SKU: 14554832940
uppababy grey stroller

uppababy grey stroller Uppababy Vista V2 - Jake

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Description

uppababy grey stroller Uppababy Vista V2 - JakeFeatures of UPPAbaby Vista V2 Single Stroller The UPPAbaby Vista V2 Stroller is a favorite for a reason. Quick glance features: UPPAbaby Vista Single Stroller Overview UPPAbaby continues to refine the already exceptional Vista Stroller. The UPPAbaby Vista V2 Single Stroller works well both as a single as well as a double stroller perhaps the best baby stroller that does both so well!! There are some brands that parents get passionate about, and

Features of UPPAbaby Vista V2 Single Stroller

The UPPAbaby Vista V2 Stroller is a favorite for a reason. Quick glance features:

UPPAbaby Vista Single Stroller Overview

UPPAbaby continues to refine the already exceptional Vista Stroller.  The UPPAbaby Vista V2 Single Stroller works well both as a single as well as a double stroller - perhaps the best baby stroller that does both so well!!

There are some brands that parents get passionate about, and UPPAbaby is one of those brands! Moms who have never owned a Vista may not appreciate everything that comes with it - the push, the ease, the convenience, the modern style, the quality.

We fell in love with the Vista single stroller long before it became famous around the world as one of the most desirable strollers. Years later, and many enhancements later, it still ranks as a top stroller choice.

Every UPPAbaby Vista V2 single stroller includes a stroller seat, an aluminum and magnesium frame, luxurious bassinet, seat rain shield, seat bug screen, and bassinet bug screen. Also, the seat has a generous canopy with extending sun visor, and the stroller's underseat basket is huge for daily storage needs.

 

UPPAbaby Vista V2 Single Stroller Colors

  • JAKE - black fabric, carbon (charcoal) frame, black leather 0320-VIS-US-JKE
  • BRYCE - white marl fabric, silver frame, chestnut leather 0320-VIS-US-BRY
  • GREGORY - blue melange fabric, silver frame, saddle leather 0320-VIS-US-GRG
  • STELLA - grey brushed mélange fabric, silver frame, chestnut leather 0320-VIS-US-STL
  • ALICE - dusty pink fabric, silver frame, saddle leather 0320-VIS-US-ALC
  • DECLAN - oat melange fabric, silver frame, chestnut leather 0320-VIS-US-DCL
  • GREYSON - grey brushed melange fabric, silver frame, chestnut leather 0320-VIS-US-GRY
  • NOA - navy fabric, carbon frame, saddle leather 0320-VIS-US-NOA
  • GWEN -green mélange fabric, carbon frame, saddle leather 0320-VIS-US-GWN
  • ANTHONY -white and grey chenille fabric, carbon frame, chestnut leather 0320-VIS-US-ATH

Updates and Differences Between the Vista and the Vista V2 Single Strollers 

  • Toddler Seat now has a higher back and larger footrest
  • The 5 point safety harness is now a no rethread harness.
  • The sun canopy now has a zip out fabric extender, additional sun coverage, and two vent panels.  
  • The front and rear wheels now offer softer spring suspension.
  • The front wheels now have a visual indicator (green / clear) to show whether the wheels are in a locked or unlocked position.

ADDITIONAL UPPABABY VISTA STROLLER FEATURES

  • Adjustable handlebar telescopes upward and outward, creating more legroom for taller parents
  • Large storage pocket on rear of main stroller seat
  • Water bottle holder in storage basket
  • Peek-a-boo window flap on main stroller seat with magnetic (no velcro!) closure
  • Pop-out sun visor with SPF 50 sun protection equivalent
  • Quick release wheels for more compact folded size when needed

 

WHAT'S INCLUDED WITH THE UPPABABY VISTA V2 STROLLER?

  • Aluminum and magnesium alloy stroller frame
  • Bassinet with mattress, zip-on apron, sun canopy, and bug/sun screen
  • Bassinet storage bag
  • Seat with five-point safety, no rethread harness, sun canopy, and zip-on mesh sun/bug screen.
  • Detachable sun canopy with "peek a boo" window that mounts on seat
  • Behind-seat storage pocket
  • Underseat storage basket
  • Weather shield for stroller seat
  • Leather bumper bar
  • Leather handlebar 

UPPABABY VISTA V2 STROLLER DIMENSIONS AND SPECIFICATIONS

Type Of Stroller: Premium single/double
Maximum Carrying Load: 50 lbs as a single
85 lbs with Rumbleseat
Newborn Suitable: Yes, with bassinet (included) or infant snug seat (purchased separately)
Infant Seat Adapter: Optional car seat adapter for Maxi Cosi/ Nuna/Cybex/Clek, or Chicco. No adapter is needed for Mesa.
Frame Material: Aluminum & Magnesium
Stroller Weight:

