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britax marathon toys r us

britax marathon toys r us Britax Galaxy360 Slim Rotating Convertible Car Seat (Raven Black)

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britax marathon toys r us Britax Galaxy360 Slim Rotating Convertible Car Seat (Raven Black)Britax Galaxy360 Slim Rotating Convertible Car Seat If youre looking at the Britax Galaxy360, youre probably in love with the idea of getting a child in and out of the car seat without triggering backpain and or climbing into the backseat with your child. Britax designed the Galaxy360 Slim as a rotating convertible car seat that turns a full 360, starts rear facing for infants toddlers, and transitions to forward facing seat when your child is

Britax Galaxy360™ Slim Rotating Convertible Car Seat

If you’re looking at the Britax Galaxy360, you’re probably in love with the idea of getting a child in and out of the car seat without triggering backpain and/or climbing into the backseat with your child. Britax designed the Galaxy360 Slim as a rotating convertible car seat that turns a full 360°, starts rear-facing for infants/toddlers, and transitions to forward-facing seat when your child is ready—without requiring a reinstall to switch directions. It’s built around three big ideas: one-hand rotation, an install process designed to be fast and intuitive (ClickTight + QuickStand), and a slim footprint (17” wide) intended to help you manage backseat space.

Size limits (manufacturer-listed): rear-facing 5–50 pounds, forward-facing 30–65 pounds, and rear- and forward-facing harnessed standing height less than 49”. The Galaxy360 also lists overall child weight as 5–65 pounds, with a published expiration of 10 years and a 1-year manufacturer limited warranty.

Space note: The Galaxy360 Slim comes in at 17” wide, with product dimensions 21.5” x 17” x 22”. That width number is the one many families look at first if they’re trying to plan a tight back seat or run multiple car seats at once.

Highlights & Features

  • 360° rotation with one hand: The Galaxy360 is a rotating convertible car seat that turns a full 360 degrees and rotates with just one hand to simplify loading and buckling. (Read: turn the seat toward the door to buckle, then rotate it back to the travel position.)
  • 2-in-1 convertible stages: Britax positions Galaxy360 as a rear-facing infant/toddler seat first (5–50 lbs.), then a forward-facing harness seat (30–65 lbs.) when your child is ready. Britax also states it strongly recommends children ride rear-facing up to the highest weight or height allowed by the seat.
  • 2-in-1 convertible stages: The Galaxy360 covers two harnessed stages in one seat—rear-facing (5–50 lbs.) for infants and toddlers, then forward-facing (30–65 lbs.) when it’s time to turn. Keep your child rear-facing up to the maximum height or weight limit allowed.
  • ClickTight® technology + QuickStand™ seat prop: The Galaxy360 uses an ultra-accessible seat belt path with a buckle-and-click-close install flow. A QuickStand™ seat prop holds the seat up and out of the way during installation, and ClickTight® technology tightens and locks the vehicle seat belt to help you get a fast, secure install.
  • SwivelSmooth™ steel ring: The Galaxy360 uses a wheels-on-steel design with a SwivelSmooth™ steel ring to help the seat rotate smoothly, so turning it feels like a controlled glide.
  • Secure one-piece design: The Galaxy360 is a one-piece seat + base system that stays connected as a single unit at all times, including during installation.
  • Slim 17” SpaceSaver™ design: The Galaxy360 is a slim, 17” wide rotating seat designed to help you get a better fit in your vehicle and save backseat space without compromising safety or comfort.
  • ReboundReduce™ stability panel (rear-facing): The Galaxy360 includes a ReboundReduce™ stability panel on the back of the base to help minimize movement in a crash when the seat is installed rear-facing.
  • Energy management + reinforced base: The Galaxy360 has a high-strength steel–reinforced base and two layers of energy management—a protective seat shell plus a foam-lined headrest—designed to help absorb crash forces.
  • Recline + adjustment: The Galaxy360 features a 6-position recline with an easy-read indicator, plus an 11-position no-rethread harness and headrest that adjust together for a proper fit as your child grows.
  • Cleaning + materials: The Galaxy360 includes a SafeWash® cover that’s washer- and dryer-friendly, made with naturally flame-retardant fabrics with no added FR chemicals, plus a smooth, easy-to-wipe shell for everyday cleanup.
  • Two cup holders: The Galaxy360 comes with two dishwasher-safe cup holders that slide out for cleaning and click back into place for a secure fit during rides.
  • Testing & standards: The Galaxy360 is tested to FMVSS 213 frontal impact standards and side-impact tested according to FMVSS 213a. FMVSS 213a applies to harnessed children up to 40 lbs. and 43” and does not include side-impact standards for harnessed children above those limits.

