now you can get everything you need all in one convenient set. Whether youre expecting a second child, twins, or even a third child, the Vista V2 can configure to allow everyone to

Features of UPPAbaby Vista V2 Double Stroller

The UPPAbaby Vista V2 Double Stroller is a favorite for a reason. Quick glance features:

UPPAbaby’s bestselling stroller grows with your family!

The UPPAbaby Vista V2 double stroller is the perfect choice for growing families and now you can get everything you need all in one convenient set. Whether you’re expecting a second child, twins, or even a third child, the Vista V2 can configure to allow everyone to stroll in comfort.

Features of the UPPAbaby Vista V2 Double Stroller Set

The UPPAbaby Vista V2 Double Stroller Set comes with everything you need for an infant, but if you have an older child or are expecting twins, buying this convenient set adds an extra Rumbleseat, which makes strolling as a family a breeze. Features of the UPPAbaby Vista V2 Double Stroller Set include:

  • Choose from multiple configurations
  • Aluminum alloy stroller frame
  • Easy to maneuver
  • Machine washable seat fabrics, lay flat to dry
  • Includes:

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Additional, but optional Vista V2 configuration options we recommend

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How to use the UPPAbaby Vista V2 Double Stroller with two car seats

The UPPAbaby Vista V2 double stroller is compatible with a number of car seats that can be mounted together. These are the options:

  • UPPAbaby Mesa
    To use the Vista V2 with two Mesa car seats, you need the Vista Upper Adapters and Vista Lower Adapters
  • Nuna Pipa / Maxi Cosi / Cybex / Clek
    To use the Vista V2 as a double with two Nuna Pipa Infant Car Seats, Maxi Cosi Infant Car Seats, Cybex Car Seats, or Clek Car Seats you'll need UPPAbaby's Maxi Cosi / Nuna / Cybex Upper Adapter and UPPAbaby's Maxi Cosi / Nuna / Cybex Lower Adapter.

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UPPABABY VISTA V2 DOUBLE STROLLER SPECIFICATIONS

Type Of Stroller:

Premium single/double

Maximum Carrying Load:

50 lbs as a single
85 lbs with Rumbleseat

Newborn Suitable:

Yes, with included bassinet or optional SnugSeat

Infant Seat Compatible:

Yes, compatible with Uppababy Mesa (no adapter required), and certain Maxi Cosi, Nuna, Cybex, Clek and Chicco infant car seats (adapters required)

Frame Material:

Aluminum

Stroller Weight:

26.6 lbs with Toddler Seat attached
32.6 lbs with Rumbleseat added

Open Length:

46"

Open Width:

25.7"

Open Height (to top of handle):

42.5" with handle fully extended

Tire:

8" front polyurethane, 11" rear AirGo no-flat

Folded Size:

33" x 25.7" x 19" (one seat attached with bumper bar)

Brakes:

One foot pedal controls both rear wheels

Warranty:

2 Year (3 years with Ub XTEND)

 

FAQs about the UPPAbaby Vista V2 Double Stroller

Do you need the upper and lower bracket adapters for the Uppababy Vista V2 double stroller?
Yes, however please keep in mind that the purchase of a Rumbleseat includes lower adapters. If you are converting to a double with a Rumbleseat, you will need to purchase the Rumbleseat and upper adapters.  For all other configurations, you will need to purchase both the upper adapters and lower adapters.

Can newborn infants use the Vista V2 stroller seat?
The Vista V2's stroller seats are recommended for 3-months and up. For newborns, you can add the Snugseat Infant Insert, use the Bassinet, or use an UPPAbaby Car Seat Adapter.

What is the weight limit for the UPPAbaby Vista V2 as a double?
The weight capacity for the main upper seat is 50 pounds, and the weight limit for the Rumbleseat is 35 pounds.

Can you fold the UPPAbaby Vista V2 double stroller with both seats attached?
It is possible to fold the UPPAbaby Vista V2 with both seats attached. However, the folded size will be bulky and difficult for most moms to lift into a car. It's more practical, if folding with both seats, for stowing in a closet or hallway.

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SKU: 17128595760

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4.4 ★★★★★
Based on 12 reviews
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Product Reviews
D
Verified Purchase
Diana D
Los Angeles, US
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader. This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story. I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2016
J
Verified Purchase
JR
Natrona Heights, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Draper, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Port Orchard, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Carnegie, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017

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