27 lbs - Frame with main seat attached              

20 lbs - Frame only                                               

7 lbs - Seat only                                                  

8.4 lbs - Bassinet only
Open Length: 36"
Open Width: 25.7"
Open Height (to top of handle): 39.5"
Tire: 8" front polyurethane, 11.5" rear AirGo no-flat
Reclining: 4-Position locking recline when using seat
Folded Size:

25.7”W x 17.3”L x 33”H - with seat            

25.7”W x 16.8”L x 33”H - frame only

Brakes: One foot pedal controls both rear wheels
Warranty: 2 Year 

FAQ ABOUT THE UPPABABY VISTA STROLLER


How do you fold the UPPAbaby Vista Stroller?
There is a finger trigger on each side of the handlebar to unlock the frame hinge. Just pull the finger triggers together, and the Vista collapses down in one step.

What is the most popular color?
Black strollers are always a very popular choice among parents.

Can I use older Rumbleseats or Vista accessories with the 2020 Vista V2?
In 2015, UPPAbaby completely redesigned the Vista stroller.   In 2020, UPPAbaby unveiled the Vista V2.  Most accessories intended for the 2015 and later Vista will work with the Vista V2 and vice versa.  Please note that Rumbleseats and car seat adapters manufactured after 2015 do not fit Vista model years 2014 and prior.

Can I trade in my older Vista for the new model?
We do not offer a trade-in program, and UPPAbaby does not offer such a program. However, the good news is that UPPAbaby strollers hold much of their value, and you can sell your used stroller for a good bit of money to apply to a new one.


Where can I get a discount coupon code for the UPPAbaby Vista Stroller?
Authorized dealers of UPPAbaby products agree to exclude the Vista from coupon codes, so it's difficult to find a promo code that works on the Vista stroller.

Where do you get replacement parts for the Vista stroller?
For replacements parts on your UPPAbaby stroller, you'll need to contact UPPAbaby directly.

Does the 2020 Vista V2 Rumbleseat work on older Vista stroller models?
The 2020 Vista V2 Rumbleseat will work on Vista models 2015 and newer.

Is the UPPAbaby Vista V2 Stroller worth the money?
Any purchase approaching a thousand dollars definitely deserves a little thinking. Here are some considerations on deciding if the Vista V2 is right for you and your budget:

  • The bassinet is approved for overnight use indoors, so you won't need to purchase a separate one.
  • The Vista is excellent as a single stroller for your first child, and it transforms to a good double stroller as well for the second child. This means a one-time stroller purchase for years.
  • On Craigslist and eBay, you can find two or three year old used Vista strollers selling for half their original purchase price. If you keep your Vista in good shape, you'll be able to get hundreds back when your child(ren) outgrow it.
  • The Vista V2 comes with a 2 year warranty from UPPAbaby. UPPAbaby is also offering an extended warranty of 1 year simply by registering the stroller online within 3 months of purchase. That's a total of 3 years! If something is defective or goes wrong, you're covered. Less expensive strollers may only have a 90-day or 1-year warranty. If they break after the short warranty period ends, you need to buy another stroller.

Is the Vista good for jogging?
Though the Vista stroller would be a great friend for powerwalking, it is not recommended for jogging.

Does the 2014 UPPAbaby Mesa fit the 2020 Vista V2 stroller?
Yes, all Mesa model years fit all Vista model years.

See more frequently asked questions about the UPPAbaby Vista

    Shipping Notes
    • Free Standard Shipping on $100+ Orders to the USA.
    • Except Preorder products are shipped in 48 hours.
    • Delivery to the USA:
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    • If time is of the essence, please consider selecting expedited delivery for faster service.
    Exchange/Return Notes
    • We offer a 30-day return/exchange service after receiving.
    • Final sale items are not eligible for returns or exchanges.
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    SKU: 14554832940