Product Details

What “rotating convertible” means for today's parent

As part of the hottest trend of the 2020s, Britax built the Galaxy360 around the idea that a parent can rotate the seat toward the door opening to harness his or her child, then rotate it back to the locked travel position. Britax’s “one hand” emphasis matters because even if a seat rotates, it needs to be easy TO rotate in order for you to use it.

Rotation also tends to matter more in certain real-life setups like tighter parking spaces, cars with smaller rear door openings, higher SUVs where leaning in is a full-body move, and multi-kid situations where you’re buckling one child while keeping an eye on the rest.

Rear-facing stage (5–50 lbs., < 49 inches)

The American Academy of Pediatrics recommends that infants and toddlers ride rear-facing as long as possible, until they reach the highest weight or height allowed by their car seat manufacturer.

Britax sets the Galaxy360 rear-facing harnessed weight range at 5–50 lbs. and rear-facing harnessed standing height at less than 49 inches. For many families, the rear-facing stage is the longest stage, and it’s also the stage where loading can feel the most awkward because you’re leaning in and working at a lower angle (here comes the back pain).

Forward-facing harness stage (30–65 lbs., < 49” inches)

Once a child outgrows the forward-facing harness limits of any seat, families typically move to a booster seat category based on general child passenger safety guidance and the seat’s own instructions. Britax sets the Galaxy360 forward-facing harnessed weight range as 30–65 lbs. with a forward-facing height less than 49 inches. This is still a harnessed stage—Galaxy360 is described as a 2-in-1 convertible seat (rear- and forward-facing), not a booster, but these requirements are generous and should last a long time with most children.

Install once + switch directions without a reinstall

The Galaxy360 is designed so you can switch between rear-facing and forward-facing by rotating the seat—without uninstalling and reinstalling it just to change directions. That matters because reinstalling is usually where people second-guess everything: belt routing, tightness, recline angle, and whether the seat is truly locked in the way it should be.

This doesn’t eliminate the normal “use it correctly” steps. You still need to follow the user guide for the right recline setting, harness/headrest position, and any mode-specific indicators. The point is that the direction change happens through rotation, not by starting over on installation.

ClickTight® + QuickStand™

The Galaxy360 uses a ClickTight® install system built around an auto-opening seat and an ultra-accessible belt path. The intended flow is simple: open the seat, route the vehicle seat belt through the belt path, buckle, and click it closed. A built-in QuickStand™ seat prop holds the seat up and out of the way during installation, and ClickTight® is designed to tighten and lock the vehicle seat belt as you close it.

Fit and Space Planning

The Galaxy360 is built with a slim, 17” wide footprint—one of the first numbers families look at when they’re planning a tighter backseat layout or comparing seats side-by-side. For a more complete size check, the published dimensions are 21.5” x 17” x 22”, with buckle strap depths of 4”–7.25” and a seat area depth/width of 11” / 12.5”. If you are wondering about a 3-across selection of car seats (which means you can fit three seats across the bench in the backseat), these are the measurements you'll need.

Even with good dimensions, car seat fit can still vary by vehicle. Rear seat contouring, buckle stalk placement, door opening shape, and front-to-back room all change the real-world experience. The best approach is to use these measurements as your baseline, then confirm fit in your own vehicle and follow the user guide.

Recline + Indicators

The Galaxy360 has a 6-position recline with an easy-read indicator to help you find the right angle for your vehicle. It also includes proper-use indicators (including indicators for the tether, ClickTight, rotation, and recline) designed to give you a clear, repeatable way to confirm the setup—less guessing, more confidence that everything is locked in correctly.

Harness + headrest adjustment (11 positions, no rethread)

The Galaxy360 uses an 11-position no-rethread harness and headrest that adjust together, so you can change the fit without rethreading straps as your child gets taller. Harness fit is something you’ll revisit often, and correct strap positioning matters. For forward-facing use, NHTSA guidance emphasizes keeping harness straps flat (not twisted) and routing them through slots at or above the child’s shoulders, and it also recommends reading the car seat manual carefully since some seats have specific requirements for top slots in forward-facing mode.

