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Description
e-bikes 2022 damen COPPERHEAD EVO HD 750 WAVE – BULLS Bikes USAThe Copperhead EVO HD 750 Wave is the most accessible eMTB in the BULLS lineup. This high performance electric mountain bike is designed for riders seeking both capability and approachabilitywhether you're tackling tough trails or cruising off road paths. Featuring a step through frame and robust specs, this eMTB brings confidence to all types of riders, no matter their experience or physical condition. Motor and Battery Motor: Bosch Performance Line
- The Copperhead EVO HD 750 Wave is the most accessible eMTB in the BULLS lineup.
- This high-performance electric mountain bike is designed for riders seeking both capability and approachability—whether you're tackling tough trails or cruising off-road paths.
- Featuring a step-through frame and robust specs, this eMTB brings confidence to all types of riders, no matter their experience or physical condition.
Motor and Battery
- Motor: Bosch Performance Line CX motor with 85 Nm of torque for strong acceleration and responsive support, perfect for trail and cross-country use.
- Battery: Bosch PowerTube 750 Wh, fully integrated into the downtube for sleek aesthetics. Approx. 6-hour charge time to full capacity.
Suspension and Frame
- Fork: SR Suntour Lytro 34 with 120mm of travel to smooth out uneven terrain.
- Frame: Lightweight and durable aluminum 6061 with internal cable routing. Available in frame sizes 41 / 44 / 48 cm for optimal fit.
Drivetrain and Brakes
- Gears: Shimano Deore 10-speed drivetrain for reliable shifting and a wide gear range.
- Brakes: Tektro HD-M530 hydraulic disc brakes (203mm front, 180mm rear) deliver strong and consistent stopping power, even on steep descents.
Wheels and Tires
- Wheels: 27.5" wheels offer a perfect balance of maneuverability and stability.
- Tires: Schwalbe Smart Sam 2.6" wide tires provide great traction and control across mixed terrain.
Additional Features
- Remote: BOSCH LED remote connects via Bluetooth to your phone and displays essential ride data like speed, battery level, and distance. Simple, intuitive, and easy to read while riding.
- Pedals and Saddle: BULLS MTB pedals and Zecure MTB saddle ensure secure footing and comfort throughout your ride.
Technology and Design
- MonkeyLink Ready: Seamless accessory integration with MonkeyLink-compatible lights and fenders.
- Class-1 eBike: Pedal assist up to 20 mph, legal on most bike paths and trails.
Ride Experience
- Accessible adventure: Built to break barriers and welcome all riders—especially those new to mountain biking.
- Confidence meets comfort: Step-through design and upright geometry offer easy access and a secure, relaxed ride feel.
- Fun on every trail: From dirt paths to weekend rides, this eMTB brings freedom, power, and pure riding joy to every adventure.
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4.8 ★★★★★
Based on 1584 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017