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    4.6 ★★★★★
    Based on 13 reviews
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    Sarah Pettingill
    Belleville, US
    ★★★★★ 5
    🫶🏻
    Color: Caviar PDRN
    I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
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    Reviewed in the United States on May 18, 2026
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    Jessica Martin
    Chelsea, US
    ★★★★★ 5
    super hydrating
    Color: Caviar PDRN
    I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
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    Reviewed in the United States on June 4, 2026
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    Zachary Bednar
    Waukegan, US
    ★★★★★ 5
    The Perpetual Joke
    One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
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    Reviewed in the United States on July 17, 2014
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    Terry Seale
    San Leandro, US
    ★★★★★ 5
    Worth viewing and studying.
    First major Kubrick feature film noir. Nothing about Sterling Hayden's Communism here. Cool caper with a classic cast. The flick provides an impactful reminder to never skimp on low quality luggage, to use a double lock, and to take time whenever possible to bundle your cash with rubber bands. "While playing chess in Washington Square, Kubrick met producer James B. Harris, who considered Kubrick to be "the most intelligent, most creative person I have ever come in contact with", and the two formed the Harris-Kubrick Pictures Corporation in 1955.[52] Harris purchased the rights to Lionel White's novel Clean Break for $10,000,[g] and upon Kubrick's suggestion, they hired film noir novelist Jim Thompson to write the script for the film—which later became The Killing (1956)—about a meticulously planned racetrack robbery gone wrong. The film starred Sterling Hayden, with whom Kubrick had been impressed in The Asphalt Jungle (1950).[54] Kubrick and Harris moved to Los Angeles from New York and signed with the Jaffe Agency to shoot the picture, which became Kubrick's first full-length feature film shot with a professional cast and crew. The Union in Hollywood stated that Kubrick would not be permitted to be both the director and the cinematographer of the movie, so veteran cinematographer Lucien Ballard was hired for the shooting. Kubrick agreed to waive his fee for the production, which was shot in just 24 days on a budget of $330,000.[55] He clashed with Ballard during the shooting, and on one occasion Kubrick threatened to fire Ballard following a camera dispute, despite being only 27 years old at the time and 20 years Ballard's junior.[54] Hayden recalled that Kubrick was "cold and detached. Very mechanical, always confident. I've worked with few directors who are that good".[56] The Killing failed to secure a proper release across the United States; the film made little money, and was promoted only at the last minute, as a second feature to the Western movie Bandido! (1956). Several contemporary critics lauded the film, however, with a reviewer for TIME comparing its camerawork to that of Orson Welles.[57] Today, critics generally consider The Killing to be among the best films of Kubrick's early career; its nonlinear narrative and clinical execution also had a major influence on later directors of crime films, including Quentin Tarantino. Dore Schary of Metro-Goldwyn-Mayer was highly impressed as well, and offered Kubrick and Harris $75,000 to write, direct, and produce a film, which ultimately became Paths of Glory (1957)." [Wikipedia]
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    Reviewed in the United States on February 21, 2016
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    Smrz
    Lake Worth, US
    ★★★★★ 5
    Quintessential 50's Kubrick Noir!
    Criterion continues to keep them coming. The Killing(1956), Stanley Kubrick's great noir adds to the recent influx of Criterion's recent titles in 2011, which closely follows Kiss Me Deadly(1955). What a feast for Noir addicts! Now we have another pristine upgrade of a print which greatly improves past releases in both quality as well as great special features. This time we get two jam filled discs of a very important Noir. This two-dvd special edition includes a bounty of goodies for lovers of Noir. There is a new digital restoration, which is excellent, as well as a new interview with producer James B Harris. Interviews with lead actor Sterling Haden, who is excellent in his role as the small-time criminal who plans a dangerous race-track heist with help from a corrupt cop, and an interview with author Robert Polito about writer Jim Thompson. That is just on the first disc, Disc two includes a richly restored high-def digital transfer of Kubrick's 1955 feature Killer's Kiss, new video appreciation of Killer's Kiss by film critic Geoffrey O'Brien, and a new trailer. Of course, you also get a 20 page booklet featuring an essay by film historian Haden Guest and an interview with actress Marie Windsor, which is a reprint but still quite good. Now on to the feature. The Killing was Kubrick's 3rd feature, and to most film historians, the one that put him on the map, although some people would favor Paths Of Glory which was released in the next year 1957 as his breakthrough as a major director. I beg to differ. The Killing is told in a non-linear style which many movie goers have difficulty following, even now in the 21st Century. But to lovers of Noir, by 1956 they had become quite used to it and had no problem with it. In fact, many noir lovers enjoyed putting the pieces together which to them, only added to the experience. The film displays what has become a very familiar Kubrick theme. That is the breakdown, malfunction or fallibility of man and his plans. Just as in Kubrick's subsequent films such as Dr. Strangelove and further on to 2001:A Space Odyssey which became major mainstream successes. His manipulation of time in bits and pieces differs most strikingly from 40's Noir, such as The Killers and Out Of The Past. As players inthis game are established, the film leaps backwards until all of the parts fit together like the pieces of a jigsaw puzzle. The well planned heist falls apart just like the suitcase full of money falls off a cart and scatters the bills in the wind. Just as they say, "The Best Laid Plans". In addition to Hayden, the other members of the heist, especially Vince Edwards, Elisha Cook Jr, and especially Timothy Carey, are all excellent. Most definitely, pay the extra money and get this edition. SMRZ!!!
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on September 15, 2011

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