SKU: 14951443837
rugged wagon stroller

rugged wagon stroller Evenflo Shyft Rideshare All-Terrain Performance Stroller Wagon (Sterling Black)

Sale price$18.79 Regular price$20.88
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Description

rugged wagon stroller Evenflo Shyft Rideshare All-Terrain Performance Stroller Wagon (Sterling Black)Range far from the everyday with the rugged meets refined Evenflo Shyft Rideshare All Terrain Performance Stroller Wagon. Every detail has been engineered for performance, starting with the all terrain, no flat urethane wheels and rear suspension that allow you to master challenging terrain. Forge your own path with up to two children ages 6 months to 5 years each seat accommodates a child up to 55 lb (110 lb total). Sides release and drop down with

Range far from the everyday with the rugged-meets-refined Evenflo® Shyft™ Rideshare™ All-Terrain Performance Stroller Wagon. Every detail has been engineered for performance, starting with the all-terrain, no-flat urethane wheels and rear suspension that allow you to master challenging terrain. Forge your own path with up to two children ages 6 months to 5 years — each seat accommodates a child up to 55 lb (110 lb total). Sides release and drop down with ease so kids can climb in independently or you can load up to 110 lb of gear*. Our unique cargo mode* will come in handy for hauling gear to the beach long after little adventurers have outgrown this ride. We added an innovative, built-in infant car seat attachment to accept your Evenflo LiteMax™ Infant Car Seat (sold separately) with no tools or adapters needed, because adventures are better when it’s this easy to bring your little one. For seated riders, the Rideshare includes an expandable UPF 50+ canopy to help protect against the sun’s harmful rays, with a visor that can flip up to accommodate a child up to 45 in. tall — all while providing full 360° views! Spacious seating and a large footwell offer plenty of room to grow. The 3-point harness adds security as you’re rolling. The 3-position telescoping handle lets you adapt to the landscape. Push your Rideshare as a stroller or pull your Rideshare as a wagon to make going uphill easier — whatever your quest calls for! When it’s time for a pause, the flip-flop friendly brake holds your stroller wagon in place. We made sure escaping the everyday comes with all the comforts. Rideshare offers 2 parent cup holders that face either in or out from the handle as your path calls for, a BPA-free child snack tray with 2 cup holders, plus a large storage basket to hold what you need for your trip. For convenient storage, Rideshare can fold flat and self-stand upright and out of the way. For an even more compact fold, the wheels are easily removed with the press of the release buttons. Complementing the performance details, premium fabrics and finishes ensure that you’ll adventure in style. Shyft Rideshare. Escape the everyday. (*Cargo mode is not to be used for transporting children.)

For 100 years and counting, Evenflo continues to push the boundaries in baby and children’s gear design and innovation. We meet the needs of new generations of parents by focusing on what they really care about: leading-edge safety, smart design and technology, and convenient features that help them enjoy the journey of parenthood.

Features:

  • ESCAPE THE EVERYDAY: Rugged-meets-refined stroller wagon engineered for performance features all-terrain, no-flat urethane wheels and rear suspension to take you off the beaten path; accommodates up to two children ages 6 months to 5 years
  • ROLL 4 WAYS: Offers 4 modes, including infant car seat mode, ability to pull as a wagon or push as a stroller, and cargo mode to haul gear weighing up to 110 lb
  • LOWER THE SIDES TO LOAD OR FOLD: Sides release and drop down so kids can climb in or you can load your gear; conveniently folds flat and self-stands for stowing or storing
  • BRING LITTLE ONES WITH EASE: Includes a built-in infant car seat attachment to accept your Evenflo LiteMax Infant Car Seat (sold separately) — no tools or adapters necessary
  • OFFER SUN PROTECTION WITH A VIEW: Includes an expandable UPF 50+ canopy with visor that can flip up to accommodate a child up to 45 in. tall, while providing full 360° views
  • ADVENTURE WITH ALL THE COMFORTS: Comes with 2 parent cup holders that can face in or out from the handle, a BPA-free child snack tray and a large storage basket
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 14951443837

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Trendy Chic
Port Orchard, US
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Reviewed in the United States on September 8, 2024
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Matthew
Los Angeles, US
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
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T
Birmingham, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
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AMD
Boise, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Chelsea, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020

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