Safety + energy management

The Galaxy360 is built with a safety-focused structure and impact-management features designed to keep the seat stable and help manage crash forces:

  • Reinforced base: A high-strength steel–reinforced base helps keep the seat sturdy and stabilized.
  • Rear-facing stability: An integrated anti-rebound panel plus the ReboundReduce™ stability panel are designed to help minimize movement in a crash when the seat is installed rear-facing.
  • Energy management: A protective seat shell and foam-lined headrest are designed to help absorb impact energy.

Testing & standards: The Galaxy360 is side-impact tested according to FMVSS 213a and tested to FMVSS 213 frontal impact standards. FMVSS 213a sets side-impact standards for harnessed children up to 40 lbs. and 43” and does not include standards for testing harnessed children above those limits.

Cleaning and fabric approach

The Galaxy360 includes a SafeWash® cover that’s washer- and dryer-friendly, plus naturally flame-retardant fabrics with no added FR chemicals (available on select fashions). For best results, follow the care label and the user guide, remove crumbs and surface dirt first, and wash/dry according to the listed instructions.

For everyday messes, the Galaxy360 also has a smooth, easy-to-wipe shell, which makes quick cleanups simpler after snacks, spills, and the usual backseat chaos.

Specifications

  • Seat type: The Galaxy360 Slim is a 2-in-1 rotating convertible car seat that supports rear-facing and forward-facing harnessed use.
  • Rear-facing: 5–50 lbs.; standing height less than 49”.
  • Forward-facing: 30–65 lbs.; standing height less than 49”.
  • Recline: 6-position recline with an easy-read indicator.
  • Harness/headrest: 11-position no-rethread harness and headrest adjustment (adjust together).
  • Cup holders: 2 dishwasher-safe cup holders.
  • Fabric/cover: SafeWash® cover that’s machine washable and dryer-friendly, with naturally flame-retardant fabrics with no added FR chemicals (available on select fashions).
  • Expiration: 10 years.
  • Warranty: 1-year manufacturer limited warranty.

Dimensions

  • Product dimensions: 21.5” x 17” x 22”
  • Width: 17” (SpaceSaver™ design)
  • Seat area depth/width: 11” / 12.5”
  • Shoulder width: 12”
  • Buckle strap depths: 4”–7.25”
  • Harness slot heights (in): 9.75, 10.5, 11.25, 12, 12.75, 13.5, 14.25, 15, 15.75, 16.5, 17.25

What’s Included

The Galaxy360 Slim package includes the car seat, 2 cup holders, and an infant insert.

Britax Galaxy 360 FAQ

Shopping questions

Is the Galaxy360 a booster?

No. The Galaxy360 is a 2-in-1 rotating convertible car seat for rear-facing and forward-facing harnessed use. It does not convert to a booster.

What are the size limits?

  • Rear-facing (harnessed): 5–50 lbs.
  • Forward-facing (harnessed): 30–65 lbs.
  • Standing height (rear + forward): less than 49”

How wide is it?

The Galaxy360 is 17” wide, with overall dimensions listed as 21.5” x 17” x 22”.

What comes in the box?

The Galaxy360 Slim package includes the car seat, 2 cup holders, and an infant insert.

What is Albee Baby’s return policy?

We accept returns of new, unused items within 60 days of receipt, with conditions (like original packaging/materials). Some special-order items may be non-returnable if clearly noted on the product page.

Do I earn rewards at Albee Baby?

Yes. Albee Baby’s rewards program describes earning up to 20% back in rewards on qualifying full-price gear (exclusions apply per the program terms).

General questions

How long should my child ride rear-facing?

Rear-facing is recommended as long as possible, until your child reaches the highest weight or height limit allowed by the seat (whichever comes first). The Galaxy360 supports rear-facing harnessed use up to 50 lbs. with standing height less than 49”.

What does “FMVSS 213a side-impact tested” mean?

FMVSS 213a is a U.S. federal safety standard for side-impact protection requirements. The standard applies to restraints intended for children up to about 40 lbs. or up to about 43” standing height with a 5-point harness, and it does not include side-impact standards for harnessed children above those limits.

