SKU: 10720658032
post emergence herbicide for chickpea

post emergence herbicide for chickpea Plateau Herbicide with Imazapic for Native Grass Restoration 1Gal

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Description

post emergence herbicide for chickpea Plateau Herbicide with Imazapic for Native Grass Restoration 1GalHow Plateau Herbicide Works Containing imazapic as the primary ingredient, Plateau is used as a pre and post emergent herbicide for the control of broadleaf weeds and annual and perennial grasses. Once it's sprayed onto the weed, the chemical agent quickly translocates throughout the plant, including any edible portions such as seeds and leaves. Therefore, you should never use Plateau on food crops. It destroys the weed from the inside and suppresses

How Plateau Herbicide Works

Containing imazapic as the primary ingredient, Plateau is used as a pre- and post-emergent herbicide for the control of broadleaf weeds and annual and perennial grasses. Once it's sprayed onto the weed, the chemical agent quickly translocates throughout the plant, including any edible portions such as seeds and leaves. Therefore, you should never use Plateau on food crops. It destroys the weed from the inside and suppresses growth in the target area.

 

Where to Use Plateau Herbicide

For the control and suppression of weeds and turf height, Plateau provides superior results when it's used as directed. It's labeled for use in noncrop lands, ditch banks, prairie sites and nonresidential turf. It keeps weeds controlled on petroleum tank farms, utility plant sites and highway rights of way. You can also use Plateau in grassy areas on golf courses, airports and recreational sites. However, it is not labeled for use on residential lawns.

 

Target Weeds

Plateau herbicide controls the toughest and most noxious weed species in noncrop areas, such as cheatgrass and tall fescue. It also controls Bahia grass, leafy spurge and bindweed on roadsides and industrial turf. Use Plateau herbicide to kill and control:

  • Johnsongrass
  • Medusahead
  • Sandbur
  • Vaseygrass
  • Houndstongue

 

Plateau Herbicide Features and Benefits

  • Controls tall fescue, cheatgrass and other invasive or noxious weeds and grasses
  • Provides reliable, versatile control against problem species
  • Contains imazapic for immediate and effective control
  • For use on golf courses, roadsides, commercial turf and noncrop areas
  • Works for both pre- and postemergent weeds

 

Tips for Using Plateau Herbicide

  • Avoid spraying drift and targeting beneficial plants and other desirable vegetation.
  • Follow the directions for use when applying Plateau as an aerial application.
  • Apply uniformly to the target area when using ground application equipment.

 

Plateau Herbicide Kills Hard-to-Control Weeds and Grasses

Whether it's cheatgrass or tall fescue, Plateau herbicide kills tough weeds and grasses with a solitary application. You can use it as a spot, air or ground application and mix it with other herbicides in the tank for optimal control. It kills weeds and grasses along roadsides and keeps golf courses in pristine condition. If you want an herbicide that handles the toughest weeds, don't use anything other than Plateau weed killer.

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SKU: 10720658032

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T
The Art and Making of
Lake Worth, US
★★★★★ 4
Another Great Entry In This Series!
Format: Hardcover
See video for review. (For a full flip through and in-depth review, follow the Youtube link on my Amazon profile).
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Reviewed in the United States on April 10, 2018
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Reverend Skull
Battle Creek, US
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
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Reviewed in the United States on April 20, 2009
M
Max
Pawtucket, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Whiting, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Birmingham, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003

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