Functionality questions

Does the seat rotate 360 degrees?

Yes. The Galaxy360 is designed to rotate a full 360°.

Can it switch from rear-facing to forward-facing without a reinstall?

Yes. The Galaxy360 is designed so you can switch directions with a simple turn, without reinstalling the seat just to change modes. As with any convertible seat, rear-facing is recommended up to the seat’s maximum height or weight limit.

How many recline positions does it have?

The Galaxy360 has a 6-position recline with an easy-read indicator.

How does the harness adjust?

The Galaxy360 has an 11-position no-rethread harness and headrest that adjust together.

Post-purchase & care questions

How do I know the installation is tight enough?

A properly installed seat shouldn’t move more than 1 inch side-to-side or front-to-back when pulled at the belt path.

Do I need to use the top tether forward-facing?

For forward-facing use, connect the top tether to the vehicle’s tether anchor and tighten it. This is an important step because it helps limit forward head movement in a crash. Always follow the user guide and your vehicle owner’s manual.

Can I machine wash the cover?

Yes. The Galaxy360 includes a SafeWash® cover that’s machine washable and dryer-friendly. Follow the care label and the user guide for your specific cover.

How long can I use the seat?

The Galaxy360 has a listed 10-year expiration. Confirm details on the seat label and follow the user guide.

What is the warranty?

The Galaxy360 has a listed 1-year manufacturer limited warranty.

Shop Britax Galaxy360 at Albee Baby

If Galaxy360 is on your shortlist, focus on what’s measurable: the rotating design (360° rotation with one hand), the size limits (rear-facing 5–50 lbs.; forward-facing 30–65 lbs.; less than 49” standing height), and the slim width (17”).

At Albee Baby, you're getting the industry's best rewards program; fast, free shipping over $99; and the promise of shopping with a retailer that's been in business since 1933. We have been helping parents for nearly 100 years, and we're glad that you're here today.

Shipping Notes
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
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The Blue Thunder Bomb
Draper, US
★★★★★ 5
The Best BATMAN Tale since YEAR ONE.
When I first started reading Scott Snyder's run on DETECTIVE COMICS, I was unfamiliar with his work. It seemed like they had just grabbed a new name after arcs done by distinguished writers such as Grant Morrison (which I actually thought was terrible during his RIP arc), Greg Rucka (who did a brilliant job with bringing the character of Batwoman into the fold), and Paul Dini (whose work ranged from not great to just about perfect). Snyder just seemed like a Johnny-Come-Lately, and the previous arc on DETECTIVE had been particularly disappointing, but alas I had faith that another solid arc was due for the Darkknight Detective, so I kept collecting. Nothing could have made me happier, since Snyder and his partners in crime, artists Jock and Francesco Francavilla had crafted the most solid, unified and smartest Batman tale since Frank Miller and David Mazzucchelli's eponymous BATMAN: YEAR ONE. Not to get too bogged down in plot detail, but essentially, the "Black Mirror" arc begins with Dick Grayson as The Batman (since Bruce Wayne was too busy fighting his way through time... argh...) and he's closing in on a secret auction where 'collectibles' of Gotham's most notorious villains are being sold to an elite crowd of wealthy degenerates, such as Scarecrow's fear gas and the crowbar actually used to beat Jason Todd almost to death. The main villain of the piece is hardly Batman's most powerful enemy, but it does leave some psychic scars on Dick. Next Dick is forced to deal with a dead woman found in an office building. Hardly worth Batman's specific attention, but what is is that the woman's body was found inside a dead killer whale's mouth in an office building. Making matters more complicated is that the woman this murder is sending a message to is actually the daughter of Tony Zucco, the gangster responsible for the death of Dick's parents. While these stories are exciting, well-crafted and beautifully rendered by Jock, we enter a much more personal tale of Commissioner Gordon: the return of his son James Jr., who we haven't seen much of at all in his life. Apparently, James Jr. is a psychotic who is taking a new anti-psychotic medication and hopes to return back to society in some way. This becomes a very personal tale for the Gordon family, including Gordon's ex-wife Barbara and of course his daughter Barbara, formerly Batgirl and now the wheelchair-confined information gatherer Oracle. These interludes are illustrated by the brilliant Francavilla, whose every page looks like it's suitable for framing. Unfortunately for everyone involved, Jr. is not exactly what he seems to be and this leads to a small-scale but highly emotionally charged finale. Scott Snyder did several things in this book that very few before him were able to do successfully. First and foremost, he captured the essence of Dick Grayson bearing the responsibility of being Batman. It's not something he shirks from, but he does feel out of place living in Bruce's penthouse and basically taking the mantle of Batman is no small matter. He is more emotional than Bruce and has more issues with his own fears. Second is that he's one of the few writers to really get the essence of Batman being a detective. While Dick is not as brilliant as Bruce, he was trained by the best, and Batman is not just a machine of brute force dispensing justice with his fists and cool gadgets; he's also considered the world's greatest detective and it's always exciting to see an author with a good handle on that aspect of Batman. Third is Snyder's awareness of Gotham not just being a city, but as being an integral character in the adventures of Batman. There's a darkness to the city that the good people strive to rise above, which is why the partnership of Batman and Jim Gordon has been the lifeline of Gotham's survival. Also on wonderful display here is Snyder's understanding of the supporting cast. He gives all of them equal and necessary life in the story, and has a superb handle on their individual characters. In the few years since Snyder started in this business, first gaining prominence on AMERICAN VAMPIRE (which is another breath of fresh air to a dying genre) and then his work on DETECTIVE gaining him even greater accolades, he has become possibly the best writer currently at DC. Several people, including myself have heralded him as the next Alan Moore. He has an understanding of character, dialogue and structure that is unusual and continually striking. He's been the standout star of DC's "New 52", continuing his work on Batman with as well as bringing back one of DC's greatest horror titles, . He has also continued to establish himself as one of comic's premier horror writers by doing the best horror comic in years over at Image Comics called (you can find my review of that book via that link), as well as doing a mini-event that explores the beginnings of Gotham City in . THE BLACK MIRROR is a Batman classic that people will still be discussing in years to come, as well as his other work in the field. I couldn't suggest more highly picking up any of his books. It doesn't get much better.
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Reviewed in the United States on May 12, 2012
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JR. Forasteros
Draper, US
★★★★★ 5
Dark, Brooding and 100% Batman
This review is super-spoilery. If you haven't read The Black Mirror yet, do yourself a favor and go grab a copy ASAP. You won't regret it. No matter who we are, we can't escape our past. Where we've come from and who we've been leave indelible marks on us. Nowhere is this more true than Gotham City, and in Batman: The Black Mirror, Scott Snyder gives us a glimpse into the Darkness that lies at the core of the city. If you're not a regular Batman reader, you may not know that everyone in the DC Comics universe thought Bruce Wayne was dead for a while. While he was gone, Dick Grayson - the original Robin - took up the mantle of the Batman. After Bruce Wayne's return, he kept Dick as the new Gotham City Batman.* Black Mirror is actually a story featuring Dick Grayson - not Bruce Wayne - as the Batman. Snyder's story is one of the best Batman stories I've ever read. It's a dark, brooding and good, old-fashioned detective story. And it actually works better with Dick instead of Bruce under the cowl. That's a writing feat nothing short of miraculous. Snyder's Gotham is a monstrous city that seeks to poison everyone in it. It turned both Bruce Wayne and Dick Grayson into masked vigilantes. Dick was the child of circus acrobats who were murdered in Gotham. He was taken in by Bruce Wayne, who lost his own parents to Gotham criminals and trained Dick to become Robin. Eventually Dick outgrew the Robin persona and became Nightwing, working in a city near Gotham. Joining Dick in the spotlight of Black Mirror is Commissioner James "Jim" Gordon, who's no less a victim of Gotham's darkness than Dick. He and his first wife Barbara have a son named James, Jr., who left with Barbara when she and Jim divorced. Jim also has a niece named Barbara who came to live with him after her parents died. Barbara dated Dick in high school, and she became the first Batgirl. In Alan Moore's epic The Killing Joke, the Joker shoots Barbara in the stomach, paralyzing her. In a wheelchair, she's now the Oracle. She serves as the information hub for Batman, Robin and their allies. The Black Mirror introduces us for the first time to the adult James, Jr., who has returned to Gotham searching for a second chance. We learn from his suspicious father that James, Jr. is a clinical psychopath: he doesn't feel typical human emotion (yes, just like Dexter). But he comes claiming to be on a new medication that stimulates the brain to produce the chemicals psychopaths lack. He reveals that he's volunteering at Dr. Leslie Thompkins' free clinic. Jim Gordon is suspicious, distrustful. But he can't stop himself from being hopeful, too. Is it possible that his son has found peace and even redemption? Snyder keeps us guessing about James, Jr.'s true nature through the whole book. We feel the tension Jim Gordon feels, torn as he is between Oracle's pessimism and Dick's optimism. Barbara is convinced that James, Jr. is a monster who can and will never change, while Dick is hopeful. And so with this tension established, Snyder asks us a most basic question: can we be anything other than what we have been? We meet Sonja Branch, the estranged daughter of the mobster who killed Dick's parents. A wealthy, successful executive, Dick wonders to Jim Gordon if she's as upstanding as she seems. Dick muses that "it's nice to know that maybe, once in a blue moon, the apple does fall far from the tree in Gotham." The expression on Jim Gordon's face as he echoes, "Once in a blue moon," reveals that he's still wondering about James, Jr. An old case has led Jim to reflect on his son to wonder yet again what made him the way he is. To wonder what he could've done differently. He concludes that Gotham is fundamentally sick. He wonders to Dick: Do you ever feel like... like the more good you do or try to do for people out there, for strangers, the more the ones close to you, the ones you love, get hurt? ...I don't mean in general. I mean here. In Gotham... I'm talking about the damn bedrock. There are times I feel a dark heart down there, Dick. A dark, malformed heart. Since Alan Moore's The Killing Joke, the Batman mythology has suggested that Gotham's villains arise as a response to the Batman's presence. The Joker of Frank Miller's The Dark Knight Returns is comatose, awaking only when news breaks that the Batman has returned to Gotham. And Heath Ledger's Joker in The Dark Knight laughs that Batman thinks Joker wants him dead - the Batman completes Ledger's Joker. But Snyder dares to step beyond this to suggest that it's Gotham, the city itself that creates both the heroes and the monsters. Gotham created the Batman just as it created the Joker. Gotham created Robin by murdering Dick's parents. And now that Dick is the Batman, we learn that Gotham has been creating a new nightmare just for him. Dick's opposite, his dark mirror, isn't the Joker. That surprise comes when we finally meet the newly-escaped Clown Prince of Crime after Batman tracks him down. The Joker knows instantly, chastising Batman: Do you even know what Gotham means, little bird? ...It means a safe place for goats! And do you know what preys on goats? Bats. The bat makes the goat sick. But every bat does this in its own way. And you, you're not my bat! So what sickness has arisen as a response to Dick's new Batman? By the time we reach Snyder's gut-wrenching, perfectly, agonizingly timed reveal, we realize it could have been no one else but James, Jr. James, Jr. is a pure, true psychopath. He's reversed his medications - instead of stimulating the brain to produce more of the drugs that give us emotions, James, Jr.'s drug suppresses them. His master plan - an eerie successor to the Joker's inaugural caper - is to drug a factory in Gotham that manufactures infant formula. James, Jr.'s goal is to create a generation of psychopaths, to remake Gotham's children in his own image. He calmly explains as much to Dick as he tortures his cousin, Barbara: Gotham is a city of nightmares... in the truest sense because what's a nightmare if it isn't a warning? A vision of yourself at your weakest... Batman - the real one - he shapes Gotham out of an obsession... but you new crop, you do it out of compassion. Out of empathy. Out of weakness... And out of all of them, Dick, you're the weakest. [Gotham] is a city of nightmares, and I'm yours. I'm the face you see in the glass. A man with no conscience. No empathy. Gotham made me to challenge you... I am Gotham's son. And the city made me so I could help usher in a new generation of children. Dick proves that his compassion is more a weapon than a weakness, thwarting James, Jr. (probably). But Black Mirror leaves us with an unsettled, uneasy sense that this fight is darker and longer than we thought. We start to wonder if the Batman's quest is actually winnable, in the end. But Dick Grayson never wonders. That's what separates him from the James, Jrs. of the world. That's what separates him even from Bruce. This is a different Batman. Full of optimism. Playful - he makes jokes and teases his teammates. Dick's Batman is at once totally different from Bruce's and at the same time wholly Batman. Most importantly, Dick is hopeful. And it's ultimately that hope that lifts us up over even a surprisingly ambiguous ending. Dick said it perfectly early in the book: I couldn't understand why Bruce... always chose to drive through the streets, moving on the ground... when he could've just soared above it all. But I get it now. Because even back then he understood that Gotham is a place you can never get above, a place you can never see clearly... I can't help it, though. I'm built differently. Because there's something about seeing Gotham from the sky that energizes me, gives me hope, if only for a moment before I come back down to earth. Dick hopes that Gotham can be better. It's a hope that transcends anything even Bruce has. And it's that hope that draws him and those around him - like Jim and Barbara to fight the good fight. Bottom Line: Whether you're a long-time fan of the Batman or only know The Dark Knight, Snyder's book is a must read. The characters are amazing. The plot is fantastic. The art is breathtaking. From start to finish, The Black Mirror is a sterling example of the literary power of comics you'll want to read over and over again. *Since DC Comics has rebooted their entire franchise, none of this is the case anymore. Bruce is back to being the Batman and Dick Grayson has returned to his role as Nightwing.
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Reviewed in the United States on December 13, 2011
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Rich Stoehr
Birmingham, US
★★★★★ 4
Reflections of the Dark Knight
A new Batman, a new villain, an old city, and lots of familiar faces. 'The Black Mirror' is a potent formula, and for the most part very effective. But, I have to say at the outset, it's difficult to read a Batman story without Bruce Wayne. Scott Snyder brings all his considerable skill to bear in writing this multifaceted tale of a Gotham City finding its way, Dick Grayson trying so hard to fill the cowl of Bruce Wayne with new partners, and a long-forgotten piece of Commissioner Jim Gordon's past come back to haunt him. There's a lot to this story, and Snyder spins it with the same wit, the same grasp of history and literature, and the same subtleties of craft as he has evidenced with the excellent 'American Vampire.' For all its newness, it's clear that Snyder "gets" the Batman, gets the importance of Gotham City as a place and as a character in its own right, gets the history of those who've come before him, and pumps all of this into the overall arc of 'The Black Mirror.' And yet part of me can't let go - where's the Batman I know? Similarly, artists Jock and Francesco Francavilla get the look and feel of Batman. Despite pretty dramatically different styles - Jock's harsh and jagged and nearly monochromatic, Francavilla's more colorful and less edgy - they both show well here, and the material they illustrate is well-suited to their talents. Jock expresses the drama and the darkness of the Batman, Francavilla expresses the more human side of both heroes and villains alike. For a story this complex - a story of drugs and madmen and broken families and long-held grudges - both have their piece to contribute, and they do it well. And something still feels like it's missing. It's a little like reading 'The Hound of the Baskervilles,' in the parts where Holmes is absent from the story. Watson is a fine investigator, and pushes the story forward in his own way, and it's still a good story. But it feels less driven, less exciting, less complete, until Holmes' return, with all his fire and fervor, to wrap the case up with his signature panache. I kept waiting, in 'The Black Mirror,' for that moment. When Bruce Wayne returned and righted that world and brought it all back into sharp perspective. Though there were many satisfying moments to be experienced...that moment never came. 'The Black Mirror' is aptly named. It reflects aspects of Gotham City and its denizens, both those who fight for it and those who would bring it crashing down, in new and original ways. It makes us see things we haven't seen before. Scott Snyder and Jock and Francavilla represent well here, and have created a finely-crafted addition to the ongoing story of Batman. But a reflection of a thing is not the thing itself, and that difference was felt here. A slight warping of the glass, or a flaw in its surface gave it away. Though his reflection was seen in the black mirror, the Batman was not to be found here. And that was hard to get past.
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Reviewed in the United States on October 2, 2012
G
Verified Purchase
Gregory Cox
Waukegan, US
★★★★★ 5
The Greatest Batman Story Ever Written by Scott Snyder
Format: Paperback, Format: Paperback
Known about this volume for a long time, but I kept putting it off and just managed to finally read it a few days ago. And the first thing that came to my mind after I finished the last page and closed the comic was "Wow, that was a really good story". And I really think that sums it up perfectly, but i'll expand to give a more thorough review. Scott Snyder is the current writer of the main Batman comic book series (Though his run is nearly at an end now), which is where the brunt of my experience with him comes from. I've read another comic by him set around the same time period that this one takes place in (Batman Gates of Gotham) and I honestly wasn't impressed with it. Definitely one of his weaker showings. This one makes up for that and then some however. The Batman featured in this, and the previous, story is Dick Grayson (Robin #1, Nightwing, and currently Agent 13 over in Grayson). Naturally, you'd expect Dick Grayson to be a different character than Bruce Wayne, and Snyder gets this. The entire story really deals with the idea that it is Dick wearing the cape and cowl and crafts an adventure that is made for him and how he would personally deal with it. He makes some mistakes here and there, but also has a lot of success specifically because of who he is. I think the stories told in this work are exciting and full of a good amount of action and character development. Snyder has a tendency in my opinion to only focus on one overarching story, which I don't personally prefer. He avoids that here. There is one massive story being told, with one main villain at its core who is responsible for pulling our heroe's strings, but between that and the start of the story are numerous other adventures as well, with different characters and villains, who have their own motivations. I appreciate this because it's just nice to see our hero fighting against so many different people throughout the story. This also isnt' solely Dick's story. I'd say that it's as much Jim Gordon's as it is Batman's this time around, with the major villain striking really close to home. This adds a sense of emotion and tragedy to the story which you don't often see. Further more, this story is creepy. That's actually something that I don't think can be said about the majority of Batman stories out there. It's dark, depressing, and genuinely creepy at points, capable of chilling you to the bone. It's a solid change of pace and I loved it. Despite the fact that we don't get our traditional Batman in this I would honestly rate this as one of the greatst Batman stories of all time and highly recommend it.
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Reviewed in the United States on March 14, 2016
A
Verified Purchase
Alfredo Espinoza
Birmingham, US
★★★★★ 5
Great story telling, but not for everyone
WARNING: THERE WILL BE SPOILERS THROUGHOUT THIS REVIEW. I found this book to be a really great read. I have been away from comics for a little while now and decided to pick this up after hearing Scott Snyder's interview with Kevin Smith on Fat Man on Batman. I am a fan of the dark style for Batman and this is one of my favorite books now. Granted I've been away for a while so I don't know much of the other stories (I plan on reading a lot more), but this book was an instant favorite. I will admit there are a few things I disliked at first, like Dick Grayson taking the mantle of the Bat but I soon warmed up to him. I'll mention a bit of the storyline now: Dick Grayson is now the Batman after the events of Infinite Crisis. He tries to fit into this new lifestyle as being the Bat and living in Bruce's penthouse. He feels uneasy and restless. So once trouble arises, he goes out as Batman to investigate (same old thing). He gets into this kind of social gathering (disguised as someone else) for the wealthy who purchase items once owned by Gotham's most notorious villains. Now the guy running the show knows he is Batman and tricks him, having some sort of toxin enter his body to make him fear everything around him. While all this is going on, Commissioner Gordon is out on patrol and learns that his son is back in town. Ever since James Jr. was a baby, he couldn't feel empathy. So whenever someone would mess with him, he would go after then ans torture them (this is where things get twisted). Long story short, the reader finds out that it was Gordon's behind all of the crimes recently commit to get back at Batman (Dick). There are also apparences by the Joker, Tim Drake, Barbara Gordon and Sonia Zucco (daughter of Tony Zucco, the man who killed Dick's parents). Now I will say this book is pretty amazing, but like I mentioned in the title, this one isn't for everyone. This book is kinda graphic and has gore elements in it. Not to mention the use of psychotic themes and characters. I can see how some people can get disinterested in that. And the story does jump around a little so it can get a bit difficult to follow. But all in all, it is great storytelling. If dark story-telling is your thing, I recommend checking this one out. The dialog of the characters seem so natural and so is their development. The inclusion of Gordon's son was such a wonderful experience, and not only that but to have him a little twisted in the head was incredible in my opinion. Like they have said before, having this character be twisted, he is a perfect counter-part to both Gordon and Dick; Dick is smiling and care for other people while James Jr. cannot do this, and to Gordon, his son is the one case he cannot solve. Anyways, I loved everything about it and has even inspired me to get back into the comic book genre. I hope my review helped you decide to check this book out.
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Reviewed in the United States on February 20, 2013

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